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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAEBD7 it is the complementary color #051428. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAEBD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FAEBD7: #FFEBD2, #FFFDE5, #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAEBD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FAEBD7: #FAEBD7, #E9D9C4, #D8C7B1, #C7B59E and #B6A38B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

Antique White

Complementary color

CMYK 88 / 50 / 0 / 84

HEX #051428

RGB 5 20 40

HSL 214.29, 0.78%, 0.09%

LAB 6.19, 1.8, -15.4

 

CMYK 0 / 8 / 18 / 0

HEX #FFEBD2

RGB 255 235 210

HSL 33.33, 1%, 0.91%

LAB 94.03, 2.86, 14.58

 

CMYK 0 / 1 / 10 / 0

HEX #FFFDE5

RGB 255 253 229

HSL 55.38, 1%, 0.95%

LAB 98.89, -3.32, 11.72

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 0 / 7 / 16 / 9

HEX #E9D9C4

RGB 233 217 196

HSL 34.05, 0.46%, 0.84%

LAB 87.45, 2.11, 12.32

 

CMYK 0 / 8 / 18 / 15

HEX #D8C7B1

RGB 216 199 177

HSL 33.85, 0.33%, 0.77%

LAB 81.08, 2.39, 13.16

 

CMYK 0 / 9 / 21 / 22

HEX #C7B59E

RGB 199 181 158

HSL 33.66, 0.27%, 0.7%

LAB 74.61, 2.71, 14.05

 

CMYK 0 / 10 / 24 / 29

HEX #B6A38B

RGB 182 163 139

HSL 33.49, 0.23%, 0.63%

LAB 68.02, 3.07, 15

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 0 / 4 / 14 / 2

HEX #F9F0D6

RGB 249 240 214

HSL 44.57, 0.74%, 0.91%

LAB 94.87, -1.2, 13.65

 

CMYK 0 / 1 / 14 / 2

HEX #F9F6D6

RGB 249 246 214

HSL 54.86, 0.74%, 0.91%

LAB 96.37, -4.23, 15.77

 

CMYK 1 / 0 / 14 / 2

HEX #F7F9D6

RGB 247 249 214

HSL 63.43, 0.74%, 0.91%

LAB 96.98, -6.43, 16.6

 

CMYK 3 / 0 / 14 / 2

HEX #F1F9D6

RGB 241 249 214

HSL 73.71, 0.74%, 0.91%

LAB 96.54, -8.53, 15.92

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 0 / 7 / 13 / 82

HEX #2E2B28

RGB 46 43 40

HSL 30, 0.07%, 0.17%

LAB 17.74, 0.7, 2.44

 

CMYK 0 / 6 / 14 / 62

HEX #615B53

RGB 97 91 83

HSL 34.29, 0.08%, 0.35%

LAB 38.98, 0.87, 5.47

 

CMYK 0 / 6 / 14 / 42

HEX #948B7F

RGB 148 139 127

HSL 34.29, 0.09%, 0.54%

LAB 58.31, 1.21, 7.62

 

CMYK 0 / 6 / 14 / 22

HEX #C7BBAB

RGB 199 187 171

HSL 34.29, 0.2%, 0.73%

LAB 76.45, 1.54, 9.62

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 11 / 0 / 14 / 2

HEX #DEF9D6

RGB 222 249 214

HSL 106.29, 0.74%, 0.91%

LAB 95.22, -15.03, 13.87

 

CMYK 12 / 14 / 0 / 2

HEX #DCD6F9

RGB 220 214 249

HSL 250.29, 0.74%, 0.91%

LAB 87.07, 8.68, -16.34

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 14 / 0 / 6 / 2

HEX #D6F9EA

RGB 214 249 234

HSL 154.29, 0.74%, 0.91%

LAB 95.16, -14.11, 3.4

 

CMYK 6 / 14 / 0 / 2

HEX #EAD6F9

RGB 234 214 249

HSL 274.29, 0.74%, 0.91%

LAB 88.17, 13.18, -14.57

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 11 / 0 / 14 / 2

HEX #DEF9D6

RGB 222 249 214

HSL 106.29, 0.74%, 0.91%

LAB 95.22, -15.03, 13.87

 

CMYK 14 / 8 / 0 / 2

HEX #D6E5F9

RGB 214 229 249

HSL 214.29, 0.74%, 0.91%

LAB 90.4, -1.05, -11.39

 

CMYK 3 / 14 / 0 / 2

HEX #F1D6F9

RGB 241 214 249

HSL 286.29, 0.74%, 0.91%

LAB 88.75, 15.45, -13.65

 

CMYK 0 / 6 / 14 / 2

HEX #FAEBD7

RGB 250 235 215

HSL 34.29, 0.78%, 0.91%

LAB 93.73, 1.84, 11.52

 

CMYK 14 / 0 / 13 / 2

HEX #D6F9D8

RGB 214 249 216

HSL 123.43, 0.74%, 0.91%

LAB 94.74, -17.35, 12.09

 

CMYK 14 / 8 / 0 / 2

HEX #D6E5F9

RGB 214 229 249

HSL 214.29, 0.74%, 0.91%

LAB 90.4, -1.05, -11.39

 

CMYK 0 / 14 / 1 / 2

HEX #F9D6F7

RGB 249 214 247

HSL 303.43, 0.74%, 0.91%

LAB 89.37, 17.72, -11.6

 

Description

Color name: Antique White HEX #FAEBD7 | qconv.com Color name: Antique White HEX #FAEBD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as antique white.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 235 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 235 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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