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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 8029 it is the complementary color RAL 6027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 8029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 8029: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 8029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 8029: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 61 / 50

HEX #7F4031

RGB 127 64 49

HSL 11.54, 0.44%, 0.35%

LAB 34.8, 25.71, 21.44

RAL 8029

Complementary color

CMYK 32 / 0 / 3 / 24

HEX #84C3BE

RGB 132 195 190

HSL 175.24, 0.34%, 0.64%

LAB 74.61, -21.15, -3.92

RAL 6027

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 43 / 72 / 35

HEX #A65E2E

RGB 166 94 46

HSL 24, 0.57%, 0.42%

LAB 47.38, 25.31, 39.28

RAL 8023

CMYK 0 / 30 / 45 / 24

HEX #C1876B

RGB 193 135 107

HSL 19.53, 0.41%, 0.59%

LAB 61.42, 18.82, 23.93

RAL 3012

CMYK 0 / 41 / 34 / 8

HEX #EA899A

RGB 234 137 154

HSL 349.48, 0.7%, 0.73%

LAB 67.81, 38.87, 7.13

RAL 3015

CMYK 0 / 41 / 34 / 8

HEX #EA899A

RGB 234 137 154

HSL 349.48, 0.7%, 0.73%

LAB 67.81, 38.87, 7.13

RAL 3015

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 64 / 64 / 61

HEX #642424

RGB 100 36 36

HSL 0, 0.47%, 0.27%

LAB 23.99, 28.94, 15.04

RAL 3009

CMYK 0 / 66 / 41 / 71

HEX #4A192C

RGB 74 25 44

HSL 336.73, 0.49%, 0.19%

LAB 17.15, 25.45, -0.75

RAL 4007

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 26 / 53 / 56

HEX #705335

RGB 112 83 53

HSL 30.51, 0.36%, 0.32%

LAB 37.64, 8.07, 22.19

RAL 1036

CMYK 0 / 17 / 60 / 49

HEX #826C34

RGB 130 108 52

HSL 43.08, 0.43%, 0.36%

LAB 46.6, 1.48, 34.08

RAL 8000

CMYK 0 / 17 / 60 / 49

HEX #826C34

RGB 130 108 52

HSL 43.08, 0.43%, 0.36%

LAB 46.6, 1.48, 34.08

RAL 8000

CMYK 0 / 17 / 60 / 49

HEX #826C34

RGB 130 108 52

HSL 43.08, 0.43%, 0.36%

LAB 46.6, 1.48, 34.08

RAL 8000

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 58 / 63 / 29

HEX #B44C43

RGB 180 76 67

HSL 4.78, 0.46%, 0.48%

LAB 46.01, 41.64, 26.5

RAL 3033

CMYK 0 / 48 / 47 / 17

HEX #D36E70

RGB 211 110 112

HSL 358.81, 0.53%, 0.63%

LAB 58.2, 39.8, 17.12

RAL 3014

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 38 / 49 / 70

HEX #4C2F27

RGB 76 47 39

HSL 12.97, 0.32%, 0.23%

LAB 22.71, 12.18, 10.61

RAL 8016

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL 7008

CMYK 79 / 35 / 0 / 49

HEX #1B5583

RGB 27 85 131

HSL 206.54, 0.66%, 0.31%

LAB 34.74, -1.45, -31.07

RAL 5019

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 61 / 0 / 47 / 50

HEX #317F43

RGB 49 127 67

HSL 133.85, 0.44%, 0.35%

LAB 47.28, -37.77, 25.61

RAL 6032

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL 5005

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL 7008

CMYK 70 / 11 / 0 / 52

HEX #256D7B

RGB 37 109 123

HSL 189.77, 0.54%, 0.31%

LAB 42.4, -17.21, -14.28

RAL 5021

CMYK 8 / 40 / 0 / 54

HEX #6C4675

RGB 108 70 117

HSL 288.51, 0.25%, 0.37%

LAB 35.7, 25.07, -20.48

RAL 4005

CMYK 0 / 55 / 70 / 44

HEX #8E402A

RGB 142 64 42

HSL 13.2, 0.54%, 0.36%

LAB 37.09, 31.45, 28.96

RAL 8004

CMYK 48 / 0 / 55 / 43

HEX #4C9141

RGB 76 145 65

HSL 111.75, 0.38%, 0.41%

LAB 54.21, -38.18, 35.44

RAL 6017

CMYK 70 / 11 / 0 / 52

HEX #256D7B

RGB 37 109 123

HSL 189.77, 0.54%, 0.31%

LAB 42.4, -17.21, -14.28

RAL 5021

CMYK 8 / 40 / 0 / 54

HEX #6C4675

RGB 108 70 117

HSL 288.51, 0.25%, 0.37%

LAB 35.7, 25.07, -20.48

RAL 4005

Description

Color code: RAL 8029 - Pearl copper | qconv.com Color code: RAL 8029 - Pearl copper | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 64 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 64 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 61 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 61% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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