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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6347 it is the complementary color #009CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6347: #FF6342, #FF7555, #FF8768, #FF997B and #FFAB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6347: #FF6347, #EE5134, #DD3F21, #CC2D0E and #BB1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

Tomato1

Complementary color

CMYK 100 / 15 / 0 / 28

HEX #009CB8

RGB 0 156 184

HSL 189.13, 1%, 0.36%

LAB 59.19, -24.06, -24.16

 

CMYK 0 / 61 / 74 / 0

HEX #FF6342

RGB 255 99 66

HSL 10.48, 1%, 0.63%

LAB 62.15, 57.65, 48.94

 

CMYK 0 / 54 / 67 / 0

HEX #FF7555

RGB 255 117 85

HSL 11.29, 1%, 0.67%

LAB 65.47, 50.43, 42.78

 

CMYK 0 / 47 / 59 / 0

HEX #FF8768

RGB 255 135 104

HSL 12.32, 1%, 0.7%

LAB 69.17, 42.86, 37.14

 

CMYK 0 / 40 / 52 / 0

HEX #FF997B

RGB 255 153 123

HSL 13.64, 1%, 0.74%

LAB 73.2, 35.19, 32.06

 

CMYK 0 / 33 / 44 / 0

HEX #FFAB8E

RGB 255 171 142

HSL 15.4, 1%, 0.78%

LAB 77.48, 27.6, 27.52

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 0 / 66 / 78 / 7

HEX #EE5134

RGB 238 81 52

HSL 9.35, 0.85%, 0.57%

LAB 56.4, 58.92, 49.16

 

CMYK 0 / 71 / 85 / 13

HEX #DD3F21

RGB 221 63 33

HSL 9.57, 0.74%, 0.5%

LAB 50.73, 59.74, 51.87

 

CMYK 0 / 78 / 93 / 20

HEX #CC2D0E

RGB 204 45 14

HSL 9.79, 0.87%, 0.43%

LAB 45.28, 60.08, 53.83

 

CMYK 0 / 86 / 100 / 27

HEX #BB1B00

RGB 187 27 0

HSL 8.66, 1%, 0.37%

LAB 40.16, 59.64, 53.73

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 0 / 49 / 72 / 0

HEX #FF8147

RGB 255 129 71

HSL 18.91, 1%, 0.64%

LAB 67.59, 43.95, 52.3

 

CMYK 0 / 37 / 72 / 0

HEX #FFA047

RGB 255 160 71

HSL 29.02, 1%, 0.64%

LAB 74.1, 28.17, 59.16

 

CMYK 0 / 25 / 72 / 0

HEX #FFBE47

RGB 255 190 71

HSL 38.8, 1%, 0.64%

LAB 81.04, 12.52, 66.23

 

CMYK 0 / 13 / 72 / 0

HEX #FFDD47

RGB 255 221 71

HSL 48.91, 1%, 0.64%

LAB 88.65, -3.38, 73.72

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 0 / 61 / 73 / 80

HEX #33140E

RGB 51 20 14

HSL 9.73, 0.57%, 0.13%

LAB 10.82, 15.02, 10.58

 

CMYK 0 / 61 / 73 / 60

HEX #66281C

RGB 102 40 28

HSL 9.73, 0.57%, 0.25%

LAB 25.03, 27.05, 21.63

 

CMYK 0 / 61 / 72 / 40

HEX #993B2B

RGB 153 59 43

HSL 8.73, 0.56%, 0.38%

LAB 37.98, 38.37, 29.88

 

CMYK 0 / 61 / 72 / 20

HEX #CC4F39

RGB 204 79 57

HSL 8.98, 0.59%, 0.51%

LAB 50.36, 48.36, 38.37

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 25 / 0 / 72 / 0

HEX #BEFF47

RGB 190 255 71

HSL 81.2, 1%, 0.64%

LAB 92.98, -45.32, 76.33

 

CMYK 72 / 54 / 0 / 0

HEX #4775FF

RGB 71 117 255

HSL 225, 1%, 0.64%

LAB 53.26, 30.2, -73.23

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 72 / 0 / 62 / 0

HEX #47FF62

RGB 71 255 98

HSL 128.8, 1%, 0.64%

LAB 88.8, -75.28, 60.47

 

CMYK 62 / 72 / 0 / 0

HEX #6247FF

RGB 98 71 255

HSL 248.8, 1%, 0.64%

LAB 44.69, 60.2, -87.16

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 25 / 0 / 72 / 0

HEX #BEFF47

RGB 190 255 71

HSL 81.2, 1%, 0.64%

LAB 92.98, -45.32, 76.33

 

CMYK 72 / 11 / 0 / 0

HEX #47E3FF

RGB 71 227 255

HSL 189.13, 1%, 0.64%

LAB 83.7, -31.26, -25.27

 

CMYK 47 / 72 / 0 / 0

HEX #8747FF

RGB 135 71 255

HSL 260.87, 1%, 0.64%

LAB 48.11, 65.23, -81.43

 

CMYK 0 / 61 / 72 / 0

HEX #FF6347

RGB 255 99 71

HSL 9.13, 1%, 0.64%

LAB 62.2, 57.86, 46.42

 

CMYK 47 / 0 / 72 / 0

HEX #87FF47

RGB 135 255 71

HSL 99.13, 1%, 0.64%

LAB 90.38, -63.46, 72.89

 

CMYK 72 / 11 / 0 / 0

HEX #47E3FF

RGB 71 227 255

HSL 189.13, 1%, 0.64%

LAB 83.7, -31.26, -25.27

 

CMYK 25 / 72 / 0 / 0

HEX #BE47FF

RGB 190 71 255

HSL 278.8, 1%, 0.64%

LAB 54.73, 74.55, -70.35

 

Description

Color name: Tomato1 HEX #FF6347 | qconv.com Color name: Tomato1 HEX #FF6347 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as tomato1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 99 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 99 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 72 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 72% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Portfolio
Link: http://curiadesign.net

49% - wireframe.cc - minim...
Link: http://wireframe.cc

58% - Well-Made
Link: http://blog.well-made.nl

25% - Hercyan2eb
Link: http://hercyan2.web.fc2.com

98% - k-dream | blog
Link: http://www.k-dream.it

79% - Your title here
Link: http://ice.kavoskerai.lt

57% - Iowme, your private ...
Link: https://iowme.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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