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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFF48C it is the complementary color #000B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFF48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFF48C shade: #FFF487, #FFFF9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFF48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFF48C shade: #FFF48C, #EEE279, #DDD066, #CCBE53 and #BBAC40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFF48C shade: #FFF48A, #FFD48A, #FFB58A, #FF958A and #FF8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFF48C shade: #FFF48A, #EBFF8A, #CBFF8A, #ABFF8A and #8CFF8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFF48C shade matches the following richer shades: #FFF48A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFF48C shade: #FFF48A, #F6EC93, #ECE49D, #E3DDA6 and #D9D5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFF48C shade: #FFB58A, #FFD48A, #FFF38A, #EBFF8A and #CCFF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFF48C shade: #FFEC37, #FFF060, #FFF48A, #FFF8B3 and #FFFCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFF48C shade: #FFF48C, #8AFF95 and #C48AFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFF48C shade: #FFF48C, #8AFFF3 and #F38AFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFF48C shade: #FFF48C, #8AFF95, #8A95FF and #FF8AF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFF48C shade: #FFF48C, #8AFFB9, #8A95FF and #FF8AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

Complementary color

CMYK 100 / 90 / 0 / 55

HEX #000B73

RGB 0 11 115

HSL 234.26, 1%, 0.23%

LAB 12.46, 39.01, -57.2

 

CMYK 0 / 4 / 47 / 0

HEX #FFF487

RGB 255 244 135

HSL 54.5, 1%, 0.76%

LAB 95.04, -10.57, 53.48

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

CMYK 0 / 5 / 49 / 7

HEX #EEE279

RGB 238 226 121

HSL 53.85, 0.77%, 0.7%

LAB 88.9, -9.59, 52.34

 

CMYK 0 / 6 / 54 / 13

HEX #DDD066

RGB 221 208 102

HSL 53.45, 0.64%, 0.63%

LAB 82.62, -8.99, 53.49

 

CMYK 0 / 7 / 59 / 20

HEX #CCBE53

RGB 204 190 83

HSL 53.06, 0.54%, 0.56%

LAB 76.25, -8.27, 54.56

 

CMYK 0 / 8 / 66 / 27

HEX #BBAC40

RGB 187 172 64

HSL 52.68, 0.49%, 0.49%

LAB 69.78, -7.41, 55.46

 

CMYK 0 / 4 / 46 / 0

HEX #FFF48A

RGB 255 244 138

HSL 54.36, 1%, 0.77%

LAB 95.08, -10.3, 52.11

 

CMYK 0 / 17 / 46 / 0

HEX #FFD48A

RGB 255 212 138

HSL 37.95, 1%, 0.77%

LAB 87.09, 5.84, 42.13

 

CMYK 0 / 29 / 46 / 0

HEX #FFB58A

RGB 255 181 138

HSL 22.05, 1%, 0.77%

LAB 79.69, 21.97, 32.58

 

CMYK 0 / 42 / 46 / 0

HEX #FF958A

RGB 255 149 138

HSL 5.64, 1%, 0.77%

LAB 72.62, 38.61, 23.13

 

CMYK 0 / 46 / 46 / 0

HEX #FF8A8A

RGB 255 138 138

HSL 0, 1%, 0.77%

LAB 70.37, 44.18, 20.06

 

CMYK 0 / 4 / 46 / 0

HEX #FFF48A

RGB 255 244 138

HSL 54.36, 1%, 0.77%

LAB 95.08, -10.3, 52.11

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF8A

RGB 235 255 138

HSL 70.26, 1%, 0.77%

LAB 96.42, -23.32, 53.41

 

CMYK 20 / 0 / 46 / 0

HEX #CBFF8A

RGB 203 255 138

HSL 86.67, 1%, 0.77%

LAB 94.33, -35.12, 50.38

 

CMYK 33 / 0 / 46 / 0

HEX #ABFF8A

RGB 171 255 138

HSL 103.08, 1%, 0.77%

LAB 92.58, -46.02, 47.81

 

CMYK 45 / 0 / 46 / 0

HEX #8CFF8A

RGB 140 255 138

HSL 118.97, 1%, 0.77%

LAB 91.2, -55.35, 45.79

 

CMYK 0 / 4 / 46 / 0

HEX #FFF48A

RGB 255 244 138

HSL 54.36, 1%, 0.77%

LAB 95.08, -10.3, 52.11

 

CMYK 0 / 4 / 46 / 0

HEX #FFF48A

RGB 255 244 138

HSL 54.36, 1%, 0.77%

LAB 95.08, -10.3, 52.11

 

CMYK 0 / 4 / 40 / 4

HEX #F6EC93

RGB 246 236 147

HSL 53.94, 0.85%, 0.77%

LAB 92.44, -8.95, 44.31

 

CMYK 0 / 3 / 33 / 7

HEX #ECE49D

RGB 236 228 157

HSL 53.92, 0.68%, 0.77%

LAB 89.74, -7.68, 35.68

 

CMYK 0 / 3 / 27 / 11

HEX #E3DDA6

RGB 227 221 166

HSL 54.1, 0.52%, 0.77%

LAB 87.39, -6.43, 27.81

 

CMYK 0 / 2 / 19 / 15

HEX #D9D5B0

RGB 217 213 176

HSL 54.15, 0.35%, 0.77%

LAB 84.73, -4.67, 18.82

 

CMYK 0 / 29 / 46 / 0

HEX #FFB58A

RGB 255 181 138

HSL 22.05, 1%, 0.77%

LAB 79.69, 21.97, 32.58

 

CMYK 0 / 17 / 46 / 0

HEX #FFD48A

RGB 255 212 138

HSL 37.95, 1%, 0.77%

LAB 87.09, 5.84, 42.13

 

CMYK 0 / 5 / 46 / 0

HEX #FFF38A

RGB 255 243 138

HSL 53.85, 1%, 0.77%

LAB 94.82, -9.8, 51.8

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF8A

RGB 235 255 138

HSL 70.26, 1%, 0.77%

LAB 96.42, -23.32, 53.41

 

CMYK 20 / 0 / 46 / 0

HEX #CCFF8A

RGB 204 255 138

HSL 86.15, 1%, 0.77%

LAB 94.39, -34.76, 50.47

 

CMYK 0 / 7 / 78 / 0

HEX #FFEC37

RGB 255 236 55

HSL 54.3, 1%, 0.61%

LAB 92.37, -11.46, 82.27

 

CMYK 0 / 6 / 62 / 0

HEX #FFF060

RGB 255 240 96

HSL 54.34, 1%, 0.69%

LAB 93.63, -11.53, 69.17

 

CMYK 0 / 4 / 46 / 0

HEX #FFF48A

RGB 255 244 138

HSL 54.36, 1%, 0.77%

LAB 95.08, -10.3, 52.11

 

CMYK 0 / 3 / 30 / 0

HEX #FFF8B3

RGB 255 248 179

HSL 54.47, 1%, 0.85%

LAB 96.68, -7.87, 34.06

 

CMYK 0 / 1 / 14 / 0

HEX #FFFCDC

RGB 255 252 220

HSL 54.86, 1%, 0.93%

LAB 98.45, -4.22, 15.69

 

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

CMYK 46 / 0 / 42 / 0

HEX #8AFF95

RGB 138 255 149

HSL 125.64, 1%, 0.77%

LAB 91.28, -54.34, 40.56

 

CMYK 23 / 46 / 0 / 0

HEX #C48AFF

RGB 196 138 255

HSL 269.74, 1%, 0.77%

LAB 67.38, 43.99, -50.1

 

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

CMYK 46 / 0 / 5 / 0

HEX #8AFFF3

RGB 138 255 243

HSL 173.85, 1%, 0.77%

LAB 93.19, -36.03, -4.59

 

CMYK 5 / 46 / 0 / 0

HEX #F38AFF

RGB 243 138 255

HSL 293.85, 1%, 0.77%

LAB 72.53, 56.88, -41.65

 

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

CMYK 46 / 0 / 42 / 0

HEX #8AFF95

RGB 138 255 149

HSL 125.64, 1%, 0.77%

LAB 91.28, -54.34, 40.56

 

CMYK 46 / 42 / 0 / 0

HEX #8A95FF

RGB 138 149 255

HSL 234.36, 1%, 0.77%

LAB 65.06, 23.05, -54.08

 

CMYK 0 / 46 / 5 / 0

HEX #FF8AF3

RGB 255 138 243

HSL 306.15, 1%, 0.77%

LAB 73.49, 58.18, -33.52

 

CMYK 0 / 4 / 45 / 0

HEX #FFF48C

RGB 255 244 140

HSL 54.26, 1%, 0.77%

LAB 95.1, -10.11, 51.19

 

CMYK 46 / 0 / 27 / 0

HEX #8AFFB9

RGB 138 255 185

HSL 144.1, 1%, 0.77%

LAB 91.88, -48.33, 23.38

 

CMYK 46 / 42 / 0 / 0

HEX #8A95FF

RGB 138 149 255

HSL 234.36, 1%, 0.77%

LAB 65.06, 23.05, -54.08

 

CMYK 0 / 46 / 18 / 0

HEX #FF8AD0

RGB 255 138 208

HSL 324.1, 1%, 0.77%

LAB 72.22, 52.69, -16.22

 

Description

Color code: HEX #FFF48C | qconv.com Color code: HEX #FFF48C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 244 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 244 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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