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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 108 229 it is the complementary color RGB 255 147 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 108 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 0 108 229 shade: RGB 5 108 224, RGB 22 126 243, RGB 39 144 255, RGB 56 162 255 and RGB 73 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 108 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 0 90 210, RGB 0 72 191, RGB 0 54 172 and RGB 0 36 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 0 46 229, RGB 15 0 229, RGB 77 0 229 and RGB 139 0 229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 0 46 229 and RGB 0 0 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 0 108 229 shade matches the following richer shades: RGB 0 108 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 18 109 210, RGB 37 110 192, RGB 55 111 173 and RGB 74 112 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 0 108 229 shade: RGB 0 229 225, RGB 0 172 229, RGB 0 110 229, RGB 0 49 229 and RGB 11 0 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 0 108 229 shade: RGB 0 69 146, RGB 0 88 188, RGB 0 108 229, RGB 15 128 255 and RGB 57 150 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 164 0 229 and RGB 202 229 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 229 0 110 and RGB 110 229 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 164 0 229, RGB 229 118 0 and RGB 65 229 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 0 108 229 shade: RGB 0 108 229, RGB 229 0 225, RGB 229 118 0 and RGB 0 229 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

Complementary color

CMYK 0 / 42 / 90 / 0

HEX #FF931A

RGB 255 147 26

HSL 31.7, 1%, 0.55%

LAB 71.01, 33.53, 72.3

 

CMYK 98 / 52 / 0 / 12

HEX #056CE0

RGB 5 108 224

HSL 211.78, 0.96%, 0.45%

LAB 47.16, 19.51, -65.87

 

CMYK 91 / 48 / 0 / 5

HEX #167EF3

RGB 22 126 243

HSL 211.76, 0.9%, 0.52%

LAB 53.56, 16.06, -66.15

 

CMYK 85 / 44 / 0 / 0

HEX #2790FF

RGB 39 144 255

HSL 210.83, 1%, 0.58%

LAB 59.52, 10.53, -63.16

 

CMYK 78 / 36 / 0 / 0

HEX #38A2FF

RGB 56 162 255

HSL 208.04, 1%, 0.61%

LAB 64.88, 1.36, -54.58

 

CMYK 71 / 29 / 0 / 0

HEX #49B4FF

RGB 73 180 255

HSL 204.73, 1%, 0.64%

LAB 70.37, -6.82, -45.89

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 100 / 57 / 0 / 18

HEX #005AD2

RGB 0 90 210

HSL 214.29, 1%, 0.41%

LAB 41.16, 25.54, -67.64

 

CMYK 100 / 62 / 0 / 25

HEX #0048BF

RGB 0 72 191

HSL 217.38, 1%, 0.37%

LAB 34.79, 29.93, -67.02

 

CMYK 100 / 69 / 0 / 33

HEX #0036AC

RGB 0 54 172

HSL 221.16, 1%, 0.34%

LAB 28.42, 34.42, -66.23

 

CMYK 100 / 76 / 0 / 40

HEX #002499

RGB 0 36 153

HSL 225.88, 1%, 0.3%

LAB 22.17, 38.7, -65.04

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 100 / 80 / 0 / 10

HEX #002EE5

RGB 0 46 229

HSL 227.95, 1%, 0.45%

LAB 33.16, 59.02, -91.72

 

CMYK 93 / 100 / 0 / 10

HEX #0F00E5

RGB 15 0 229

HSL 243.93, 1%, 0.45%

LAB 28.8, 73.09, -98.99

 

CMYK 66 / 100 / 0 / 10

HEX #4D00E5

RGB 77 0 229

HSL 260.17, 1%, 0.45%

LAB 32.34, 74.49, -92.99

 

CMYK 39 / 100 / 0 / 10

HEX #8B00E5

RGB 139 0 229

HSL 276.42, 1%, 0.45%

LAB 39.83, 78.83, -80.36

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 100 / 80 / 0 / 10

HEX #002EE5

RGB 0 46 229

HSL 227.95, 1%, 0.45%

LAB 33.16, 59.02, -91.72

 

CMYK 100 / 100 / 0 / 10

HEX #0000E5

RGB 0 0 229

HSL 240, 1%, 0.45%

LAB 28.53, 73.01, -99.44

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 91 / 48 / 0 / 18

HEX #126DD2

RGB 18 109 210

HSL 211.56, 0.84%, 0.45%

LAB 46.6, 13.79, -58.8

 

CMYK 81 / 43 / 0 / 25

HEX #256EC0

RGB 37 110 192

HSL 211.74, 0.68%, 0.45%

LAB 46.11, 7.51, -49.24

 

CMYK 68 / 36 / 0 / 32

HEX #376FAD

RGB 55 111 173

HSL 211.53, 0.52%, 0.45%

LAB 45.9, 2.18, -38.5

 

CMYK 52 / 28 / 0 / 39

HEX #4A709B

RGB 74 112 155

HSL 211.85, 0.35%, 0.45%

LAB 46.19, -0.69, -27.41

 

CMYK 100 / 0 / 2 / 10

HEX #00E5E1

RGB 0 229 225

HSL 178.95, 1%, 0.45%

LAB 82.63, -45.49, -11.09

 

CMYK 100 / 25 / 0 / 10

HEX #00ACE5

RGB 0 172 229

HSL 194.93, 1%, 0.45%

LAB 65.87, -16.71, -38.85

 

CMYK 100 / 52 / 0 / 10

HEX #006EE5

RGB 0 110 229

HSL 211.18, 1%, 0.45%

LAB 48.02, 20.05, -67.29

 

CMYK 100 / 79 / 0 / 10

HEX #0031E5

RGB 0 49 229

HSL 227.16, 1%, 0.45%

LAB 33.68, 57.52, -90.86

 

CMYK 95 / 100 / 0 / 10

HEX #0B00E5

RGB 11 0 229

HSL 242.88, 1%, 0.45%

LAB 28.72, 73.07, -99.12

 

CMYK 100 / 53 / 0 / 43

HEX #004592

RGB 0 69 146

HSL 211.64, 1%, 0.29%

LAB 30.23, 13.41, -47.52

 

CMYK 100 / 53 / 0 / 26

HEX #0058BC

RGB 0 88 188

HSL 211.91, 1%, 0.37%

LAB 38.92, 18.01, -58.54

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 94 / 50 / 0 / 0

HEX #0F80FF

RGB 15 128 255

HSL 211.75, 1%, 0.53%

LAB 54.82, 19.16, -70.75

 

CMYK 78 / 41 / 0 / 0

HEX #3996FF

RGB 57 150 255

HSL 211.82, 1%, 0.61%

LAB 61.57, 8.5, -59.86

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 28 / 100 / 0 / 10

HEX #A400E5

RGB 164 0 229

HSL 282.97, 1%, 0.45%

LAB 43.58, 81.54, -74.06

 

CMYK 12 / 0 / 100 / 10

HEX #CAE500

RGB 202 229 0

HSL 67.07, 1%, 0.45%

LAB 86.3, -31.04, 84.73

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 0 / 100 / 52 / 10

HEX #E5006E

RGB 229 0 110

HSL 331.18, 1%, 0.45%

LAB 49.23, 77.64, 6.2

 

CMYK 52 / 0 / 100 / 10

HEX #6EE500

RGB 110 229 0

HSL 91.18, 1%, 0.45%

LAB 81.49, -63.7, 78.94

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 28 / 100 / 0 / 10

HEX #A400E5

RGB 164 0 229

HSL 282.97, 1%, 0.45%

LAB 43.58, 81.54, -74.06

 

CMYK 0 / 48 / 100 / 10

HEX #E57600

RGB 229 118 0

HSL 30.92, 1%, 0.45%

LAB 61.32, 37.6, 68.7

 

CMYK 72 / 0 / 100 / 10

HEX #41E500

RGB 65 229 0

HSL 102.97, 1%, 0.45%

LAB 80.27, -73.78, 77.46

 

CMYK 100 / 53 / 0 / 10

HEX #006CE5

RGB 0 108 229

HSL 211.7, 1%, 0.45%

LAB 47.47, 21.34, -68.18

 

CMYK 0 / 100 / 2 / 10

HEX #E500E1

RGB 229 0 225

HSL 301.05, 1%, 0.45%

LAB 54.13, 90.02, -54.2

 

CMYK 0 / 48 / 100 / 10

HEX #E57600

RGB 229 118 0

HSL 30.92, 1%, 0.45%

LAB 61.32, 37.6, 68.7

 

CMYK 100 / 0 / 99 / 10

HEX #00E503

RGB 0 229 3

HSL 120.79, 1%, 0.45%

LAB 79.64, -79.41, 76.42

 

Description

Color code: RGB 0 108 229 | qconv.com Color code: RGB 0 108 229 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 108 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 108 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 53 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 53% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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