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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 104 220 it is the complementary color RGB 155 151 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 104 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 104 220: RGB 105 104 215, RGB 122 122 234, RGB 139 140 253, RGB 156 158 255 and RGB 173 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 104 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 104 220: RGB 100 104 220, RGB 83 86 201, RGB 66 68 182, RGB 49 50 163 and RGB 32 32 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

Complementary color

CMYK 0 / 3 / 77 / 39

HEX #9B9723

RGB 155 151 35

HSL 58, 0.63%, 0.37%

LAB 60.98, -11.92, 56.96

 

CMYK 51 / 52 / 0 / 16

HEX #6968D7

RGB 105 104 215

HSL 240.54, 0.58%, 0.63%

LAB 49.27, 30.45, -57.17

 

CMYK 48 / 48 / 0 / 8

HEX #7A7AEA

RGB 122 122 234

HSL 240, 0.73%, 0.7%

LAB 56.08, 29.1, -56.86

 

CMYK 45 / 45 / 0 / 1

HEX #8B8CFD

RGB 139 140 253

HSL 239.47, 0.97%, 0.77%

LAB 62.79, 27.93, -56.59

 

CMYK 39 / 38 / 0 / 0

HEX #9C9EFF

RGB 156 158 255

HSL 238.79, 1%, 0.81%

LAB 68.56, 22.25, -48.46

 

CMYK 32 / 31 / 0 / 0

HEX #ADB0FF

RGB 173 176 255

HSL 237.8, 1%, 0.84%

LAB 74.29, 16.62, -39.4

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 59 / 57 / 0 / 21

HEX #5356C9

RGB 83 86 201

HSL 238.47, 0.52%, 0.56%

LAB 42.33, 32.71, -60.43

 

CMYK 64 / 63 / 0 / 29

HEX #4244B6

RGB 66 68 182

HSL 238.97, 0.47%, 0.49%

LAB 35.34, 34.71, -60.74

 

CMYK 70 / 69 / 0 / 36

HEX #3132A3

RGB 49 50 163

HSL 239.47, 0.54%, 0.42%

LAB 28.32, 37, -60.91

 

CMYK 78 / 78 / 0 / 44

HEX #202090

RGB 32 32 144

HSL 240, 0.64%, 0.35%

LAB 21.41, 39.45, -60.7

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 47 / 54 / 0 / 14

HEX #7565DC

RGB 117 101 220

HSL 248.07, 0.63%, 0.63%

LAB 49.81, 36.32, -59.09

 

CMYK 38 / 54 / 0 / 14

HEX #8865DC

RGB 136 101 220

HSL 257.65, 0.63%, 0.63%

LAB 51.51, 40.62, -56.27

 

CMYK 29 / 54 / 0 / 14

HEX #9C65DC

RGB 156 101 220

HSL 267.73, 0.63%, 0.63%

LAB 53.54, 45.48, -52.9

 

CMYK 20 / 54 / 0 / 14

HEX #B065DC

RGB 176 101 220

HSL 277.82, 0.63%, 0.63%

LAB 55.79, 50.56, -49.18

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 56 / 50 / 0 / 94

HEX #070810

RGB 7 8 16

HSL 233.33, 0.39%, 0.05%

LAB 2.31, 1, -3.53

 

CMYK 55 / 52 / 0 / 74

HEX #1E2043

RGB 30 32 67

HSL 236.76, 0.38%, 0.19%

LAB 13.91, 10.6, -22.51

 

CMYK 54 / 53 / 0 / 54

HEX #363876

RGB 54 56 118

HSL 238.13, 0.37%, 0.34%

LAB 26.51, 18.11, -35.99

 

CMYK 54 / 53 / 0 / 34

HEX #4D50A9

RGB 77 80 169

HSL 238.04, 0.37%, 0.48%

LAB 38.16, 24.75, -48.42

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 0 / 54 / 9 / 14

HEX #DC65C8

RGB 220 101 200

HSL 310.08, 0.63%, 0.63%

LAB 60.51, 58.74, -30.06

 

CMYK 31 / 0 / 54 / 14

HEX #98DC65

RGB 152 220 101

HSL 94.29, 0.63%, 0.63%

LAB 81.18, -41.43, 51.08

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 0 / 54 / 52 / 14

HEX #DC6569

RGB 220 101 105

HSL 357.98, 0.63%, 0.63%

LAB 57.6, 46.91, 20.57

 

CMYK 52 / 0 / 54 / 14

HEX #69DC65

RGB 105 220 101

HSL 117.98, 0.63%, 0.63%

LAB 79.12, -55.85, 48.12

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 0 / 54 / 9 / 14

HEX #DC65C8

RGB 220 101 200

HSL 310.08, 0.63%, 0.63%

LAB 60.51, 58.74, -30.06

 

CMYK 0 / 2 / 54 / 14

HEX #DCD865

RGB 220 216 101

HSL 57.98, 0.63%, 0.63%

LAB 84.62, -13.5, 56.24

 

CMYK 54 / 0 / 45 / 14

HEX #65DC79

RGB 101 220 121

HSL 130.08, 0.63%, 0.63%

LAB 79.23, -54.13, 38.61

 

CMYK 55 / 53 / 0 / 14

HEX #6468DC

RGB 100 104 220

HSL 238, 0.63%, 0.63%

LAB 49.22, 31, -60.09

 

CMYK 0 / 54 / 25 / 14

HEX #DC65A4

RGB 220 101 164

HSL 328.24, 0.63%, 0.63%

LAB 59.16, 53.42, -11.49

 

CMYK 0 / 2 / 54 / 14

HEX #DCD865

RGB 220 216 101

HSL 57.98, 0.63%, 0.63%

LAB 84.62, -13.5, 56.24

 

CMYK 54 / 0 / 29 / 14

HEX #65DC9C

RGB 101 220 156

HSL 147.73, 0.63%, 0.63%

LAB 79.81, -48.04, 21.5

 

Description

Color code: RGB 100 104 220 | qconv.com Color code: RGB 100 104 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 104 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 104 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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