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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone Pantone 174 C it is the complementary color Pantone 3105 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color Pantone 174 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the Pantone 174 C shade: Pantone 174 C, Pantone 7592 C, Pantone 7618 C, Pantone 7576 C and Pantone 486 C
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color Pantone 174 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the Pantone 174 C shade: Pantone 174 C, Pantone 1815 C, Pantone 732 C, Pantone 4625 C and Pantone 4975 C
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the Pantone 174 C shade: Pantone 174 C and Pantone 7622 C
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the Pantone 174 C shade: Pantone 174 C, Pantone 154 C, Pantone 7558 C, Pantone 619 C and Pantone 7496 C
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The Pantone 174 C shade matches the following richer shades: Pantone 174 C, Pantone 7627 C and Pantone 1525 C
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the Pantone 174 C shade: Pantone 174 C, Pantone 7601 C, Pantone 4705 C, Pantone 7616 C and Pantone 425 C
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the Pantone 174 C shade: Pantone 7420 C, Pantone 7622 C, Pantone 174 C, Pantone 7516 C and Pantone 7558 C
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the Pantone 174 C shade: Pantone 4625 C, Pantone 168 C, Pantone 174 C, Pantone 7598 C and Pantone 7417 C
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the Pantone 174 C shade: Pantone 174 C, Pantone 370 C and Pantone 7687 C
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the Pantone 174 C shade: Pantone 174 C, Pantone 7731 C and Pantone 2746 C
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the Pantone 174 C shade: Pantone 174 C, Pantone 370 C, Pantone 647 C and Pantone 267 C
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the Pantone 174 C shade: Pantone 174 C, Pantone 363 C, Pantone 647 C and Pantone 2603 C
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
Complementary color
HSL 186.55, 0.65%, 0.64%
LAB 78.67, -27.01, -15.79
Lighter colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 16.19, 0.55%, 0.45%
LAB 47.08, 34.98, 36.77
HSL 16, 0.51%, 0.54%
LAB 55.79, 31.88, 32.98
HSL 23.83, 0.66%, 0.58%
LAB 63.88, 27.57, 43.33
HSL 12.22, 0.7%, 0.7%
LAB 68.87, 30.1, 25.28
Darker colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 357.24, 0.54%, 0.32%
LAB 28.82, 37.82, 18.83
HSL 25.5, 0.69%, 0.23%
LAB 27.01, 17.76, 29.4
HSL 18, 0.46%, 0.21%
LAB 22.13, 14.44, 16.57
HSL 358.06, 0.33%, 0.19%
LAB 16.5, 15.08, 5.92
Warmer colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 357.22, 0.58%, 0.36%
LAB 33.64, 45.05, 23.87
Colder colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 29.77, 0.71%, 0.35%
LAB 44.74, 21.88, 45.46
HSL 40.18, 0.6%, 0.37%
LAB 50.02, 6.93, 45.2
HSL 52.82, 0.58%, 0.39%
LAB 59.7, -6.6, 53.38
HSL 70.09, 0.65%, 0.32%
LAB 53.54, -20.85, 51
Richer colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 0.48, 0.6%, 0.41%
LAB 38.04, 49.98, 31.23
HSL 23.03, 1%, 0.36%
LAB 45.39, 43.6, 55.98
Paler colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 14.48, 0.5%, 0.34%
LAB 35.57, 26.47, 25.56
HSL 17.27, 0.36%, 0.36%
LAB 37.66, 17.65, 19.51
HSL 0, 0.17%, 0.36%
LAB 35.63, 13.13, 5.2
HSL 200, 0.03%, 0.34%
LAB 37.12, -1.14, -1.71
Analogue colors
HSL 344.13, 0.64%, 0.37%
LAB 35.02, 50.75, 11.84
HSL 357.22, 0.58%, 0.36%
LAB 33.64, 45.05, 23.87
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 22.91, 0.56%, 0.38%
LAB 43.42, 24.58, 36
HSL 40.18, 0.6%, 0.37%
LAB 50.02, 6.93, 45.2
Monochromatic colors
HSL 18, 0.46%, 0.21%
LAB 22.13, 14.44, 16.57
HSL 18.84, 0.6%, 0.28%
LAB 30.79, 23.72, 28.16
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 11.84, 0.64%, 0.45%
LAB 46.3, 45.98, 41.3
HSL 7.54, 0.73%, 0.55%
LAB 53.59, 55.68, 42.89
Partial complementary colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 81.05, 0.68%, 0.33%
LAB 53.92, -30.62, 51.56
HSL 219.63, 0.65%, 0.33%
LAB 29.39, 14.34, -43.93
Triadic colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 142.35, 0.6%, 0.33%
LAB 50, -43.54, 26.27
HSL 237.5, 0.72%, 0.33%
LAB 20.03, 40.72, -62.38
Rectangular (tetradic) colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 81.05, 0.68%, 0.33%
LAB 53.92, -30.62, 51.56
HSL 206.49, 0.61%, 0.35%
LAB 39.55, -2.18, -32.57
HSL 268.52, 0.62%, 0.38%
LAB 30.06, 49.77, -55.47
Square colors
HSL 11.79, 0.64%, 0.36%
LAB 36.78, 38.2, 34.12
HSL 99.59, 0.53%, 0.36%
LAB 52.36, -38.41, 43.66
HSL 206.49, 0.61%, 0.35%
LAB 39.55, -2.18, -32.57
HSL 288.98, 0.6%, 0.32%
LAB 29.64, 48.62, -38.14
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 56 green and 33 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 78 yellow and 41 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
19% - ブナハ一式 - MH4装備画像一覧
Link: http://mh-soubigazou.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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CMYK to RAL®
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CMYK to HKS®
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CMYK to PANTONE®
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HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
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HEX to Sherwin Williams®
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HEX to NCS®
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RAL® to RGB
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RAL® to CMYK
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)