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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone PPG - PPG1212-6 - Acorn Squash it is the complementary color PPG - PPG1241-7 - Cobalt Stone. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color PPG - PPG1212-6 - Acorn Squash. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone PPG - PPG1212-6 - Acorn Squash: PPG - PPG1212-6 - Acorn Squash, PPG - PPG1212-6 - Acorn Squash, PPG - PPG1206-6 - Fuzzy Navel, PPG - PPG1212-5 - Citrus Punch and PPG - PPG1212-5 - Citrus Punch

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color PPG - PPG1212-6 - Acorn Squash. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone PPG - PPG1212-6 - Acorn Squash: PPG - PPG1212-6 - Acorn Squash, PPG - PPG1213-7 - Crushed Pineapple, PPG - PPG1215-6 - Grass Daisy, PPG - PPG1215-6 - Grass Daisy and PPG - PPG1215-7 - Pollination

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 78 / 0

HEX #FFDF38

RGB 255 223 56

HSL 50.35, 1%, 0.61%

LAB 89.07, -4.97, 79.06

PPG
PPG1212-6 - Acorn Squash

Complementary color

CMYK 99 / 43 / 0 / 32

HEX #0264AE

RGB 2 100 174

HSL 205.81, 0.98%, 0.35%

LAB 41.51, 4.5, -46.15

PPG
PPG1241-7 - Cobalt Stone

CMYK 0 / 15 / 80 / 19

HEX #CEB02A

RGB 206 176 42 1

HSL 49.02, 0.66%, 0.49%

LAB 72.45, -2.27, 66.81

PPG
PPG1215-6 - Grass Daisy

CMYK 0 / 15 / 80 / 19

HEX #CEB02A

RGB 206 176 42 1

HSL 49.02, 0.66%, 0.49%

LAB 72.45, -2.27, 66.81

PPG
PPG1215-6 - Grass Daisy

CMYK 0 / 13 / 77 / 28

HEX #B8A02A

RGB 184 160 42 1

HSL 49.86, 0.63%, 0.44%

LAB 66.14, -3.48, 60.3

PPG
PPG1215-7 - Pollination

CMYK 0 / 6 / 71 / 10

HEX #E6D943

RGB 230 217 67 1

HSL 55.21, 0.77%, 0.58%

LAB 85.43, -11.98, 71.28

PPG
PPG1216-6 - Citrus Spice

CMYK 1 / 0 / 64 / 20

HEX #C9CC4A

RGB 201 204 74 1

HSL 61.38, 0.56%, 0.55%

LAB 79.67, -17.22, 62.04

PPG
PPG1217-7 - Slap Happy

CMYK 20 / 0 / 68 / 26

HEX #98BD3C

RGB 152 189 60 1

HSL 77.21, 0.52%, 0.49%

LAB 71.82, -30.85, 58.37

PPG
PPG1221-7 - Funky Frog

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61 1

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

PPG
PPG0995-7 - Starless Sky

CMYK 0 / 5 / 33 / 64

HEX #5D583E

RGB 93 88 62 1

HSL 50.32, 0.2%, 0.3%

LAB 37.21, -2.55, 15.84

PPG
PPG1113-7 - Olive Green

CMYK 0 / 15 / 80 / 19

HEX #CEB02A

RGB 206 176 42 1

HSL 49.02, 0.66%, 0.49%

LAB 72.45, -2.27, 66.81

PPG
PPG1215-6 - Grass Daisy

CMYK 62 / 0 / 53 / 34

HEX #41A94F

RGB 65 169 79 1

HSL 128.08, 0.44%, 0.46%

LAB 61.71, -49, 37.4

PPG
PPG1225-7 - Leap Frog

CMYK 37 / 29 / 0 / 18

HEX #8596D2

RGB 133 150 210 1

HSL 226.75, 0.46%, 0.67%

LAB 62.89, 8.57, -32.69

PPG
PPG1246-5 - Mystic Iris

CMYK 67 / 2 / 0 / 26

HEX #3FBABD

RGB 63 186 189 1

HSL 181.43, 0.5%, 0.49%

LAB 69.36, -32.13, -11.44

PPG
PPG1233-6 - Montego Bay

CMYK 0 / 26 / 6 / 14

HEX #DBA3CE

RGB 219 163 206 1

HSL 313.93, 0.44%, 0.75%

LAB 73.36, 27.55, -13.82

PPG
PPG1252-5 - Chateau Rose

CMYK 62 / 0 / 53 / 34

HEX #41A94F

RGB 65 169 79 1

HSL 128.08, 0.44%, 0.46%

LAB 61.71, -49, 37.4

PPG
PPG1225-7 - Leap Frog

CMYK 69 / 37 / 0 / 24

HEX #3C7AC2

RGB 60 122 194 1

HSL 212.24, 0.53%, 0.5%

LAB 50.42, 3.78, -43.48

PPG
PPG1243-6 - Royal Plume

CMYK 62 / 0 / 27 / 27

HEX #47BA87

RGB 71 186 135 1

HSL 153.39, 0.45%, 0.5%

LAB 68.17, -44.47, 16.44

PPG
PPG1227-5 - Aragon Green

CMYK 69 / 37 / 0 / 24

HEX #3C7AC2

RGB 60 122 194 1

HSL 212.24, 0.53%, 0.5%

LAB 50.42, 3.78, -43.48

PPG
PPG1243-6 - Royal Plume

CMYK 0 / 42 / 28 / 10

HEX #E585A5

RGB 229 133 165 1

HSL 340, 0.65%, 0.71%

LAB 66.63, 40.58, -0.85

PPG
PPG1181-5 - Rose Glory

Description

Color code: PPG - PPG1212-6 - Acorn Squash | qconv.com Color code: PPG - PPG1212-6 - Acorn Squash | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 223 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 223 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 78% 0% C M Y K

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Provide designers and agencies with accurate color values.

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PANTONE® to RGB

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PANTONE® to HEX

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PANTONE® to HKS®

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Sherwin Williams® to RGB

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