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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B452CD it is the complementary color #4BAD32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B452CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B452CD: #B952C8, #CA64DB, #DB76EE, #EC88FF and #FD9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B452CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B452CD: #B452CD, #A340BA, #922EA7, #811C94 and #700A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

Mediumorchid3

Complementary color

CMYK 57 / 0 / 71 / 32

HEX #4BAD32

RGB 75 173 50

HSL 107.8, 0.55%, 0.44%

LAB 63.02, -51.26, 51.96

 

CMYK 8 / 59 / 0 / 22

HEX #B952C8

RGB 185 82 200

HSL 292.37, 0.52%, 0.55%

LAB 52.42, 58.1, -43.08

 

CMYK 8 / 54 / 0 / 14

HEX #CA64DB

RGB 202 100 219

HSL 291.43, 0.62%, 0.63%

LAB 58.78, 57.62, -43.68

 

CMYK 8 / 50 / 0 / 7

HEX #DB76EE

RGB 219 118 238

HSL 290.5, 0.78%, 0.7%

LAB 65.11, 57.01, -44.16

 

CMYK 7 / 47 / 0 / 0

HEX #EC88FF

RGB 236 136 255

HSL 290.42, 1%, 0.77%

LAB 71.32, 55.94, -43.59

 

CMYK 1 / 40 / 0 / 0

HEX #FD9AFF

RGB 253 154 255

HSL 298.81, 1%, 0.8%

LAB 76.81, 51.74, -34.91

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 12 / 66 / 0 / 27

HEX #A340BA

RGB 163 64 186

HSL 288.69, 0.49%, 0.49%

LAB 45.63, 58.09, -45.94

 

CMYK 13 / 72 / 0 / 35

HEX #922EA7

RGB 146 46 167

HSL 289.59, 0.57%, 0.42%

LAB 39.34, 57.92, -44.92

 

CMYK 13 / 81 / 0 / 42

HEX #811C94

RGB 129 28 148

HSL 290.5, 0.68%, 0.35%

LAB 33.21, 56.96, -43.4

 

CMYK 13 / 92 / 0 / 49

HEX #700A81

RGB 112 10 129

HSL 291.43, 0.86%, 0.27%

LAB 27.43, 54.64, -41.07

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 3 / 60 / 0 / 20

HEX #C651CC

RGB 198 81 204

HSL 297.07, 0.55%, 0.56%

LAB 54.29, 62.53, -42.29

 

CMYK 0 / 60 / 7 / 20

HEX #CC51BE

RGB 204 81 190

HSL 306.83, 0.55%, 0.56%

LAB 54.49, 61.7, -33.88

 

CMYK 0 / 60 / 17 / 20

HEX #CC51A9

RGB 204 81 169

HSL 317.07, 0.55%, 0.56%

LAB 53.59, 58.46, -23.09

 

CMYK 0 / 60 / 27 / 20

HEX #CC5194

RGB 204 81 148

HSL 327.32, 0.55%, 0.56%

LAB 52.8, 55.56, -11.95

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 12 / 60 / 0 / 80

HEX #2E1534

RGB 46 21 52

HSL 288.39, 0.42%, 0.14%

LAB 11.72, 18.88, -15.22

 

CMYK 13 / 60 / 0 / 60

HEX #5A2967

RGB 90 41 103

HSL 287.42, 0.43%, 0.28%

LAB 25.98, 33.12, -26.99

 

CMYK 12 / 60 / 0 / 40

HEX #873E9A

RGB 135 62 154

HSL 287.61, 0.43%, 0.42%

LAB 39.46, 45.65, -37.01

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 0 / 60 / 59 / 20

HEX #CC5153

RGB 204 81 83

HSL 359.02, 0.55%, 0.56%

LAB 51.09, 48.99, 24.34

 

CMYK 60 / 0 / 37 / 20

HEX #51CC80

RGB 81 204 128

HSL 142.93, 0.55%, 0.56%

LAB 73.86, -51.2, 27.95

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 0 / 13 / 60 / 20

HEX #CCB151

RGB 204 177 81

HSL 46.83, 0.55%, 0.56%

LAB 72.81, -1.63, 51.63

 

CMYK 60 / 0 / 13 / 20

HEX #51CCB1

RGB 81 204 177

HSL 166.83, 0.55%, 0.56%

LAB 74.89, -40.64, 3.3

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 0 / 60 / 59 / 20

HEX #CC5153

RGB 204 81 83

HSL 359.02, 0.55%, 0.56%

LAB 51.09, 48.99, 24.34

 

CMYK 48 / 0 / 60 / 20

HEX #6BCC51

RGB 107 204 81

HSL 107.32, 0.55%, 0.56%

LAB 74.13, -51.34, 51.41

 

CMYK 60 / 0 / 1 / 20

HEX #51CCCA

RGB 81 204 202

HSL 179.02, 0.55%, 0.56%

LAB 75.58, -34.14, -9.2

 

CMYK 12 / 60 / 0 / 20

HEX #B452CD

RGB 180 82 205

HSL 287.8, 0.55%, 0.56%

LAB 52, 57.81, -46.65

 

CMYK 0 / 43 / 60 / 20

HEX #CC7451

RGB 204 116 81

HSL 17.07, 0.55%, 0.56%

LAB 57.96, 31.31, 34.18

 

CMYK 48 / 0 / 60 / 20

HEX #6BCC51

RGB 107 204 81

HSL 107.32, 0.55%, 0.56%

LAB 74.13, -51.34, 51.41

 

CMYK 60 / 17 / 0 / 20

HEX #51A9CC

RGB 81 169 204

HSL 197.07, 0.55%, 0.56%

LAB 65.35, -16.04, -25.77

 

Description

Color name: Mediumorchid3 HEX #B452CD | qconv.com Color name: Mediumorchid3 HEX #B452CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as MediumOrchid3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 82 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 82 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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