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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 174 239 it is the complementary color RGB 255 81 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 174 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 174 239: RGB 5 174 234, RGB 22 192 253, RGB 39 210 255, RGB 56 228 255 and RGB 73 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 174 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 174 239: RGB 0 174 239, RGB 0 156 220, RGB 0 138 201, RGB 0 120 182 and RGB 0 102 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

Complementary color

CMYK 0 / 68 / 94 / 0

HEX #FF5110

RGB 255 81 16

HSL 16.32, 1%, 0.53%

LAB 59.14, 63.71, 66.56

 

CMYK 98 / 26 / 0 / 8

HEX #05AEEA

RGB 5 174 234

HSL 195.72, 0.96%, 0.47%

LAB 66.71, -15.87, -40.29

 

CMYK 91 / 24 / 0 / 1

HEX #16C0FD

RGB 22 192 253

HSL 195.84, 0.98%, 0.54%

LAB 72.87, -18.26, -40.97

 

CMYK 85 / 18 / 0 / 0

HEX #27D2FF

RGB 39 210 255

HSL 192.5, 1%, 0.58%

LAB 78.31, -25.88, -33.58

 

CMYK 78 / 11 / 0 / 0

HEX #38E4FF

RGB 56 228 255

HSL 188.14, 1%, 0.61%

LAB 83.73, -33.3, -25.25

 

CMYK 71 / 4 / 0 / 0

HEX #49F6FF

RGB 73 246 255

HSL 182.97, 1%, 0.64%

LAB 89.18, -39.88, -16.97

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 100 / 29 / 0 / 14

HEX #009CDC

RGB 0 156 220

HSL 197.45, 1%, 0.43%

LAB 60.73, -11.21, -41.94

 

CMYK 100 / 31 / 0 / 21

HEX #008AC9

RGB 0 138 201

HSL 198.81, 1%, 0.39%

LAB 54.44, -8.08, -41.18

 

CMYK 100 / 34 / 0 / 29

HEX #0078B6

RGB 0 120 182

HSL 200.44, 1%, 0.36%

LAB 48.02, -4.79, -40.45

 

CMYK 100 / 37 / 0 / 36

HEX #0066A3

RGB 0 102 163

HSL 202.45, 1%, 0.32%

LAB 41.45, -1.32, -39.75

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 100 / 44 / 0 / 6

HEX #0087EF

RGB 0 135 239

HSL 206.11, 1%, 0.47%

LAB 55.64, 8.28, -60.58

 

CMYK 100 / 60 / 0 / 6

HEX #005FEF

RGB 0 95 239

HSL 216.15, 1%, 0.47%

LAB 44.82, 33.59, -78.13

 

CMYK 100 / 77 / 0 / 6

HEX #0037EF

RGB 0 55 239

HSL 226.19, 1%, 0.47%

LAB 35.92, 57.64, -92.82

 

CMYK 100 / 94 / 0 / 6

HEX #000FEF

RGB 0 15 239

HSL 236.23, 1%, 0.47%

LAB 30.82, 72.84, -101.32

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 100 / 29 / 0 / 86

HEX #001923

RGB 0 25 35

HSL 197.14, 1%, 0.07%

LAB 7.38, -5.13, -9.81

 

CMYK 100 / 27 / 0 / 66

HEX #003F56

RGB 0 63 86

HSL 196.05, 1%, 0.17%

LAB 24.41, -8.51, -18.84

 

CMYK 100 / 27 / 0 / 46

HEX #006489

RGB 0 100 137

HSL 196.2, 1%, 0.27%

LAB 39.45, -10.49, -27.35

 

CMYK 100 / 27 / 0 / 26

HEX #0089BC

RGB 0 137 188

HSL 196.28, 1%, 0.37%

LAB 53.52, -12.39, -35.24

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 54 / 100 / 0 / 6

HEX #6F00EF

RGB 111 0 239

HSL 267.87, 1%, 0.47%

LAB 37.14, 78.59, -90.61

 

CMYK 0 / 13 / 100 / 6

HEX #EFCF00

RGB 239 207 0

HSL 51.97, 1%, 0.47%

LAB 83.43, -4.7, 83.98

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 0 / 100 / 27 / 6

HEX #EF00AF

RGB 239 0 175

HSL 316.07, 1%, 0.47%

LAB 53.43, 85.54, -26.35

 

CMYK 27 / 0 / 100 / 6

HEX #AFEF00

RGB 175 239 0

HSL 76.07, 1%, 0.47%

LAB 87.41, -46.06, 84.82

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 54 / 100 / 0 / 6

HEX #6F00EF

RGB 111 0 239

HSL 267.87, 1%, 0.47%

LAB 37.14, 78.59, -90.61

 

CMYK 0 / 74 / 100 / 6

HEX #EF3F00

RGB 239 63 0

HSL 15.82, 1%, 0.47%

LAB 53.93, 64.9, 65.61

 

CMYK 47 / 0 / 100 / 6

HEX #7FEF00

RGB 127 239 0

HSL 88.12, 1%, 0.47%

LAB 85.12, -62.37, 82.06

 

CMYK 100 / 27 / 0 / 6

HEX #00AEEF

RGB 0 174 239

HSL 196.32, 1%, 0.47%

LAB 66.9, -14.22, -42.71

 

CMYK 23 / 100 / 0 / 6

HEX #B700EF

RGB 183 0 239

HSL 285.94, 1%, 0.47%

LAB 47.36, 85.63, -73.42

 

CMYK 0 / 74 / 100 / 6

HEX #EF3F00

RGB 239 63 0

HSL 15.82, 1%, 0.47%

LAB 53.93, 64.9, 65.61

 

CMYK 77 / 0 / 100 / 6

HEX #37EF00

RGB 55 239 0

HSL 106.19, 1%, 0.47%

LAB 83.2, -78.17, 79.73

 

Description

Color code: RGB 0 174 239 | qconv.com Color code: RGB 0 174 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 174 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 174 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 27 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 27% 0% 6% C M Y K



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