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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCB98C it is the complementary color #234673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCB98C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCB98C shade: #E1B987, #F2CB9A, #FFDDAD, #FFEFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCB98C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCB98C shade: #DCB98C, #CBA779, #BA9566, #A98353 and #987140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCB98C shade: #DCBA8E, #DCA58E, #DC908E and #DC8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCB98C shade: #DCBA8E, #DCCF8E, #D4DC8E, #BFDC8E and #AADC8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCB98C shade matches the following richer shades: #DCBA8E, #E8BB82 and #F4BD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCB98C shade: #DCBA8E, #D0B89A, #C4B7A6, #B8B5B2 and #ACB4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCB98C shade: #DC8F8E, #DCA48E, #DCB98E, #DCCE8E and #D6DC8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCB98C shade: #C9934F, #D3A76E, #DCBA8E, #E6CDAD and #F0E0CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCB98C shade: #DCB98C, #A1DC8E and #9A8EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCB98C shade: #DCB98C, #8EDCB9 and #B98EDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCB98C shade: #DCB98C, #A1DC8E, #8EB1DC and #C98EDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCB98C shade: #DCB98C, #8EDC92, #8EB1DC and #DC8ED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

Complementary color

CMYK 70 / 39 / 0 / 55

HEX #234673

RGB 35 70 115

HSL 213.75, 0.53%, 0.29%

LAB 29.35, 3.36, -29.63

 

CMYK 0 / 18 / 40 / 12

HEX #E1B987

RGB 225 185 135

HSL 33.33, 0.6%, 0.71%

LAB 77.55, 7.72, 30.77

 

CMYK 0 / 16 / 36 / 5

HEX #F2CB9A

RGB 242 203 154

HSL 33.41, 0.77%, 0.78%

LAB 83.93, 7.09, 29.59

 

CMYK 0 / 13 / 32 / 0

HEX #FFDDAD

RGB 255 221 173

HSL 35.12, 1%, 0.84%

LAB 89.85, 5.03, 27.93

 

CMYK 0 / 6 / 25 / 0

HEX #FFEFC0

RGB 255 239 192

HSL 44.76, 1%, 0.88%

LAB 94.65, -1.7, 24.72

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

CMYK 0 / 18 / 40 / 20

HEX #CBA779

RGB 203 167 121

HSL 33.66, 0.44%, 0.64%

LAB 70.67, 6.94, 28.74

 

CMYK 0 / 20 / 45 / 27

HEX #BA9566

RGB 186 149 102

HSL 33.57, 0.38%, 0.56%

LAB 64.07, 7.67, 30.03

 

CMYK 0 / 22 / 51 / 34

HEX #A98353

RGB 169 131 83

HSL 33.49, 0.34%, 0.49%

LAB 57.36, 8.54, 31.42

 

CMYK 0 / 26 / 58 / 40

HEX #987140

RGB 152 113 64

HSL 33.41, 0.41%, 0.42%

LAB 50.52, 9.58, 32.89

 

CMYK 0 / 15 / 35 / 14

HEX #DCBA8E

RGB 220 186 142

HSL 33.85, 0.53%, 0.71%

LAB 77.45, 6.02, 26.86

 

CMYK 0 / 25 / 35 / 14

HEX #DCA58E

RGB 220 165 142

HSL 17.69, 0.53%, 0.71%

LAB 72.28, 17.24, 19.83

 

CMYK 0 / 35 / 35 / 14

HEX #DC908E

RGB 220 144 142

HSL 1.54, 0.53%, 0.71%

LAB 67.36, 28.55, 12.99

 

CMYK 0 / 35 / 35 / 14

HEX #DC8E8E

RGB 220 142 142

HSL 0, 0.53%, 0.71%

LAB 66.91, 29.62, 12.35

 

CMYK 0 / 15 / 35 / 14

HEX #DCBA8E

RGB 220 186 142

HSL 33.85, 0.53%, 0.71%

LAB 77.45, 6.02, 26.86

 

CMYK 0 / 6 / 35 / 14

HEX #DCCF8E

RGB 220 207 142

HSL 50, 0.53%, 0.71%

LAB 82.8, -4.95, 33.96

 

CMYK 4 / 0 / 35 / 14

HEX #D4DC8E

RGB 212 220 142

HSL 66.15, 0.53%, 0.71%

LAB 85.57, -14.63, 37.46

 

CMYK 13 / 0 / 35 / 14

HEX #BFDC8E

RGB 191 220 142

HSL 82.31, 0.53%, 0.71%

LAB 84.08, -22.53, 35.22

 

CMYK 23 / 0 / 35 / 14

HEX #AADC8E

RGB 170 220 142

HSL 98.46, 0.53%, 0.71%

LAB 82.75, -30.09, 33.22

 

CMYK 0 / 15 / 35 / 14

HEX #DCBA8E

RGB 220 186 142

HSL 33.85, 0.53%, 0.71%

LAB 77.45, 6.02, 26.86

 

CMYK 0 / 19 / 44 / 9

HEX #E8BB82

RGB 232 187 130

HSL 33.53, 0.69%, 0.71%

LAB 78.64, 8.92, 34.94

 

CMYK 0 / 23 / 52 / 4

HEX #F4BD76

RGB 244 189 118

HSL 33.81, 0.85%, 0.71%

LAB 80.14, 11.57, 43.25

 

CMYK 0 / 15 / 35 / 14

HEX #DCBA8E

RGB 220 186 142

HSL 33.85, 0.53%, 0.71%

LAB 77.45, 6.02, 26.86

 

CMYK 0 / 12 / 26 / 18

HEX #D0B89A

RGB 208 184 154

HSL 33.33, 0.36%, 0.71%

LAB 76.08, 3.97, 18.39

 

CMYK 0 / 7 / 15 / 23

HEX #C4B7A6

RGB 196 183 166

HSL 34, 0.2%, 0.71%

LAB 75.05, 1.76, 10.3

 

CMYK 0 / 2 / 3 / 28

HEX #B8B5B2

RGB 184 181 178

HSL 30, 0.04%, 0.71%

LAB 73.84, 0.51, 1.89

 

CMYK 9 / 5 / 0 / 25

HEX #ACB4BE

RGB 172 180 190

HSL 213.33, 0.12%, 0.71%

LAB 72.98, -0.8, -6.04

 

CMYK 0 / 35 / 35 / 14

HEX #DC8F8E

RGB 220 143 142

HSL 0.77, 0.53%, 0.71%

LAB 67.14, 29.08, 12.67

 

CMYK 0 / 25 / 35 / 14

HEX #DCA48E

RGB 220 164 142

HSL 16.92, 0.53%, 0.71%

LAB 72.04, 17.78, 19.49

 

CMYK 0 / 16 / 35 / 14

HEX #DCB98E

RGB 220 185 142

HSL 33.08, 0.53%, 0.71%

LAB 77.2, 6.55, 26.52

 

CMYK 0 / 6 / 35 / 14

HEX #DCCE8E

RGB 220 206 142

HSL 49.23, 0.53%, 0.71%

LAB 82.55, -4.43, 33.63

 

CMYK 3 / 0 / 35 / 14

HEX #D6DC8E

RGB 214 220 142

HSL 64.62, 0.53%, 0.71%

LAB 85.72, -13.86, 37.68

 

CMYK 0 / 27 / 61 / 21

HEX #C9934F

RGB 201 147 79

HSL 33.44, 0.53%, 0.55%

LAB 64.84, 13.08, 43.4

 

CMYK 0 / 21 / 48 / 17

HEX #D3A76E

RGB 211 167 110

HSL 33.86, 0.53%, 0.63%

LAB 71.29, 9.06, 35.53

 

CMYK 0 / 15 / 35 / 14

HEX #DCBA8E

RGB 220 186 142

HSL 33.85, 0.53%, 0.71%

LAB 77.45, 6.02, 26.86

 

CMYK 0 / 11 / 25 / 10

HEX #E6CDAD

RGB 230 205 173

HSL 33.68, 0.53%, 0.79%

LAB 83.71, 3.88, 19.14

 

CMYK 0 / 7 / 15 / 6

HEX #F0E0CD

RGB 240 224 205

HSL 32.57, 0.54%, 0.87%

LAB 89.97, 2.39, 11.26

 

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

CMYK 27 / 0 / 35 / 14

HEX #A1DC8E

RGB 161 220 142

HSL 105.38, 0.53%, 0.71%

LAB 82.23, -33.19, 32.44

 

CMYK 30 / 35 / 0 / 14

HEX #9A8EDC

RGB 154 142 220

HSL 249.23, 0.53%, 0.71%

LAB 62.83, 21.7, -38.23

 

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

CMYK 35 / 0 / 16 / 14

HEX #8EDCB9

RGB 142 220 185

HSL 153.08, 0.53%, 0.71%

LAB 82.08, -31.59, 9.66

 

CMYK 16 / 35 / 0 / 14

HEX #B98EDC

RGB 185 142 220

HSL 273.08, 0.53%, 0.71%

LAB 65.61, 30.85, -33.68

 

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

CMYK 27 / 0 / 35 / 14

HEX #A1DC8E

RGB 161 220 142

HSL 105.38, 0.53%, 0.71%

LAB 82.23, -33.19, 32.44

 

CMYK 35 / 20 / 0 / 14

HEX #8EB1DC

RGB 142 177 220

HSL 213.08, 0.53%, 0.71%

LAB 71.12, -1.46, -25.47

 

CMYK 9 / 35 / 0 / 14

HEX #C98EDC

RGB 201 142 220

HSL 285.38, 0.53%, 0.71%

LAB 67.23, 35.76, -31.06

 

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

 

CMYK 35 / 0 / 34 / 14

HEX #8EDC92

RGB 142 220 146

HSL 123.08, 0.53%, 0.71%

LAB 81.3, -38.74, 28.98

 

CMYK 35 / 20 / 0 / 14

HEX #8EB1DC

RGB 142 177 220

HSL 213.08, 0.53%, 0.71%

LAB 71.12, -1.46, -25.47

 

CMYK 0 / 35 / 2 / 14

HEX #DC8ED8

RGB 220 142 216

HSL 303.08, 0.53%, 0.71%

LAB 69.13, 40.92, -25.74

 

Description

Color code: HEX #dcb98c | qconv.com Color code: HEX #dcb98c | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 185 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 185 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 36% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - A Santa Sé
Link: https://w2.vatican.va

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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