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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 225 198 it is the complementary color RGB 155 30 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 225 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 225 198 shade: RGB 105 225 193, RGB 122 243 212, RGB 139 255 231, RGB 156 255 250 and RGB 173 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 225 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 83 207 179, RGB 66 189 160, RGB 49 171 141 and RGB 32 153 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 100 225 164, RGB 100 225 131, RGB 103 225 100 and RGB 137 225 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 100 218 225, RGB 100 185 225, RGB 100 151 225 and RGB 100 117 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 225 198 shade matches the following richer shades: RGB 100 225 198 and RGB 85 240 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 115 210 190, RGB 130 195 181, RGB 145 181 173 and RGB 160 166 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 225 198 shade: RGB 100 225 131, RGB 100 225 165, RGB 100 225 198, RGB 100 219 225 and RGB 100 186 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 225 198 shade: RGB 39 204 169, RGB 66 219 185, RGB 100 225 198, RGB 135 232 211 and RGB 170 238 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 100 102 225 and RGB 225 148 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 198 100 225 and RGB 225 198 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 100 102 225, RGB 225 100 127 and RGB 225 223 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 225 198 shade: RGB 100 225 198, RGB 136 100 225, RGB 225 100 127 and RGB 190 225 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

Complementary color

CMYK 0 / 81 / 63 / 39

HEX #9B1E39

RGB 155 30 57

HSL 347.04, 0.68%, 0.36%

LAB 34.38, 51.35, 16.82

 

CMYK 53 / 0 / 14 / 12

HEX #69E1C1

RGB 105 225 193

HSL 164, 0.67%, 0.65%

LAB 82.22, -41.39, 5.43

 

CMYK 50 / 0 / 13 / 5

HEX #7AF3D4

RGB 122 243 212

HSL 164.63, 0.83%, 0.72%

LAB 88.44, -41.35, 4.52

 

CMYK 45 / 0 / 9 / 0

HEX #8BFFE7

RGB 139 255 231

HSL 167.59, 1%, 0.77%

LAB 92.92, -38.58, 1.23

 

CMYK 39 / 0 / 2 / 0

HEX #9CFFFA

RGB 156 255 250

HSL 176.97, 1%, 0.81%

LAB 94.09, -30.16, -6.78

 

CMYK 32 / 0 / 0 / 0

HEX #ADFFFF

RGB 173 255 255

HSL 180, 1%, 0.84%

LAB 95, -24.69, -7.94

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 60 / 0 / 14 / 19

HEX #53CFB3

RGB 83 207 179

HSL 166.45, 0.56%, 0.57%

LAB 75.9, -41.11, 3.68

 

CMYK 65 / 0 / 15 / 26

HEX #42BDA0

RGB 66 189 160

HSL 165.85, 0.48%, 0.5%

LAB 69.53, -40.86, 4.73

 

CMYK 71 / 0 / 18 / 33

HEX #31AB8D

RGB 49 171 141

HSL 165.25, 0.55%, 0.43%

LAB 63.1, -40.41, 5.9

 

CMYK 79 / 0 / 20 / 40

HEX #20997A

RGB 32 153 122

HSL 164.63, 0.65%, 0.36%

LAB 56.58, -39.67, 7.21

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 56 / 0 / 27 / 12

HEX #64E1A4

RGB 100 225 164

HSL 150.72, 0.68%, 0.64%

LAB 81.42, -48.76, 19.54

 

CMYK 56 / 0 / 42 / 12

HEX #64E183

RGB 100 225 131

HSL 134.88, 0.68%, 0.64%

LAB 80.85, -54.76, 35.7

 

CMYK 54 / 0 / 56 / 12

HEX #67E164

RGB 103 225 100

HSL 118.56, 0.68%, 0.64%

LAB 80.55, -58.38, 50.27

 

CMYK 39 / 0 / 56 / 12

HEX #89E164

RGB 137 225 100

HSL 102.24, 0.68%, 0.64%

LAB 81.89, -48.67, 52.18

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 56 / 3 / 0 / 12

HEX #64DAE1

RGB 100 218 225

HSL 183.36, 0.68%, 0.64%

LAB 80.9, -31.12, -13.53

 

CMYK 56 / 18 / 0 / 12

HEX #64B9E1

RGB 100 185 225

HSL 199.2, 0.68%, 0.64%

LAB 71.45, -14.52, -27.87

 

CMYK 56 / 33 / 0 / 12

HEX #6497E1

RGB 100 151 225

HSL 215.52, 0.68%, 0.64%

LAB 61.89, 4.35, -42.72

 

CMYK 56 / 48 / 0 / 12

HEX #6475E1

RGB 100 117 225

HSL 231.84, 0.68%, 0.64%

LAB 52.8, 24.67, -57.16

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 65 / 0 / 14 / 6

HEX #55F0CF

RGB 85 240 207

HSL 167.23, 0.84%, 0.64%

LAB 86.38, -48.26, 4.02

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 45 / 0 / 10 / 18

HEX #73D2BE

RGB 115 210 190

HSL 167.37, 0.51%, 0.64%

LAB 78.14, -32.94, 1.17

 

CMYK 33 / 0 / 7 / 24

HEX #82C3B5

RGB 130 195 181

HSL 167.08, 0.35%, 0.64%

LAB 74.26, -23.77, 0.45

 

CMYK 20 / 0 / 4 / 29

HEX #91B5AD

RGB 145 181 173

HSL 166.67, 0.2%, 0.64%

LAB 70.93, -13.79, 0.05

 

CMYK 4 / 0 / 1 / 35

HEX #A0A6A4

RGB 160 166 164

HSL 160, 0.03%, 0.64%

LAB 67.6, -2.51, 0.28

 

CMYK 56 / 0 / 42 / 12

HEX #64E183

RGB 100 225 131

HSL 134.88, 0.68%, 0.64%

LAB 80.85, -54.76, 35.7

 

CMYK 56 / 0 / 27 / 12

HEX #64E1A5

RGB 100 225 165

HSL 151.2, 0.68%, 0.64%

LAB 81.44, -48.56, 19.05

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 56 / 3 / 0 / 12

HEX #64DBE1

RGB 100 219 225

HSL 182.88, 0.68%, 0.64%

LAB 81.19, -31.6, -13.1

 

CMYK 56 / 17 / 0 / 12

HEX #64BAE1

RGB 100 186 225

HSL 198.72, 0.68%, 0.64%

LAB 71.73, -15.05, -27.43

 

CMYK 81 / 0 / 17 / 20

HEX #27CCA9

RGB 39 204 169

HSL 167.27, 0.68%, 0.48%

LAB 73.86, -48.44, 6.01

 

CMYK 70 / 0 / 16 / 14

HEX #42DBB9

RGB 66 219 185

HSL 166.67, 0.68%, 0.56%

LAB 79.23, -47.58, 5.23

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 42 / 0 / 9 / 9

HEX #87E8D3

RGB 135 232 211

HSL 167.01, 0.68%, 0.72%

LAB 85.79, -33.5, 1.25

 

CMYK 29 / 0 / 6 / 7

HEX #AAEEDF

RGB 170 238 223

HSL 166.76, 0.67%, 0.8%

LAB 89.4, -24.29, 0.43

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 56 / 55 / 0 / 12

HEX #6466E1

RGB 100 102 225

HSL 239.04, 0.68%, 0.64%

LAB 49.07, 33.79, -63.18

 

CMYK 0 / 34 / 56 / 12

HEX #E19464

RGB 225 148 100

HSL 23.04, 0.68%, 0.64%

LAB 68.1, 24.12, 37.1

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 12 / 56 / 0 / 12

HEX #C664E1

RGB 198 100 225

HSL 287.04, 0.68%, 0.64%

LAB 58.56, 57.74, -47.43

 

CMYK 0 / 12 / 56 / 12

HEX #E1C664

RGB 225 198 100

HSL 47.04, 0.68%, 0.64%

LAB 80.36, -2.38, 51.88

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 56 / 55 / 0 / 12

HEX #6466E1

RGB 100 102 225

HSL 239.04, 0.68%, 0.64%

LAB 49.07, 33.79, -63.18

 

CMYK 0 / 56 / 44 / 12

HEX #E1647F

RGB 225 100 127

HSL 347.04, 0.68%, 0.64%

LAB 58.65, 51.16, 9.35

 

CMYK 0 / 1 / 56 / 12

HEX #E1DF64

RGB 225 223 100

HSL 59.04, 0.68%, 0.64%

LAB 86.85, -15.03, 59.33

 

CMYK 56 / 0 / 12 / 12

HEX #64E1C6

RGB 100 225 198

HSL 167.04, 0.68%, 0.64%

LAB 82.18, -41.24, 2.72

 

CMYK 40 / 56 / 0 / 12

HEX #8864E1

RGB 136 100 225

HSL 257.28, 0.68%, 0.64%

LAB 51.59, 42.53, -58.95

 

CMYK 0 / 56 / 44 / 12

HEX #E1647F

RGB 225 100 127

HSL 347.04, 0.68%, 0.64%

LAB 58.65, 51.16, 9.35

 

CMYK 16 / 0 / 56 / 12

HEX #BEE164

RGB 190 225 100

HSL 76.8, 0.68%, 0.64%

LAB 84.85, -29.84, 56.38

 

Description

Color code: RGB 100 225 198 | qconv.com Color code: RGB 100 225 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 225 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 225 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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