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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 153 59 it is the complementary color RGB 255 102 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 153 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 153 59 shade: RGB 5 153 54, RGB 22 171 73, RGB 39 189 92, RGB 56 207 111 and RGB 73 225 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 153 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 135 40, RGB 0 117 21, RGB 0 99 2 and RGB 0 81 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 153 17, RGB 23 153 0, RGB 64 153 0 and RGB 106 153 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 153 100, RGB 0 153 141, RGB 0 123 153 and RGB 0 81 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 153 59 shade matches the following richer shades: RGB 0 153 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 12 140 61, RGB 24 128 64, RGB 37 115 67 and RGB 49 103 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 153 59 shade: RGB 22 153 0, RGB 0 153 17, RGB 0 153 58, RGB 0 153 99 and RGB 0 153 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 153 59 shade: RGB 0 70 27, RGB 0 111 43, RGB 0 153 59, RGB 0 194 74 and RGB 0 235 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 63 153 and RGB 153 0 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 58 0 153 and RGB 153 58 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 63 153, RGB 153 0 94 and RGB 153 89 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 153 59 shade: RGB 0 153 59, RGB 0 17 153, RGB 153 0 94 and RGB 153 135 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

Complementary color

CMYK 0 / 60 / 23 / 0

HEX #FF66C4

RGB 255 102 196

HSL 323.14, 1%, 0.7%

LAB 65.55, 67.54, -19.62

 

CMYK 97 / 0 / 65 / 40

HEX #059936

RGB 5 153 54

HSL 139.86, 0.94%, 0.31%

LAB 55.16, -55.04, 41.41

 

CMYK 87 / 0 / 57 / 33

HEX #16AB49

RGB 22 171 73

HSL 140.54, 0.77%, 0.38%

LAB 61.46, -57.26, 39.84

 

CMYK 79 / 0 / 51 / 26

HEX #27BD5C

RGB 39 189 92

HSL 141.2, 0.66%, 0.45%

LAB 67.72, -58.77, 38.21

 

CMYK 73 / 0 / 46 / 19

HEX #38CF6F

RGB 56 207 111

HSL 141.85, 0.61%, 0.52%

LAB 73.94, -59.76, 36.62

 

CMYK 68 / 0 / 42 / 12

HEX #49E182

RGB 73 225 130

HSL 142.5, 0.72%, 0.58%

LAB 80.11, -60.38, 35.1

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 0 / 70 / 47

HEX #008728

RGB 0 135 40

HSL 137.78, 1%, 0.26%

LAB 48.86, -51.28, 40.67

 

CMYK 100 / 0 / 82 / 54

HEX #007515

RGB 0 117 21

HSL 130.77, 1%, 0.23%

LAB 42.42, -47.4, 41.47

 

CMYK 100 / 0 / 98 / 61

HEX #006302

RGB 0 99 2

HSL 121.21, 1%, 0.19%

LAB 35.85, -42.96, 40.97

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 0 / 89 / 40

HEX #009911

RGB 0 153 17

HSL 126.67, 1%, 0.3%

LAB 54.89, -58.31, 53.96

 

CMYK 85 / 0 / 100 / 40

HEX #179900

RGB 23 153 0

HSL 110.98, 1%, 0.3%

LAB 55.04, -57.15, 57.04

 

CMYK 58 / 0 / 100 / 40

HEX #409900

RGB 64 153 0

HSL 94.9, 1%, 0.3%

LAB 55.96, -49.26, 58.16

 

CMYK 31 / 0 / 100 / 40

HEX #6A9900

RGB 106 153 0

HSL 78.43, 1%, 0.3%

LAB 57.89, -34.94, 60.5

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 0 / 35 / 40

HEX #009964

RGB 0 153 100

HSL 159.22, 1%, 0.3%

LAB 55.79, -47.33, 18.43

 

CMYK 100 / 0 / 8 / 40

HEX #00998D

RGB 0 153 141

HSL 175.29, 1%, 0.3%

LAB 56.79, -36.52, -3.35

 

CMYK 100 / 20 / 0 / 40

HEX #007B99

RGB 0 123 153

HSL 191.76, 1%, 0.3%

LAB 47.58, -17.55, -24.23

 

CMYK 100 / 47 / 0 / 40

HEX #005199

RGB 0 81 153

HSL 208.24, 1%, 0.3%

LAB 34.36, 8.18, -45.1

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 91 / 0 / 56 / 45

HEX #0C8C3D

RGB 12 140 61

HSL 142.97, 0.84%, 0.3%

LAB 50.89, -49.37, 33.09

 

CMYK 81 / 0 / 50 / 50

HEX #188040

RGB 24 128 64

HSL 143.08, 0.68%, 0.3%

LAB 46.98, -43.38, 26.73

 

CMYK 68 / 0 / 42 / 55

HEX #257343

RGB 37 115 67

HSL 143.08, 0.51%, 0.3%

LAB 42.85, -35.41, 19.8

 

CMYK 52 / 0 / 32 / 60

HEX #316746

RGB 49 103 70

HSL 143.33, 0.36%, 0.3%

LAB 39.23, -26.3, 13.26

 

CMYK 86 / 0 / 100 / 40

HEX #169900

RGB 22 153 0

HSL 111.37, 1%, 0.3%

LAB 55.02, -57.26, 57.02

 

CMYK 100 / 0 / 89 / 40

HEX #009911

RGB 0 153 17

HSL 126.67, 1%, 0.3%

LAB 54.89, -58.31, 53.96

 

CMYK 100 / 0 / 62 / 40

HEX #00993A

RGB 0 153 58

HSL 142.75, 1%, 0.3%

LAB 55.16, -54.83, 39.56

 

CMYK 100 / 0 / 35 / 40

HEX #009963

RGB 0 153 99

HSL 158.82, 1%, 0.3%

LAB 55.77, -47.55, 18.96

 

CMYK 100 / 0 / 8 / 40

HEX #00998C

RGB 0 153 140

HSL 174.9, 1%, 0.3%

LAB 56.76, -36.82, -2.82

 

CMYK 100 / 0 / 61 / 73

HEX #00461B

RGB 0 70 27

HSL 143.14, 1%, 0.14%

LAB 25.14, -30.87, 20.24

 

CMYK 100 / 0 / 61 / 56

HEX #006F2B

RGB 0 111 43

HSL 143.24, 1%, 0.22%

LAB 40.48, -43.04, 29.85

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 0 / 62 / 24

HEX #00C24A

RGB 0 194 74

HSL 142.89, 1%, 0.38%

LAB 68.81, -65.56, 47.89

 

CMYK 100 / 0 / 62 / 8

HEX #00EB5A

RGB 0 235 90

HSL 142.98, 1%, 0.46%

LAB 81.92, -75.87, 55.87

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 59 / 0 / 40

HEX #003F99

RGB 0 63 153

HSL 215.29, 1%, 0.3%

LAB 29.04, 20.57, -53.73

 

CMYK 0 / 100 / 99 / 40

HEX #990002

RGB 153 0 2

HSL 359.22, 1%, 0.3%

LAB 31.29, 54.74, 44.33

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 62 / 100 / 0 / 40

HEX #3A0099

RGB 58 0 153

HSL 262.75, 1%, 0.3%

LAB 20.83, 55.68, -67.17

 

CMYK 0 / 62 / 100 / 40

HEX #993A00

RGB 153 58 0

HSL 22.75, 1%, 0.3%

LAB 37.48, 37.57, 48.72

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 59 / 0 / 40

HEX #003F99

RGB 0 63 153

HSL 215.29, 1%, 0.3%

LAB 29.04, 20.57, -53.73

 

CMYK 0 / 100 / 39 / 40

HEX #99005E

RGB 153 0 94

HSL 323.14, 1%, 0.3%

LAB 33.09, 59.53, -9.22

 

CMYK 0 / 42 / 100 / 40

HEX #995900

RGB 153 89 0

HSL 34.9, 1%, 0.3%

LAB 44.11, 20.99, 52.64

 

CMYK 100 / 0 / 61 / 40

HEX #00993B

RGB 0 153 59

HSL 143.14, 1%, 0.3%

LAB 55.17, -54.7, 39.11

 

CMYK 100 / 89 / 0 / 40

HEX #001199

RGB 0 17 153

HSL 233.33, 1%, 0.3%

LAB 18.8, 48.52, -70.63

 

CMYK 0 / 100 / 39 / 40

HEX #99005E

RGB 153 0 94

HSL 323.14, 1%, 0.3%

LAB 33.09, 59.53, -9.22

 

CMYK 0 / 12 / 100 / 40

HEX #998700

RGB 153 135 0

HSL 52.94, 1%, 0.3%

LAB 56.19, -5.09, 60.85

 

Description

Color code: RGB 0 153 59 | qconv.com Color code: RGB 0 153 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 153 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 153 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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