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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9A00 it is the complementary color #1165FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EE9A00: #F39A00, #FFAC0E, #FFBE21, #FFD034 and #FFE247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EE9A00: #EE9A00, #DD8800, #CC7600, #BB6400 and #AA5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

Orange2

Complementary color

CMYK 93 / 60 / 0 / 0

HEX #1165FF

RGB 17 101 255

HSL 218.82, 1%, 0.53%

LAB 47.81, 36.23, -82.17

 

CMYK 0 / 37 / 100 / 5

HEX #F39A00

RGB 243 154 0

HSL 38.02, 1%, 0.48%

LAB 70.99, 24.66, 75.68

 

CMYK 0 / 33 / 95 / 0

HEX #FFAC0E

RGB 255 172 14

HSL 39.34, 1%, 0.53%

LAB 76.56, 20.4, 78.46

 

CMYK 0 / 25 / 87 / 0

HEX #FFBE21

RGB 255 190 33

HSL 42.43, 1%, 0.56%

LAB 80.85, 11.3, 78.23

 

CMYK 0 / 18 / 80 / 0

HEX #FFD034

RGB 255 208 52

HSL 46.11, 1%, 0.6%

LAB 85.31, 2.5, 76.92

 

CMYK 0 / 11 / 72 / 0

HEX #FFE247

RGB 255 226 71

HSL 50.54, 1%, 0.64%

LAB 89.91, -5.89, 74.94

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 0 / 38 / 100 / 13

HEX #DD8800

RGB 221 136 0

HSL 36.92, 1%, 0.43%

LAB 64.15, 24.89, 69.91

 

CMYK 0 / 42 / 100 / 20

HEX #CC7600

RGB 204 118 0

HSL 34.71, 1%, 0.4%

LAB 57.84, 27.29, 64.8

 

CMYK 0 / 47 / 100 / 27

HEX #BB6400

RGB 187 100 0

HSL 32.09, 1%, 0.37%

LAB 51.47, 29.75, 59.65

 

CMYK 0 / 52 / 100 / 33

HEX #AA5200

RGB 170 82 0

HSL 28.94, 1%, 0.33%

LAB 45.05, 32.21, 54.49

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 0 / 20 / 100 / 6

HEX #EFBF00

RGB 239 191 0

HSL 47.95, 1%, 0.47%

LAB 79.39, 3.52, 81.14

 

CMYK 0 / 3 / 100 / 6

HEX #EFE700

RGB 239 231 0

HSL 57.99, 1%, 0.47%

LAB 89.63, -16.65, 88.43

 

CMYK 13 / 0 / 100 / 6

HEX #CFEF00

RGB 207 239 0

HSL 68.03, 1%, 0.47%

LAB 89.39, -33.62, 87.19

 

CMYK 30 / 0 / 100 / 6

HEX #A7EF00

RGB 167 239 0

HSL 78.08, 1%, 0.47%

LAB 86.97, -49.01, 84.29

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 0 / 35 / 100 / 87

HEX #221600

RGB 34 22 0

HSL 38.82, 1%, 0.07%

LAB 8.25, 3.04, 12.42

 

CMYK 0 / 35 / 100 / 67

HEX #553700

RGB 85 55 0

HSL 38.82, 1%, 0.17%

LAB 25.75, 8.77, 35.38

 

CMYK 0 / 35 / 100 / 47

HEX #885800

RGB 136 88 0

HSL 38.82, 1%, 0.27%

LAB 41.55, 13.72, 49.85

 

CMYK 0 / 35 / 100 / 27

HEX #BB7900

RGB 187 121 0

HSL 38.82, 1%, 0.37%

LAB 56.33, 18.27, 62.74

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 84 / 0 / 100 / 6

HEX #27EF00

RGB 39 239 0

HSL 110.21, 1%, 0.47%

LAB 83, -79.97, 79.48

 

CMYK 77 / 100 / 0 / 6

HEX #3700EF

RGB 55 0 239

HSL 253.81, 1%, 0.47%

LAB 31.91, 76.07, -99.45

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 100 / 0 / 37 / 6

HEX #00EF97

RGB 0 239 151

HSL 157.91, 1%, 0.47%

LAB 83.95, -67.54, 29.44

 

CMYK 37 / 100 / 0 / 6

HEX #9700EF

RGB 151 0 239

HSL 277.91, 1%, 0.47%

LAB 42.48, 81.99, -81.61

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 84 / 0 / 100 / 6

HEX #27EF00

RGB 39 239 0

HSL 110.21, 1%, 0.47%

LAB 83, -79.97, 79.48

 

CMYK 100 / 64 / 0 / 6

HEX #0057EF

RGB 0 87 239

HSL 218.16, 1%, 0.47%

LAB 42.84, 38.69, -81.39

 

CMYK 17 / 100 / 0 / 6

HEX #C700EF

RGB 199 0 239

HSL 289.96, 1%, 0.47%

LAB 49.95, 87.71, -69.1

 

CMYK 0 / 35 / 100 / 7

HEX #EE9A00

RGB 238 154 0

HSL 38.82, 1%, 0.47%

LAB 70.38, 22.55, 74.99

 

CMYK 100 / 0 / 87 / 6

HEX #00EF1F

RGB 0 239 31

HSL 127.78, 1%, 0.47%

LAB 82.82, -81.37, 75.6

 

CMYK 100 / 64 / 0 / 6

HEX #0057EF

RGB 0 87 239

HSL 218.16, 1%, 0.47%

LAB 42.84, 38.69, -81.39

 

CMYK 0 / 100 / 13 / 6

HEX #EF00CF

RGB 239 0 207

HSL 308.03, 1%, 0.47%

LAB 54.92, 89.29, -42.57

 

Description

Color name: Orange2 HEX #EE9A00 | qconv.com Color name: Orange2 HEX #EE9A00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as orange2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 154 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 154 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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