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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FB6CD it is the complementary color #604932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FB6CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FB6CD shade: #A4B6C8, #B5C8DB, #C6DAEE, #D7ECFF and #E8FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FB6CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FB6CD shade: #9FB6CD, #8EA4BA, #7D92A7, #6C8094 and #5B6E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FB6CD shade: #9DB5CC, #9DA8CC, #9F9DCC, #AC9DCC and #B89DCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FB6CD shade: #9DB5CC, #9DA8CC and #9D9DCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FB6CD shade matches the following richer shades: #9DB5CC, #91B5D8, #85B5E4, #79B5F0 and #6DB5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FB6CD shade: #9DB5CC, #A9B5C0, #B5B5B4, #C1B5A8 and #CDB59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FB6CD shade: #9DCCCB, #9DC1CC, #9DB5CC, #9DA8CC and #9E9DCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FB6CD shade: #668BB0, #82A0BE, #9DB5CC, #B8C9DA and #D3DEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FB6CD shade: #9FB6CD, #BE9DCC and #C7CC9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FB6CD shade: #9FB6CD, #CC9DB5 and #B5CC9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FB6CD shade: #9FB6CD, #BE9DCC, #CCB59D and #ABCC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FB6CD shade: #9FB6CD, #CC9DCC, #CCB59D and #9DCC9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

Slategrey3

Complementary color

CMYK 0 / 24 / 48 / 62

HEX #604932

RGB 96 73 50

HSL 30, 0.32%, 0.29%

LAB 32.88, 6.42, 17.51

 

CMYK 18 / 9 / 0 / 22

HEX #A4B6C8

RGB 164 182 200

HSL 210, 0.25%, 0.71%

LAB 73.23, -2.39, -11.2

 

CMYK 17 / 9 / 0 / 14

HEX #B5C8DB

RGB 181 200 219

HSL 210, 0.35%, 0.78%

LAB 79.75, -2.5, -11.62

 

CMYK 17 / 8 / 0 / 7

HEX #C6DAEE

RGB 198 218 238

HSL 210, 0.54%, 0.85%

LAB 86.17, -2.6, -12.04

 

CMYK 16 / 7 / 0 / 0

HEX #D7ECFF

RGB 215 236 255

HSL 208.5, 1%, 0.92%

LAB 92.42, -3.12, -11.51

 

CMYK 9 / 0 / 0 / 0

HEX #E8FEFF

RGB 232 254 255

HSL 182.61, 1%, 0.95%

LAB 98.14, -6.93, -2.93

 

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

 

CMYK 24 / 12 / 0 / 27

HEX #8EA4BA

RGB 142 164 186

HSL 210, 0.24%, 0.64%

LAB 66.4, -2.72, -13.87

 

CMYK 25 / 13 / 0 / 35

HEX #7D92A7

RGB 125 146 167

HSL 210, 0.19%, 0.57%

LAB 59.62, -2.6, -13.51

 

CMYK 27 / 14 / 0 / 42

HEX #6C8094

RGB 108 128 148

HSL 210, 0.16%, 0.5%

LAB 52.69, -2.46, -13.15

 

CMYK 29 / 15 / 0 / 49

HEX #5B6E81

RGB 91 110 129

HSL 210, 0.17%, 0.43%

LAB 45.58, -2.3, -12.81

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 23 / 18 / 0 / 20

HEX #9DA8CC

RGB 157 168 204

HSL 225.96, 0.32%, 0.71%

LAB 69.14, 3.97, -19.62

 

CMYK 22 / 23 / 0 / 20

HEX #9F9DCC

RGB 159 157 204

HSL 242.55, 0.32%, 0.71%

LAB 66.4, 10.74, -23.77

 

CMYK 16 / 23 / 0 / 20

HEX #AC9DCC

RGB 172 157 204

HSL 259.15, 0.32%, 0.71%

LAB 67.46, 14.86, -22.06

 

CMYK 10 / 23 / 0 / 20

HEX #B89DCC

RGB 184 157 204

HSL 274.47, 0.32%, 0.71%

LAB 68.51, 18.76, -20.37

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 23 / 18 / 0 / 20

HEX #9DA8CC

RGB 157 168 204

HSL 225.96, 0.32%, 0.71%

LAB 69.14, 3.97, -19.62

 

CMYK 23 / 23 / 0 / 20

HEX #9D9DCC

RGB 157 157 204

HSL 240, 0.32%, 0.71%

LAB 66.25, 10.12, -24.02

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 33 / 16 / 0 / 15

HEX #91B5D8

RGB 145 181 216

HSL 209.58, 0.48%, 0.71%

LAB 72.25, -3.82, -21.55

 

CMYK 42 / 21 / 0 / 11

HEX #85B5E4

RGB 133 181 228

HSL 209.68, 0.64%, 0.71%

LAB 71.98, -3.92, -28.55

 

CMYK 50 / 25 / 0 / 6

HEX #79B5F0

RGB 121 181 240

HSL 209.75, 0.8%, 0.71%

LAB 71.83, -3.45, -35.36

 

CMYK 57 / 28 / 0 / 1

HEX #6DB5FC

RGB 109 181 252

HSL 209.79, 0.96%, 0.71%

LAB 71.78, -2.4, -41.98

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 12 / 6 / 0 / 25

HEX #A9B5C0

RGB 169 181 192

HSL 208.7, 0.15%, 0.71%

LAB 73.08, -1.93, -7.01

 

CMYK 0 / 0 / 1 / 29

HEX #B5B5B4

RGB 181 181 180

HSL 60, 0.01%, 0.71%

LAB 73.65, -0.18, 0.5

 

CMYK 0 / 6 / 13 / 24

HEX #C1B5A8

RGB 193 181 168

HSL 31.2, 0.17%, 0.71%

LAB 74.33, 2.04, 8.14

 

CMYK 0 / 12 / 24 / 20

HEX #CDB59C

RGB 205 181 156

HSL 30.61, 0.33%, 0.71%

LAB 75.09, 4.7, 15.89

 

CMYK 23 / 0 / 0 / 20

HEX #9DCCCB

RGB 157 204 203

HSL 178.72, 0.32%, 0.71%

LAB 78.85, -15.48, -4.54

 

CMYK 23 / 5 / 0 / 20

HEX #9DC1CC

RGB 157 193 204

HSL 194.04, 0.32%, 0.71%

LAB 75.86, -9.55, -9.5

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 23 / 18 / 0 / 20

HEX #9DA8CC

RGB 157 168 204

HSL 225.96, 0.32%, 0.71%

LAB 69.14, 3.97, -19.62

 

CMYK 23 / 23 / 0 / 20

HEX #9E9DCC

RGB 158 157 204

HSL 241.28, 0.32%, 0.71%

LAB 66.32, 10.43, -23.9

 

CMYK 42 / 21 / 0 / 31

HEX #668BB0

RGB 102 139 176

HSL 210, 0.32%, 0.55%

LAB 56.51, -3.02, -23.51

 

CMYK 32 / 16 / 0 / 25

HEX #82A0BE

RGB 130 160 190

HSL 210, 0.32%, 0.63%

LAB 64.65, -3.18, -18.83

 

CMYK 23 / 11 / 0 / 20

HEX #9DB5CC

RGB 157 181 204

HSL 209.36, 0.32%, 0.71%

LAB 72.61, -3.15, -14.36

 

CMYK 16 / 8 / 0 / 15

HEX #B8C9DA

RGB 184 201 218

HSL 210, 0.31%, 0.79%

LAB 80.19, -2.29, -10.41

 

CMYK 9 / 4 / 0 / 9

HEX #D3DEE8

RGB 211 222 232

HSL 208.57, 0.31%, 0.87%

LAB 87.93, -1.77, -6.16

 

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

 

CMYK 7 / 23 / 0 / 20

HEX #BE9DCC

RGB 190 157 204

HSL 282.13, 0.32%, 0.71%

LAB 69.05, 20.73, -19.49

 

CMYK 2 / 0 / 23 / 20

HEX #C7CC9D

RGB 199 204 157

HSL 66.38, 0.32%, 0.71%

LAB 80.61, -9.49, 22.91

 

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

 

CMYK 0 / 23 / 11 / 20

HEX #CC9DB5

RGB 204 157 181

HSL 329.36, 0.32%, 0.71%

LAB 69.67, 21.28, -5.66

 

CMYK 11 / 0 / 23 / 20

HEX #B5CC9D

RGB 181 204 157

HSL 89.36, 0.32%, 0.71%

LAB 79.3, -16.12, 20.9

 

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

 

CMYK 7 / 23 / 0 / 20

HEX #BE9DCC

RGB 190 157 204

HSL 282.13, 0.32%, 0.71%

LAB 69.05, 20.73, -19.49

 

CMYK 0 / 11 / 23 / 20

HEX #CCB59D

RGB 204 181 157

HSL 30.64, 0.32%, 0.71%

LAB 75.03, 4.46, 15.25

 

CMYK 16 / 0 / 23 / 20

HEX #ABCC9D

RGB 171 204 157

HSL 102.13, 0.32%, 0.71%

LAB 78.62, -19.69, 19.87

 

CMYK 22 / 11 / 0 / 20

HEX #9FB6CD

RGB 159 182 205

HSL 210, 0.32%, 0.71%

LAB 73.05, -2.84, -14.24

 

CMYK 0 / 23 / 0 / 20

HEX #CC9DCC

RGB 204 157 204

HSL 300, 0.32%, 0.71%

LAB 70.39, 25.39, -17.33

 

CMYK 0 / 11 / 23 / 20

HEX #CCB59D

RGB 204 181 157

HSL 30.64, 0.32%, 0.71%

LAB 75.03, 4.46, 15.25

 

CMYK 23 / 0 / 23 / 20

HEX #9DCC9D

RGB 157 204 157

HSL 120, 0.32%, 0.71%

LAB 77.75, -24.52, 18.52

 

Description

Color name: Slategrey3 HEX #9FB6CD | qconv.com Color name: Slategrey3 HEX #9FB6CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as Slategrey3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 182 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 182 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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