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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 223 16 it is the complementary color RGB 255 32 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 223 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 223 16: RGB 5 223 11, RGB 22 241 30, RGB 39 255 49, RGB 56 255 68 and RGB 73 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 223 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 223 16: RGB 0 223 16, RGB 0 205 0, RGB 0 187 0, RGB 0 169 0 and RGB 0 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

Complementary color

CMYK 0 / 87 / 6 / 0

HEX #FF20EF

RGB 255 32 239

HSL 304.3, 1%, 0.56%

LAB 60.36, 93.34, -51.88

 

CMYK 98 / 0 / 95 / 13

HEX #05DF0B

RGB 5 223 11

HSL 121.65, 0.96%, 0.45%

LAB 77.78, -77.52, 74.19

 

CMYK 91 / 0 / 88 / 5

HEX #16F11E

RGB 22 241 30

HSL 122.19, 0.89%, 0.52%

LAB 83.53, -81.12, 76.43

 

CMYK 85 / 0 / 81 / 0

HEX #27FF31

RGB 39 255 49

HSL 122.78, 1%, 0.58%

LAB 88.05, -82.92, 76.39

 

CMYK 78 / 0 / 73 / 0

HEX #38FF44

RGB 56 255 68

HSL 123.62, 1%, 0.61%

LAB 88.34, -80.01, 71.18

 

CMYK 71 / 0 / 66 / 0

HEX #49FF57

RGB 73 255 87

HSL 124.62, 1%, 0.64%

LAB 88.74, -76.08, 64.84

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 0 / 100 / 20

HEX #00CD00

RGB 0 205 0

HSL 120, 1%, 0.4%

LAB 72, -73.11, 70.56

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 0 / 77 / 12

HEX #00E034

RGB 0 224 52

HSL 133.93, 1%, 0.44%

LAB 78.2, -76.25, 66.14

 

CMYK 100 / 0 / 60 / 12

HEX #00E059

RGB 0 224 89

HSL 143.84, 1%, 0.44%

LAB 78.48, -72.74, 52.36

 

CMYK 100 / 0 / 43 / 12

HEX #00E07F

RGB 0 224 127

HSL 154.02, 1%, 0.44%

LAB 78.95, -67.01, 34.94

 

CMYK 100 / 0 / 27 / 12

HEX #00E0A4

RGB 0 224 164

HSL 163.93, 1%, 0.44%

LAB 79.61, -59.43, 16.79

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 0 / 95 / 93

HEX #001301

RGB 0 19 1

HSL 123.16, 1%, 0.04%

LAB 4.23, -8.46, 5.76

 

CMYK 100 / 0 / 93 / 73

HEX #004605

RGB 0 70 5

HSL 124.29, 1%, 0.14%

LAB 24.92, -33.53, 30.47

 

CMYK 100 / 0 / 93 / 53

HEX #007909

RGB 0 121 9

HSL 124.46, 1%, 0.24%

LAB 43.79, -49.28, 45.95

 

CMYK 100 / 0 / 93 / 33

HEX #00AC0C

RGB 0 172 12

HSL 124.19, 1%, 0.34%

LAB 61.25, -63.86, 60.31

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 27 / 0 / 12

HEX #00A4E0

RGB 0 164 224

HSL 196.07, 1%, 0.44%

LAB 63.29, -14.17, -40.14

 

CMYK 0 / 100 / 67 / 12

HEX #E0004A

RGB 224 0 74

HSL 340.18, 1%, 0.44%

LAB 47.42, 74.39, 25.76

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 94 / 100 / 0 / 12

HEX #0E00E0

RGB 14 0 224

HSL 243.75, 1%, 0.44%

LAB 28.05, 71.89, -97.37

 

CMYK 0 / 94 / 100 / 12

HEX #E00E00

RGB 224 14 0

HSL 3.75, 1%, 0.44%

LAB 47.19, 71.44, 61.09

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 27 / 0 / 12

HEX #00A4E0

RGB 0 164 224

HSL 196.07, 1%, 0.44%

LAB 63.29, -14.17, -40.14

 

CMYK 0 / 100 / 7 / 12

HEX #E000D1

RGB 224 0 209

HSL 304.02, 1%, 0.44%

LAB 52.34, 87.01, -47.98

 

CMYK 0 / 74 / 100 / 12

HEX #E03B00

RGB 224 59 0

HSL 15.8, 1%, 0.44%

LAB 50.66, 61.62, 62.51

 

CMYK 100 / 0 / 93 / 13

HEX #00DF10

RGB 0 223 16

HSL 124.3, 1%, 0.44%

LAB 77.76, -77.59, 73.62

 

CMYK 100 / 57 / 0 / 12

HEX #0061E0

RGB 0 97 224

HSL 214.02, 1%, 0.44%

LAB 44.13, 26.49, -70.79

 

CMYK 0 / 100 / 7 / 12

HEX #E000D1

RGB 224 0 209

HSL 304.02, 1%, 0.44%

LAB 52.34, 87.01, -47.98

 

CMYK 0 / 43 / 100 / 12

HEX #E07F00

RGB 224 127 0

HSL 34.02, 1%, 0.44%

LAB 62.53, 30.92, 69.09

 

Description

Color code: RGB 0 223 16 | qconv.com Color code: RGB 0 223 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 223 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 223 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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