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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 233 147 it is the complementary color RGB 255 22 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 233 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 233 147: RGB 5 233 142, RGB 22 251 161, RGB 39 255 180, RGB 56 255 199 and RGB 73 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 233 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 233 147: RGB 0 233 147, RGB 0 215 128, RGB 0 197 109, RGB 0 179 90 and RGB 0 161 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

Complementary color

CMYK 0 / 91 / 58 / 0

HEX #FF166C

RGB 255 22 108

HSL 337.85, 1%, 0.54%

LAB 54.99, 81.5, 16.24

 

CMYK 98 / 0 / 39 / 9

HEX #05E98E

RGB 5 233 142

HSL 156.05, 0.96%, 0.47%

LAB 81.98, -67.1, 31.37

 

CMYK 91 / 0 / 36 / 2

HEX #16FBA1

RGB 22 251 161

HSL 156.42, 0.97%, 0.54%

LAB 87.84, -69.01, 29.63

 

CMYK 85 / 0 / 29 / 0

HEX #27FFB4

RGB 39 255 180

HSL 159.17, 1%, 0.58%

LAB 89.51, -65.56, 22.3

 

CMYK 78 / 0 / 22 / 0

HEX #38FFC7

RGB 56 255 199

HSL 163.12, 1%, 0.61%

LAB 90.08, -59.92, 13.4

 

CMYK 71 / 0 / 15 / 0

HEX #49FFDA

RGB 73 255 218

HSL 167.8, 1%, 0.64%

LAB 90.78, -53.52, 4.62

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 100 / 0 / 40 / 16

HEX #00D780

RGB 0 215 128

HSL 155.72, 1%, 0.42%

LAB 76.17, -63.8, 30.8

 

CMYK 100 / 0 / 45 / 23

HEX #00C56D

RGB 0 197 109

HSL 153.2, 1%, 0.39%

LAB 70.2, -61.22, 32.72

 

CMYK 100 / 0 / 50 / 30

HEX #00B35A

RGB 0 179 90

HSL 150.17, 1%, 0.35%

LAB 64.14, -58.5, 34.68

 

CMYK 100 / 0 / 56 / 37

HEX #00A147

RGB 0 161 71

HSL 146.46, 1%, 0.32%

LAB 57.98, -55.58, 36.62

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 100 / 0 / 22 / 8

HEX #00EAB7

RGB 0 234 183

HSL 166.92, 1%, 0.46%

LAB 83.05, -58.71, 11.68

 

CMYK 100 / 0 / 5 / 8

HEX #00EADE

RGB 0 234 222

HSL 176.92, 1%, 0.46%

LAB 84.03, -48.49, -7.43

 

CMYK 100 / 12 / 0 / 8

HEX #00CFEA

RGB 0 207 234

HSL 186.92, 1%, 0.46%

LAB 76.42, -32.72, -25.28

 

CMYK 100 / 28 / 0 / 8

HEX #00A8EA

RGB 0 168 234

HSL 196.92, 1%, 0.46%

LAB 64.92, -12.75, -43.09

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 100 / 0 / 38 / 89

HEX #001D12

RGB 0 29 18

HSL 157.24, 1%, 0.06%

LAB 8.33, -13.42, 4.04

 

CMYK 100 / 0 / 38 / 69

HEX #005032

RGB 0 80 50

HSL 157.5, 1%, 0.16%

LAB 29.33, -29.93, 11.74

 

CMYK 100 / 0 / 37 / 49

HEX #008353

RGB 0 131 83

HSL 158.02, 1%, 0.26%

LAB 48.08, -42.73, 17.54

 

CMYK 100 / 0 / 37 / 29

HEX #00B673

RGB 0 182 115

HSL 157.91, 1%, 0.36%

LAB 65.51, -54.82, 23.4

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 100 / 82 / 0 / 8

HEX #002BEA

RGB 0 43 234

HSL 228.97, 1%, 0.46%

LAB 33.28, 62.01, -94.36

 

CMYK 0 / 79 / 100 / 8

HEX #EA3200

RGB 234 50 0

HSL 12.82, 1%, 0.46%

LAB 51.58, 67.33, 64.03

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 38 / 100 / 0 / 8

HEX #9000EA

RGB 144 0 234

HSL 276.92, 1%, 0.46%

LAB 41.01, 80.31, -81.23

 

CMYK 0 / 38 / 100 / 8

HEX #EA9000

RGB 234 144 0

HSL 36.92, 1%, 0.46%

LAB 67.61, 26.14, 72.95

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 100 / 82 / 0 / 8

HEX #002BEA

RGB 0 43 234

HSL 228.97, 1%, 0.46%

LAB 33.28, 62.01, -94.36

 

CMYK 0 / 100 / 62 / 8

HEX #EA0059

RGB 234 0 89

HSL 337.18, 1%, 0.46%

LAB 49.75, 77.45, 19.99

 

CMYK 0 / 18 / 100 / 8

HEX #EABF00

RGB 234 191 0

HSL 48.97, 1%, 0.46%

LAB 78.9, 1.36, 80.56

 

CMYK 100 / 0 / 37 / 9

HEX #00E993

RGB 0 233 147

HSL 157.85, 1%, 0.46%

LAB 82.05, -66.27, 28.92

 

CMYK 88 / 100 / 0 / 8

HEX #1B00EA

RGB 27 0 234

HSL 246.92, 1%, 0.46%

LAB 29.85, 74.4, -100.08

 

CMYK 0 / 100 / 62 / 8

HEX #EA0059

RGB 234 0 89

HSL 337.18, 1%, 0.46%

LAB 49.75, 77.45, 19.99

 

CMYK 12 / 0 / 100 / 8

HEX #CFEA00

RGB 207 234 0

HSL 66.92, 1%, 0.46%

LAB 88.02, -31.32, 86.17

 

Description

Color code: RGB 0 233 147 | qconv.com Color code: RGB 0 233 147 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 233 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 233 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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