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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 103 255 it is the complementary color RGB 154 152 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 103 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 103 255 shade: RGB 106 103 250, RGB 123 121 255, RGB 140 139 255, RGB 157 157 255 and RGB 174 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 103 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 103 255 shade: RGB 101 103 255, RGB 84 85 236, RGB 67 67 217, RGB 50 49 198 and RGB 33 31 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 103 255 shade: RGB 102 104 255, RGB 141 102 255, RGB 183 102 255, RGB 224 102 255 and RGB 255 102 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 103 255 shade: RGB 102 104 255 and RGB 102 102 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 103 255 shade matches the following richer shades: RGB 102 104 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 103 255 shade: RGB 102 104 255, RGB 114 116 243, RGB 127 128 230, RGB 139 140 218 and RGB 152 152 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 103 255 shade: RGB 102 186 255, RGB 102 145 255, RGB 102 105 255, RGB 140 102 255 and RGB 181 102 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 103 255 shade: RGB 19 23 255, RGB 61 63 255, RGB 102 104 255, RGB 143 145 255 and RGB 185 185 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 103 255 shade: RGB 101 103 255, RGB 255 102 227 and RGB 166 255 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 103 255 shade: RGB 101 103 255, RGB 255 102 105 and RGB 105 255 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 103 255 shade: RGB 101 103 255, RGB 255 102 227, RGB 255 252 102 and RGB 102 255 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 103 255 shade: RGB 101 103 255, RGB 255 102 181, RGB 255 252 102 and RGB 102 255 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

Complementary color

CMYK 0 / 1 / 100 / 40

HEX #9A9800

RGB 154 152 0

HSL 59.22, 1%, 0.3%

LAB 61.07, -13.75, 64.42

 

CMYK 58 / 59 / 0 / 2

HEX #6A67FA

RGB 106 103 250

HSL 241.22, 0.94%, 0.69%

LAB 51.46, 42.12, -73.29

 

CMYK 52 / 53 / 0 / 0

HEX #7B79FF

RGB 123 121 255

HSL 240.9, 1%, 0.74%

LAB 57.18, 36.2, -66.74

 

CMYK 45 / 45 / 0 / 0

HEX #8C8BFF

RGB 140 139 255

HSL 240.52, 1%, 0.77%

LAB 62.73, 29.32, -57.78

 

CMYK 38 / 38 / 0 / 0

HEX #9D9DFF

RGB 157 157 255

HSL 240, 1%, 0.81%

LAB 68.39, 23.08, -48.73

 

CMYK 32 / 31 / 0 / 0

HEX #AEAFFF

RGB 174 175 255

HSL 239.26, 1%, 0.84%

LAB 74.11, 17.45, -39.67

 

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

CMYK 64 / 64 / 0 / 7

HEX #5455EC

RGB 84 85 236

HSL 239.61, 0.8%, 0.63%

LAB 44.85, 44.9, -76.28

 

CMYK 69 / 69 / 0 / 15

HEX #4343D9

RGB 67 67 217

HSL 240, 0.66%, 0.56%

LAB 38.23, 47.11, -76.38

 

CMYK 75 / 75 / 0 / 22

HEX #3231C6

RGB 50 49 198

HSL 240.4, 0.6%, 0.48%

LAB 31.7, 49.4, -76.17

 

CMYK 82 / 83 / 0 / 30

HEX #211FB3

RGB 33 31 179

HSL 240.81, 0.7%, 0.41%

LAB 25.44, 51.41, -75.34

 

CMYK 60 / 59 / 0 / 0

HEX #6668FF

RGB 102 104 255

HSL 239.22, 1%, 0.7%

LAB 51.78, 42.45, -75.56

 

CMYK 45 / 60 / 0 / 0

HEX #8D66FF

RGB 141 102 255

HSL 255.29, 1%, 0.7%

LAB 54.43, 50.6, -71.1

 

CMYK 28 / 60 / 0 / 0

HEX #B766FF

RGB 183 102 255

HSL 271.76, 1%, 0.7%

LAB 58.78, 59.51, -63.87

 

CMYK 12 / 60 / 0 / 0

HEX #E066FF

RGB 224 102 255

HSL 287.84, 1%, 0.7%

LAB 63.81, 68.93, -55.54

 

CMYK 0 / 60 / 4 / 0

HEX #FF66F5

RGB 255 102 245

HSL 303.92, 1%, 0.7%

LAB 67.54, 74.63, -43.87

 

CMYK 60 / 59 / 0 / 0

HEX #6668FF

RGB 102 104 255

HSL 239.22, 1%, 0.7%

LAB 51.78, 42.45, -75.56

 

CMYK 60 / 60 / 0 / 0

HEX #6666FF

RGB 102 102 255

HSL 240, 1%, 0.7%

LAB 51.32, 43.62, -76.3

 

CMYK 60 / 59 / 0 / 0

HEX #6668FF

RGB 102 104 255

HSL 239.22, 1%, 0.7%

LAB 51.78, 42.45, -75.56

 

CMYK 60 / 59 / 0 / 0

HEX #6668FF

RGB 102 104 255

HSL 239.22, 1%, 0.7%

LAB 51.78, 42.45, -75.56

 

CMYK 53 / 52 / 0 / 5

HEX #7274F3

RGB 114 116 243

HSL 239.07, 0.84%, 0.7%

LAB 54.59, 33.72, -64.3

 

CMYK 45 / 44 / 0 / 10

HEX #7F80E6

RGB 127 128 230

HSL 239.42, 0.67%, 0.7%

LAB 57.72, 25.52, -52.01

 

CMYK 36 / 36 / 0 / 15

HEX #8B8CDA

RGB 139 140 218

HSL 239.24, 0.52%, 0.7%

LAB 61.05, 18.16, -39.98

 

CMYK 26 / 26 / 0 / 20

HEX #9898CD

RGB 152 152 205

HSL 240, 0.35%, 0.7%

LAB 64.6, 11.66, -27.15

 

CMYK 60 / 27 / 0 / 0

HEX #66BAFF

RGB 102 186 255

HSL 207.06, 1%, 0.7%

LAB 73, -5.55, -41.71

 

CMYK 60 / 43 / 0 / 0

HEX #6691FF

RGB 102 145 255

HSL 223.14, 1%, 0.7%

LAB 61.91, 17.92, -59.22

 

CMYK 60 / 59 / 0 / 0

HEX #6669FF

RGB 102 105 255

HSL 238.82, 1%, 0.7%

LAB 52, 41.86, -75.19

 

CMYK 45 / 60 / 0 / 0

HEX #8C66FF

RGB 140 102 255

HSL 254.9, 1%, 0.7%

LAB 54.34, 50.4, -71.26

 

CMYK 29 / 60 / 0 / 0

HEX #B566FF

RGB 181 102 255

HSL 270.98, 1%, 0.7%

LAB 58.55, 59.06, -64.25

 

CMYK 93 / 91 / 0 / 0

HEX #1317FF

RGB 19 23 255

HSL 238.98, 1%, 0.54%

LAB 33.92, 75.23, -105.15

 

CMYK 76 / 75 / 0 / 0

HEX #3D3FFF

RGB 61 63 255

HSL 239.38, 1%, 0.62%

LAB 40.84, 60.82, -93.59

 

CMYK 60 / 59 / 0 / 0

HEX #6668FF

RGB 102 104 255

HSL 239.22, 1%, 0.7%

LAB 51.78, 42.45, -75.56

 

CMYK 44 / 43 / 0 / 0

HEX #8F91FF

RGB 143 145 255

HSL 238.93, 1%, 0.78%

LAB 64.41, 26.54, -55.09

 

CMYK 27 / 27 / 0 / 0

HEX #B9B9FF

RGB 185 185 255

HSL 240, 1%, 0.86%

LAB 77.42, 15.01, -34.48

 

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

CMYK 0 / 60 / 11 / 0

HEX #FF66E3

RGB 255 102 227

HSL 310.98, 1%, 0.7%

LAB 66.76, 71.87, -35.14

 

CMYK 35 / 0 / 60 / 0

HEX #A6FF66

RGB 166 255 102

HSL 94.9, 1%, 0.7%

LAB 91.95, -51.47, 63.18

 

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

CMYK 0 / 60 / 59 / 0

HEX #FF6669

RGB 255 102 105

HSL 358.82, 1%, 0.7%

LAB 63.16, 58.44, 28.92

 

CMYK 59 / 0 / 60 / 0

HEX #69FF66

RGB 105 255 102

HSL 118.82, 1%, 0.7%

LAB 89.62, -68.51, 59.92

 

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

CMYK 0 / 60 / 11 / 0

HEX #FF66E3

RGB 255 102 227

HSL 310.98, 1%, 0.7%

LAB 66.76, 71.87, -35.14

 

CMYK 0 / 1 / 60 / 0

HEX #FFFC66

RGB 255 252 102

HSL 58.82, 1%, 0.7%

LAB 96.75, -17, 70.07

 

CMYK 60 / 0 / 49 / 0

HEX #66FF82

RGB 102 255 130

HSL 130.98, 1%, 0.7%

LAB 89.84, -65.73, 47.61

 

CMYK 60 / 60 / 0 / 0

HEX #6567FF

RGB 101 103 255

HSL 239.22, 1%, 0.7%

LAB 51.48, 42.88, -76.04

 

CMYK 0 / 60 / 29 / 0

HEX #FF66B5

RGB 255 102 181

HSL 329.02, 1%, 0.7%

LAB 65.04, 65.65, -11.89

 

CMYK 0 / 1 / 60 / 0

HEX #FFFC66

RGB 255 252 102

HSL 58.82, 1%, 0.7%

LAB 96.75, -17, 70.07

 

CMYK 60 / 0 / 31 / 0

HEX #66FFB0

RGB 102 255 176

HSL 149.02, 1%, 0.7%

LAB 90.54, -58.11, 25.93

 

Description

Color code: RGB 101 103 255 | qconv.com Color code: RGB 101 103 255 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 103 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 103 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 60 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 60% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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