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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone Kelly Moore - KM34143 Retro Avocado it is the complementary color Kelly Moore - KM3072-5 Petulant Pat. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color Kelly Moore - KM34143 Retro Avocado. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34553 Olive Oil, Kelly Moore - KM34543 Sheffield, Kelly Moore - KM34532 Bamboo Shoot, Kelly Moore - KM34522 Gold Mountain and Kelly Moore - KM34441 Meadowland
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color Kelly Moore - KM34143 Retro Avocado. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM34153 Aged Olive, Kelly Moore - KM34565 Veradale, Kelly Moore - KM39765 Olive Grove and Kelly Moore - AC2515 Vermeers Fields
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM41823 Lescamela Vanilla, Kelly Moore - KM41103 Pale Palamino, Kelly Moore - KM36953 Rose Queen and Kelly Moore - KM36953 Rose Queen
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM33433 Jungle Birds, Kelly Moore - KM33433 Jungle Birds and Kelly Moore - KM33113 Woodland Sage
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The Kelly Moore - KM34143 Retro Avocado shade matches the following richer shades: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM33913 Jive Clive, Kelly Moore - KM3400-Y Sour Lime, Kelly Moore - KM3400-Y Sour Lime and Kelly Moore - KM34805 Golden Ray
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM39583 Greyswood, Kelly Moore - KM3063-5 Plum Berry, Kelly Moore - KM3111-3 Harbor Blue and Kelly Moore - KM3072-5 Petulant Pat
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM41103 Pale Palamino, Kelly Moore - KM41823 Lescamela Vanilla, Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM34143 Retro Avocado and Kelly Moore - KM33433 Jungle Birds
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34085 Tuscany Hillside, Kelly Moore - KM39673 Manchester Mood, Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM34132 Mossy Lag and Kelly Moore - 230 Graystone
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM33113 Woodland Sage and Kelly Moore - KM3023-3 Regal Jewel
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM32303 Peaceful Pond and Kelly Moore - KM37503 Beguiling Blossom
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM33113 Woodland Sage, Kelly Moore - KM3063-5 Plum Berry and Kelly Moore - KM37503 Beguiling Blossom
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the Kelly Moore - KM34143 Retro Avocado shade: Kelly Moore - KM34143 Retro Avocado, Kelly Moore - KM32953 Garden Leaf, Kelly Moore - KM3063-5 Plum Berry and Kelly Moore - KM41513 Rosey Glow
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
Complementary color
HSL 238.97, 0.25%, 0.46%
LAB 40.48, 14.45, -31.51
Lighter colors
HSL 44.52, 0.26%, 0.54%
LAB 63.2, -1.01, 26.38
HSL 44.52, 0.3%, 0.6%
LAB 69.18, -1.16, 25.9
HSL 43.45, 0.37%, 0.69%
LAB 77.33, -0.8, 23.3
HSL 45.96, 0.37%, 0.75%
LAB 82.09, -1.92, 19.34
HSL 47.78, 0.56%, 0.81%
LAB 88.72, -2.95, 22.46
Darker colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 57.14, 0.17%, 0.47%
LAB 57.49, -5.94, 21.69
HSL 46.42, 0.27%, 0.39%
LAB 47.8, -1.64, 24.44
HSL 35.17, 0.16%, 0.36%
LAB 40.99, 1.86, 11.5
HSL 35.29, 0.1%, 0.32%
LAB 35.68, 0.96, 6.89
Warmer colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 29.41, 0.22%, 0.54%
LAB 58.45, 6.04, 17.11
HSL 16.5, 0.17%, 0.53%
LAB 55.59, 9.42, 10.18
HSL 358.89, 0.23%, 0.54%
LAB 52.05, 21.62, 8.21
HSL 358.89, 0.23%, 0.54%
LAB 52.05, 21.62, 8.21
Colder colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 92.73, 0.18%, 0.52%
LAB 60.77, -16.73, 20.39
HSL 92.73, 0.18%, 0.52%
LAB 60.77, -16.73, 20.39
HSL 128.82, 0.13%, 0.5%
LAB 56.58, -17.98, 11.61
Richer colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 63.26, 0.39%, 0.54%
LAB 72.29, -14.87, 45.7
HSL 63.36, 0.57%, 0.51%
LAB 78.48, -19.98, 66.37
HSL 63.36, 0.57%, 0.51%
LAB 78.48, -19.98, 66.37
HSL 43.44, 1%, 0.57%
LAB 81.82, 9.24, 78.77
Paler colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 31.58, 0.08%, 0.52%
LAB 55.66, 1.58, 6.61
HSL 235.81, 0.18%, 0.53%
LAB 49.98, 8.25, -21.93
HSL 215.65, 0.29%, 0.54%
LAB 53.74, 0.77, -24.91
HSL 238.97, 0.25%, 0.46%
LAB 40.48, 14.45, -31.51
Analogue colors
HSL 16.5, 0.17%, 0.53%
LAB 55.59, 9.42, 10.18
HSL 29.41, 0.22%, 0.54%
LAB 58.45, 6.04, 17.11
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 92.73, 0.18%, 0.52%
LAB 60.77, -16.73, 20.39
Monochromatic colors
HSL 63.75, 0.16%, 0.38%
LAB 47.09, -6.49, 17.53
HSL 49.29, 0.11%, 0.48%
LAB 55, -2.18, 13.11
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 54.78, 0.24%, 0.62%
LAB 71.57, -5.42, 22.06
HSL 36.92, 0.26%, 0.71%
LAB 75.79, 1.41, 14.11
Partial complementary colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 128.82, 0.13%, 0.5%
LAB 56.58, -17.98, 11.61
HSL 263.68, 0.17%, 0.56%
LAB 54.57, 13.51, -18.2
Triadic colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 175.56, 0.23%, 0.54%
LAB 63.68, -18.64, -3.61
HSL 313.33, 0.12%, 0.55%
LAB 55.89, 14.15, -7.39
Rectangular (tetradic) colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 128.82, 0.13%, 0.5%
LAB 56.58, -17.98, 11.61
HSL 235.81, 0.18%, 0.53%
LAB 49.98, 8.25, -21.93
HSL 313.33, 0.12%, 0.55%
LAB 55.89, 14.15, -7.39
Square colors
HSL 54.78, 0.19%, 0.53%
LAB 62.97, -5.41, 22.63
HSL 145.91, 0.18%, 0.49%
LAB 57.23, -20.54, 8.47
HSL 235.81, 0.18%, 0.53%
LAB 49.98, 8.25, -21.93
HSL 345.28, 0.23%, 0.55%
LAB 53.41, 22.86, 1.37
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 154 green and 112 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 29 yellow and 38 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
13% - BSN medical
Link: http://www.bsnmedical.co.uk
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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RGB to RAL®
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RGB to HKS®
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RGB to PANTONE®
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RGB to Sherwin Williams®
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RGB to NCS®
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CMYK to HEX
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CMYK to RGB
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CMYK to RAL®
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CMYK to HKS®
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CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
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HEX to RGB
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HEX to CMYK
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HEX to RAL®
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HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
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RAL® to RGB
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RAL® to CMYK
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
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HKS® to CMYK
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HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)