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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3A62 it is the complementary color #74C59D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3A62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B3A62: #903A5D, #A14C70, #B25E83, #C37096 and #D482A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3A62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B3A62: #8B3A62, #7A284F, #69163C, #580429 and #470016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

Hotpink4

Complementary color

CMYK 41 / 0 / 20 / 23

HEX #74C59D

RGB 116 197 157

HSL 150.37, 0.41%, 0.61%

LAB 73.6, -33.87, 12.39

 

CMYK 0 / 60 / 35 / 44

HEX #903A5D

RGB 144 58 93

HSL 335.58, 0.43%, 0.4%

LAB 37.38, 40.05, -2.35

 

CMYK 0 / 53 / 30 / 37

HEX #A14C70

RGB 161 76 112

HSL 334.59, 0.36%, 0.46%

LAB 44.11, 39.31, -3.95

 

CMYK 0 / 47 / 26 / 30

HEX #B25E83

RGB 178 94 131

HSL 333.57, 0.35%, 0.53%

LAB 50.81, 38.48, -5.22

 

CMYK 0 / 43 / 23 / 24

HEX #C37096

RGB 195 112 150

HSL 332.53, 0.41%, 0.6%

LAB 57.46, 37.64, -6.29

 

CMYK 0 / 39 / 20 / 17

HEX #D482A9

RGB 212 130 169

HSL 331.46, 0.49%, 0.67%

LAB 64.02, 36.81, -7.21

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 67 / 35 / 52

HEX #7A284F

RGB 122 40 79

HSL 331.46, 0.51%, 0.32%

LAB 29.96, 39.47, -4.74

 

CMYK 0 / 79 / 43 / 59

HEX #69163C

RGB 105 22 60

HSL 332.53, 0.65%, 0.25%

LAB 23.35, 39.26, -2.13

 

CMYK 0 / 95 / 53 / 65

HEX #580429

RGB 88 4 41

HSL 333.57, 0.91%, 0.18%

LAB 17.09, 37.82, 1.69

 

CMYK 0 / 100 / 69 / 72

HEX #470016

RGB 71 0 22

HSL 341.41, 1%, 0.14%

LAB 11.94, 32.94, 7.94

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A55

RGB 140 58 85

HSL 340.24, 0.41%, 0.39%

LAB 36.48, 37.67, 1.32

 

CMYK 0 / 59 / 49 / 45

HEX #8C3A48

RGB 140 58 72

HSL 349.76, 0.41%, 0.39%

LAB 36.12, 36.22, 9.09

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 49 / 59 / 45

HEX #8C483A

RGB 140 72 58

HSL 10.24, 0.41%, 0.39%

LAB 38.75, 27.4, 21.37

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 58 / 29 / 25

HEX #BE4F86

RGB 190 79 134

HSL 330.27, 0.46%, 0.53%

LAB 49.81, 50.35, -8.32

 

CMYK 0 / 58 / 29 / 5

HEX #F165AA

RGB 241 101 170

HSL 330.43, 0.83%, 0.67%

LAB 62.43, 60.61, -9.73

 

CMYK 0 / 59 / 30 / 85

HEX #250F1A

RGB 37 15 26

HSL 330, 0.42%, 0.1%

LAB 7.31, 13.3, -2.7

 

CMYK 0 / 58 / 30 / 65

HEX #58253E

RGB 88 37 62

HSL 330.59, 0.41%, 0.25%

LAB 22.81, 26.75, -4.64

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 18 / 59 / 45

HEX #8C733A

RGB 140 115 58

HSL 41.71, 0.41%, 0.39%

LAB 49.67, 2.53, 34.77

 

CMYK 59 / 6 / 0 / 45

HEX #3A848C

RGB 58 132 140

HSL 185.85, 0.41%, 0.39%

LAB 51.03, -20.36, -11.25

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 29 / 0 / 59 / 45

HEX #638C3A

RGB 99 140 58

HSL 90, 0.41%, 0.39%

LAB 53.72, -28.61, 38.64

 

CMYK 59 / 29 / 0 / 45

HEX #3A638C

RGB 58 99 140

HSL 210, 0.41%, 0.39%

LAB 40.76, -1.44, -27

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 18 / 59 / 45

HEX #8C733A

RGB 140 115 58

HSL 41.71, 0.41%, 0.39%

LAB 49.67, 2.53, 34.77

 

CMYK 59 / 0 / 29 / 45

HEX #3A8C63

RGB 58 140 99

HSL 150, 0.41%, 0.39%

LAB 52.46, -35.02, 14.59

 

CMYK 59 / 41 / 0 / 45

HEX #3A538C

RGB 58 83 140

HSL 221.71, 0.41%, 0.39%

LAB 35.94, 8.72, -34.58

 

CMYK 0 / 58 / 29 / 45

HEX #8B3A62

RGB 139 58 98

HSL 330.37, 0.41%, 0.39%

LAB 36.74, 39.02, -6.57

 

CMYK 0 / 0 / 59 / 45

HEX #8C8C3A

RGB 140 140 58

HSL 60, 0.41%, 0.39%

LAB 56.72, -11.38, 42.84

 

CMYK 59 / 0 / 29 / 45

HEX #3A8C63

RGB 58 140 99

HSL 150, 0.41%, 0.39%

LAB 52.46, -35.02, 14.59

 

CMYK 59 / 59 / 0 / 45

HEX #3A3A8C

RGB 58 58 140

HSL 240, 0.41%, 0.39%

LAB 28.95, 25.29, -45.8

 

Description

Color name: Hotpink4 HEX #8B3A62 | qconv.com Color name: Hotpink4 HEX #8B3A62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as HotPink4.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 58 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 58 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 29 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 29% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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