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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone MD-Color - MD-Color CM170 it is the complementary color MD-Color - MD-Color CM334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color MD-Color - MD-Color CM170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone MD-Color - MD-Color CM170: MD-Color - MD-Color CM150, MD-Color - MD-Color CM590, MD-Color - MD-Color CM345

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color MD-Color - MD-Color CM170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone MD-Color - MD-Color CM170: MD-Color - MD-Color CM170, MD-Color - MD-Color CM652, MD-Color - MD-Color CM655, MD-Color - MD-Color CM656 and MD-Color - MD-Color CM657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 13 / 2

HEX #F9E9D9

RGB 249 233 217

HSL 30, 0.73%, 0.91%

LAB 93.2, 2.82, 9.71

MD-Color
MD-Color CM170

Complementary color

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 5 / 13 / 4

HEX #F4E9D4

RGB 244 233 212 1

HSL 39.38, 0.59%, 0.89%

LAB 92.69, 0.28, 11.53

MD-Color
MD-Color CM150

CMYK 0 / 2 / 9 / 4

HEX #F5F0E0

RGB 245 240 224 1

HSL 45.71, 0.51%, 0.92%

LAB 94.79, -1.02, 8.31

MD-Color
MD-Color CM590

CMYK 0 / 2 / 3 / 5

HEX #F2ECEB

RGB 242 236 235 1

HSL 8.57, 0.21%, 0.94%

LAB 93.83, 1.84, 1.19

MD-Color
MD-Color CM345

CMYK 0 / 7 / 13 / 9

HEX #E8D8C9

RGB 232 216 201 1

HSL 29.03, 0.4%, 0.85%

LAB 87.23, 3.04, 9.36

MD-Color
MD-Color CM652

CMYK 0 / 8 / 15 / 16

HEX #D6C5B5

RGB 214 197 181 1

HSL 29.09, 0.29%, 0.77%

LAB 80.5, 3.33, 10.17

MD-Color
MD-Color CM655

CMYK 0 / 10 / 19 / 20

HEX #CBB7A4

RGB 203 183 164 1

HSL 29.23, 0.27%, 0.72%

LAB 75.6, 4.06, 12.25

MD-Color
MD-Color CM656

CMYK 0 / 14 / 25 / 29

HEX #B69D89

RGB 182 157 137 1

HSL 26.67, 0.24%, 0.63%

LAB 66.42, 6.06, 13.86

MD-Color
MD-Color CM657

CMYK 0 / 3 / 11 / 4

HEX #F4EDD9

RGB 244 237 217 1

HSL 44.44, 0.55%, 0.9%

LAB 93.8, -0.97, 10.52

MD-Color
MD-Color CM130

CMYK 0 / 3 / 11 / 4

HEX #F4EDD9

RGB 244 237 217 1

HSL 44.44, 0.55%, 0.9%

LAB 93.8, -0.97, 10.52

MD-Color
MD-Color CM130

CMYK 0 / 3 / 11 / 4

HEX #F4EDD9

RGB 244 237 217 1

HSL 44.44, 0.55%, 0.9%

LAB 93.8, -0.97, 10.52

MD-Color
MD-Color CM130

CMYK 0 / 0 / 10 / 6

HEX #F0EFD8

RGB 240 239 216 1

HSL 57.5, 0.44%, 0.89%

LAB 93.98, -3.54, 11.24

MD-Color
MD-Color CM566

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63 1

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 4 / 3 / 64

HEX #5B5758

RGB 91 87 88 1

HSL 345, 0.02%, 0.35%

LAB 37.38, 1.82, -0.01

MD-Color
MD-Color CM758

CMYK 0 / 7 / 14 / 42

HEX #948A7F

RGB 148 138 127 1

HSL 31.43, 0.09%, 0.54%

LAB 58.04, 1.78, 7.23

MD-Color
MD-Color CM778

CMYK 0 / 7 / 11 / 24

HEX #C3B6AD

RGB 195 182 173 1

HSL 24.55, 0.15%, 0.72%

LAB 74.87, 3.07, 6.23

MD-Color
MD-Color CM673

CMYK 5 / 0 / 11 / 7

HEX #E1EDD2

RGB 225 237 210 1

HSL 86.67, 0.43%, 0.88%

LAB 92.23, -8.7, 11.72

MD-Color
MD-Color CM530

CMYK 5 / 6 / 0 / 9

HEX #DDDBE8

RGB 221 219 232 1

HSL 249.23, 0.22%, 0.88%

LAB 87.9, 3.07, -6.12

MD-Color
MD-Color CM356

CMYK 11 / 0 / 2 / 8

HEX #D1EBE7

RGB 209 235 231 1

HSL 170.77, 0.39%, 0.87%

LAB 91.12, -9.26, -0.97

MD-Color
MD-Color CM466

CMYK 1 / 7 / 0 / 10

HEX #E3D7E6

RGB 227 215 230 1

HSL 288, 0.23%, 0.87%

LAB 87.31, 6.78, -5.88

MD-Color
MD-Color CM331

CMYK 5 / 0 / 11 / 7

HEX #E1EDD2

RGB 225 237 210 1

HSL 86.67, 0.43%, 0.88%

LAB 92.23, -8.7, 11.72

MD-Color
MD-Color CM530

CMYK 6 / 1 / 0 / 8

HEX #DDE8EB

RGB 221 232 235 1

HSL 192.86, 0.26%, 0.89%

LAB 91.27, -3.09, -2.73

MD-Color
MD-Color CM435

CMYK 0 / 5 / 3 / 7

HEX #EEE1E7

RGB 238 225 231 1

HSL 332.31, 0.28%, 0.91%

LAB 90.69, 5.46, -1.35

MD-Color
MD-Color CM346

CMYK 4 / 0 / 4 / 12

HEX #D9E1D8

RGB 217 225 216 1

HSL 113.33, 0.13%, 0.86%

LAB 88.71, -4.3, 3.45

MD-Color
MD-Color CM490

CMYK 6 / 1 / 0 / 8

HEX #DDE8EB

RGB 221 232 235 1

HSL 192.86, 0.26%, 0.89%

LAB 91.27, -3.09, -2.73

MD-Color
MD-Color CM435

CMYK 0 / 11 / 11 / 4

HEX #F4D9DA

RGB 244 217 218 1

HSL 357.78, 0.55%, 0.9%

LAB 88.89, 9.49, 2.92

MD-Color
MD-Color CM296

Description

Color code: MD-Color - MD-Color CM170 | qconv.com Color code: MD-Color - MD-Color CM170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 233 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 233 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 13 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 13% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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