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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 7039 it is the complementary color RAL 9022. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 7039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 7039: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 7039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 7039: , , ,

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 12 / 58

HEX #6B665E

RGB 107 102 94

HSL 36.92, 0.06%, 0.39%

LAB 43.41, 0.43, 5.22

RAL 7039

Complementary color

CMYK 0 / 0 / 0 / 39

HEX #9C9C9C

RGB 156 156 156

HSL 0, 0%, 0.61%

LAB 64.36, 0, -0.01

RAL 9022

CMYK 0 / 7 / 25 / 57

HEX #6D6552

RGB 109 101 82

HSL 42.22, 0.14%, 0.37%

LAB 43.01, -0.22, 11.92

RAL 7006

CMYK 0 / 6 / 14 / 46

HEX #898176

RGB 137 129 118

HSL 34.74, 0.07%, 0.5%

LAB 54.37, 1.02, 7.04

RAL 7048

CMYK 0 / 0 / 0 / 39

HEX #9C9C9C

RGB 156 156 156

HSL 0, 0%, 0.61%

LAB 64.36, 0, -0.01

RAL 9022

CMYK 0 / 3 / 13 / 21

HEX #CAC4B0

RGB 202 196 176

HSL 46.15, 0.2%, 0.74%

LAB 79.14, -1.32, 10.78

RAL 7044

CMYK 0 / 0 / 0 / 16

HEX #D7D7D7

RGB 215 215 215

HSL 0, 0%, 0.84%

LAB 85.98, 0, -0.01

RAL 7035

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 10 / 0 / 20 / 66

HEX #4D5645

RGB 77 86 69

HSL 91.76, 0.11%, 0.3%

LAB 35.33, -7.14, 8.72

RAL 7009

CMYK 0 / 21 / 46 / 78

HEX #382C1E

RGB 56 44 30

HSL 32.31, 0.3%, 0.17%

LAB 18.95, 3.13, 11.17

RAL 8014

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 4 / 0 / 13 / 58

HEX #686C5E

RGB 104 108 94

HSL 77.14, 0.07%, 0.4%

LAB 44.91, -4.32, 7.31

RAL 7023

CMYK 4 / 0 / 13 / 58

HEX #686C5E

RGB 104 108 94

HSL 77.14, 0.07%, 0.4%

LAB 44.91, -4.32, 7.31

RAL 7023

CMYK 4 / 0 / 13 / 58

HEX #686C5E

RGB 104 108 94

HSL 77.14, 0.07%, 0.4%

LAB 44.91, -4.32, 7.31

RAL 7023

CMYK 4 / 0 / 13 / 58

HEX #686C5E

RGB 104 108 94

HSL 77.14, 0.07%, 0.4%

LAB 44.91, -4.32, 7.31

RAL 7023

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 2 / 0 / 5 / 40

HEX #969992

RGB 150 153 146

HSL 85.71, 0.03%, 0.59%

LAB 62.8, -2.42, 3.29

RAL 7004

CMYK 0 / 3 / 13 / 21

HEX #CAC4B0

RGB 202 196 176

HSL 46.15, 0.2%, 0.74%

LAB 79.14, -1.32, 10.78

RAL 7044

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 7 / 26 / 78

HEX #39352A

RGB 57 53 42

HSL 44, 0.15%, 0.19%

LAB 22.24, -0.44, 7.58

RAL 6008

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 7 / 0 / 7 / 58

HEX #646B63

RGB 100 107 99

HSL 112.5, 0.04%, 0.4%

LAB 44.41, -4.34, 3.56

RAL 7005

CMYK 0 / 3 / 11 / 58

HEX #6C6960

RGB 108 105 96

HSL 45, 0.06%, 0.4%

LAB 44.43, -0.57, 5.47

RAL 7039

Description

Color code: RAL 7039 - Quartz grey | qconv.com Color code: RAL 7039 - Quartz grey | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 102 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 102 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 12 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 12% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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Sherwin Williams® to CMYK

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