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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Kelly Moore - 22 Soft White it is the complementary color Kelly Moore - 149 Green Thumb. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Kelly Moore - 22 Soft White. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Kelly Moore - 22 Soft White: Kelly Moore - OW247-1 Sauteed Scallops, Kelly Moore - KM35611 Vanilla View, Kelly Moore - OW229-1 Dry Lake, Kelly Moore - KM36811 Winged Angel

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Kelly Moore - 22 Soft White. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Kelly Moore - 22 Soft White: Kelly Moore - 22 Soft White, Kelly Moore - 26 Oyster, Kelly Moore - 230 Graystone, Kelly Moore - 228 Charro and Kelly Moore - KM39743 Highland Grass

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

Complementary color

CMYK 26 / 0 / 10 / 73

HEX #34463F

RGB 52 70 63

HSL 156.67, 0.15%, 0.24%

LAB 28.03, -8.86, 1.89

Kelly Moore
149 Green Thumb

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 0 / 7 / 18 / 13

HEX #DDCDB5

RGB 221 205 181 1

HSL 36, 0.37%, 0.79%

LAB 83.11, 1.7, 13.96

Kelly Moore
26 Oyster

CMYK 0 / 8 / 20 / 22

HEX #C8B9A1

RGB 200 185 161 1

HSL 36.92, 0.26%, 0.71%

LAB 75.79, 1.41, 14.11

Kelly Moore
230 Graystone

CMYK 0 / 10 / 24 / 29

HEX #B6A38A

RGB 182 163 138 1

HSL 34.09, 0.23%, 0.63%

LAB 68, 2.93, 15.52

Kelly Moore
228 Charro

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 3 / 0 / 18 / 9

HEX #E1E9C0

RGB 225 233 192 1

HSL 71.71, 0.48%, 0.83%

LAB 90.82, -9.54, 19.06

Kelly Moore
KM33711 Green Acres

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 26 / 0 / 10 / 73

HEX #34463F

RGB 52 70 63 1

HSL 156.67, 0.15%, 0.24%

LAB 28.03, -8.86, 1.89

Kelly Moore
149 Green Thumb

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 14 / 0 / 21 / 8

HEX #C9EAB9

RGB 201 234 185 1

HSL 100.41, 0.54%, 0.82%

LAB 89.28, -19.55, 20.29

Kelly Moore
KM33161 Althorp Park

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 14 / 0 / 2 / 11

HEX #C3E2DE

RGB 195 226 222 1

HSL 172.26, 0.35%, 0.83%

LAB 87.62, -10.93, -1.48

Kelly Moore
KM32271 Natures Theme

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

CMYK 14 / 0 / 21 / 8

HEX #C9EAB9

RGB 201 234 185 1

HSL 100.41, 0.54%, 0.82%

LAB 89.28, -19.55, 20.29

Kelly Moore
KM33161 Althorp Park

CMYK 0 / 5 / 15 / 9

HEX #E8DDC6

RGB 232 221 198 1

HSL 40.59, 0.43%, 0.84%

LAB 88.42, -0.01, 12.63

Kelly Moore
22 Soft White

Description

Color code: Kelly Moore - 22 Soft White | qconv.com Color code: Kelly Moore - 22 Soft White | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 221 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 221 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HEX

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PANTONE® to HKS®

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