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Color name
RGB 100.1 126.8 199

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100.1 126.8 199 it is the complementary color RGB 154.9 128.2 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100.1 126.8 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100.1 126.8 199 shade: RGB 105.1 126.8 194, RGB 122.1 144.8 213, RGB 139.1 162.8 232, RGB 156.1 180.8 251 and RGB 173.1 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100.1 126.8 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100.1 126.8 199 shade: RGB 100.1 126.8 199, RGB 83.1 108.8 180, RGB 66.1 90.8 161, RGB 49.1 72.8 142 and RGB 32.1 54.8 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100.1 126.8 199 shade: RGB 101 127 199, RGB 101 101 199, RGB 127 101 199, RGB 154 101 199 and RGB 180 101 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100.1 126.8 199 shade: RGB 101 127 199, RGB 101 101 199 and RGB 101 101 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100.1 126.8 199 shade matches the following richer shades: RGB 101 127 199, RGB 84 120 216, RGB 67 112 233 and RGB 50 104 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100.1 126.8 199 shade: RGB 101 127 199, RGB 118 135 182, RGB 135 143 165, RGB 152 151 148 and RGB 168 158 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100.1 126.8 199 shade: RGB 101 181 199, RGB 101 155 199, RGB 101 129 199, RGB 101 102 199 and RGB 125 101 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100.1 126.8 199 shade: RGB 57 85 160, RGB 70 102 188, RGB 101 127 199, RGB 131 152 210 and RGB 161 178 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100.1 126.8 199 shade: RGB 100.1 126.8 199, RGB 191 101 199 and RGB 168 199 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100.1 126.8 199 shade: RGB 100.1 126.8 199, RGB 199 101 129 and RGB 129 199 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100.1 126.8 199 shade: RGB 100.1 126.8 199, RGB 191 101 199, RGB 199 171 101 and RGB 109 199 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100.1 126.8 199 shade: RGB 100.1 126.8 199, RGB 199 101 178, RGB 199 171 101 and RGB 101 199 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

Complementary color

CMYK 0 / 17 / 64 / 39

HEX #9A8038

RGB 154.9 128.2 56

HSL 43.8, 0.47%, 0.41%

LAB 54.8, 1.63, 42.05

 

CMYK 46 / 35 / 0 / 24

HEX #697EC2

RGB 105.1 126.8 194

HSL 225.35, 0.42%, 0.59%

LAB 54.06, 10.22, -37.59

 

CMYK 43 / 32 / 0 / 16

HEX #7A90D5

RGB 122.1 144.8 213

HSL 225.02, 0.52%, 0.66%

LAB 60.9, 9.5, -37.51

 

CMYK 40 / 30 / 0 / 9

HEX #8BA2E8

RGB 139.1 162.8 232

HSL 224.69, 0.67%, 0.73%

LAB 67.61, 8.89, -37.47

 

CMYK 38 / 28 / 0 / 2

HEX #9CB4FB

RGB 156.1 180.8 251

HSL 224.38, 0.92%, 0.8%

LAB 74.2, 8.36, -37.48

 

CMYK 32 / 22 / 0 / 0

HEX #ADC6FF

RGB 173.1 198.8 255

HSL 221.17, 1%, 0.84%

LAB 80.11, 4.12, -30.41

 

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

CMYK 54 / 40 / 0 / 29

HEX #536CB4

RGB 83.1 108.8 180

HSL 224.09, 0.39%, 0.52%

LAB 47.02, 11.52, -40.72

 

CMYK 59 / 44 / 0 / 37

HEX #425AA1

RGB 66.1 90.8 161

HSL 224.38, 0.42%, 0.45%

LAB 39.89, 12.77, -40.94

 

CMYK 65 / 49 / 0 / 44

HEX #31488E

RGB 49.1 72.8 142

HSL 224.69, 0.49%, 0.37%

LAB 32.58, 14.38, -41.2

 

CMYK 74 / 55 / 0 / 52

HEX #20367B

RGB 32.1 54.8 123

HSL 225.02, 0.59%, 0.3%

LAB 25.11, 16.54, -41.48

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

CMYK 49 / 49 / 0 / 22

HEX #6565C7

RGB 101 101 199

HSL 240, 0.47%, 0.59%

LAB 47.23, 26.46, -51.3

 

CMYK 36 / 49 / 0 / 22

HEX #7F65C7

RGB 127 101 199

HSL 255.92, 0.47%, 0.59%

LAB 49.43, 32.76, -47.67

 

CMYK 23 / 49 / 0 / 22

HEX #9A65C7

RGB 154 101 199

HSL 272.45, 0.47%, 0.59%

LAB 52.18, 39.97, -43.13

 

CMYK 10 / 49 / 0 / 22

HEX #B465C7

RGB 180 101 199

HSL 288.37, 0.47%, 0.59%

LAB 55.21, 47.25, -38.15

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

CMYK 49 / 49 / 0 / 22

HEX #6565C7

RGB 101 101 199

HSL 240, 0.47%, 0.59%

LAB 47.23, 26.46, -51.3

 

CMYK 49 / 49 / 0 / 22

HEX #6565C7

RGB 101 101 199

HSL 240, 0.47%, 0.59%

LAB 47.23, 26.46, -51.3

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

CMYK 61 / 44 / 0 / 15

HEX #5478D8

RGB 84 120 216

HSL 223.64, 0.63%, 0.59%

LAB 52.15, 16.78, -53.19

 

CMYK 71 / 52 / 0 / 9

HEX #4370E9

RGB 67 112 233

HSL 223.73, 0.79%, 0.59%

LAB 50.29, 25, -65.79

 

CMYK 80 / 58 / 0 / 2

HEX #3268FA

RGB 50 104 250

HSL 223.8, 0.95%, 0.59%

LAB 48.86, 34.34, -77.64

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

CMYK 35 / 26 / 0 / 29

HEX #7687B6

RGB 118 135 182

HSL 224.06, 0.3%, 0.59%

LAB 56.64, 5.44, -26.65

 

CMYK 18 / 13 / 0 / 35

HEX #878FA5

RGB 135 143 165

HSL 224, 0.14%, 0.59%

LAB 59.45, 1.88, -12.57

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 6 / 22 / 34

HEX #A89E83

RGB 168 158 131

HSL 43.78, 0.18%, 0.59%

LAB 65.29, -0.86, 15.44

 

CMYK 49 / 9 / 0 / 22

HEX #65B5C7

RGB 101 181 199

HSL 191.02, 0.47%, 0.59%

LAB 69.43, -19.66, -16.72

 

CMYK 49 / 22 / 0 / 22

HEX #659BC7

RGB 101 155 199

HSL 206.94, 0.47%, 0.59%

LAB 61.94, -5.66, -28.16

 

CMYK 49 / 35 / 0 / 22

HEX #6581C7

RGB 101 129 199

HSL 222.86, 0.47%, 0.59%

LAB 54.65, 9.42, -39.53

 

CMYK 49 / 49 / 0 / 22

HEX #6566C7

RGB 101 102 199

HSL 239.39, 0.47%, 0.59%

LAB 47.49, 25.85, -50.9

 

CMYK 37 / 49 / 0 / 22

HEX #7D65C7

RGB 125 101 199

HSL 254.69, 0.47%, 0.59%

LAB 49.24, 32.25, -47.98

 

CMYK 64 / 47 / 0 / 37

HEX #3955A0

RGB 57 85 160

HSL 223.69, 0.47%, 0.43%

LAB 37.67, 14.38, -43.91

 

CMYK 63 / 46 / 0 / 26

HEX #4666BC

RGB 70 102 188

HSL 223.73, 0.47%, 0.51%

LAB 44.85, 15.81, -48.87

 

CMYK 49 / 36 / 0 / 22

HEX #657FC7

RGB 101 127 199

HSL 224.08, 0.47%, 0.59%

LAB 54.1, 10.61, -40.39

 

CMYK 38 / 28 / 0 / 18

HEX #8398D2

RGB 131 152 210

HSL 224.05, 0.47%, 0.67%

LAB 63.29, 6.87, -32.07

 

CMYK 27 / 19 / 0 / 13

HEX #A1B2DD

RGB 161 178 221

HSL 223, 0.47%, 0.75%

LAB 72.65, 3.69, -23.56

 

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

CMYK 4 / 49 / 0 / 22

HEX #BF65C7

RGB 191 101 199

HSL 295.1, 0.47%, 0.59%

LAB 56.59, 50.36, -35.88

 

CMYK 16 / 0 / 49 / 22

HEX #A8C765

RGB 168 199 101

HSL 78.98, 0.47%, 0.59%

LAB 76.14, -25.85, 45.3

 

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

CMYK 0 / 49 / 35 / 22

HEX #C76581

RGB 199 101 129

HSL 342.86, 0.47%, 0.59%

LAB 55.11, 41.95, 2.6

 

CMYK 35 / 0 / 49 / 22

HEX #81C765

RGB 129 199 101

HSL 102.86, 0.47%, 0.59%

LAB 73.84, -40.03, 41.97

 

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

CMYK 4 / 49 / 0 / 22

HEX #BF65C7

RGB 191 101 199

HSL 295.1, 0.47%, 0.59%

LAB 56.59, 50.36, -35.88

 

CMYK 0 / 14 / 49 / 22

HEX #C7AB65

RGB 199 171 101

HSL 42.86, 0.47%, 0.59%

LAB 71.01, 1.08, 39.6

 

CMYK 45 / 0 / 49 / 22

HEX #6DC765

RGB 109 199 101

HSL 115.1, 0.47%, 0.59%

LAB 72.92, -46.35, 40.62

 

CMYK 50 / 36 / 0 / 22

HEX #647EC7

RGB 100.1 126.8 199

HSL 223.8, 0.47%, 0.59%

LAB 53.99, 10.52, -40.57

 

CMYK 0 / 49 / 11 / 22

HEX #C765B2

RGB 199 101 178

HSL 312.86, 0.47%, 0.59%

LAB 56.75, 49.01, -23.52

 

CMYK 0 / 14 / 49 / 22

HEX #C7AB65

RGB 199 171 101

HSL 42.86, 0.47%, 0.59%

LAB 71.01, 1.08, 39.6

 

CMYK 49 / 0 / 39 / 22

HEX #65C77A

RGB 101 199 122

HSL 132.86, 0.47%, 0.59%

LAB 72.9, -45.43, 29.91

 

Description

Color code: RGB 100.1 126.8 199 | qconv.com Color code: RGB 100.1 126.8 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100.1 red, 126.8 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100.1 126.8 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 36 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 36% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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