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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFEFD5 it is the complementary color #00102A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFEFD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FFEFD5: #FFEFD0, #FFFFE3, #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFEFD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FFEFD5: #FFEFD5, #EEDDC2, #DDCBAF, #CCB99C and #BBA789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

Complementary color

CMYK 100 / 62 / 0 / 84

HEX #00102A

RGB 0 16 42

HSL 217.14, 1%, 0.08%

LAB 4.86, 3.77, -19.02

 

CMYK 0 / 6 / 18 / 0

HEX #FFEFD0

RGB 255 239 208

HSL 39.57, 1%, 0.91%

LAB 94.97, 0.54, 16.95

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 7 / 18 / 7

HEX #EEDDC2

RGB 238 221 194

HSL 36.82, 0.56%, 0.85%

LAB 88.82, 1.55, 15.36

 

CMYK 0 / 8 / 21 / 13

HEX #DDCBAF

RGB 221 203 175

HSL 36.52, 0.4%, 0.78%

LAB 82.47, 1.85, 16.25

 

CMYK 0 / 9 / 24 / 20

HEX #CCB99C

RGB 204 185 156

HSL 36.25, 0.32%, 0.71%

LAB 76.03, 2.19, 17.19

 

CMYK 0 / 11 / 27 / 27

HEX #BBA789

RGB 187 167 137

HSL 36, 0.27%, 0.64%

LAB 69.48, 2.57, 18.19

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 4 / 16 / 0

HEX #FFF6D6

RGB 255 246 214

HSL 46.83, 1%, 0.92%

LAB 96.83, -2.11, 16.48

 

CMYK 0 / 1 / 16 / 0

HEX #FFFCD6

RGB 255 252 214

HSL 55.61, 1%, 0.92%

LAB 98.33, -5.12, 18.58

 

CMYK 2 / 0 / 16 / 0

HEX #FAFFD6

RGB 250 255 214

HSL 67.32, 1%, 0.92%

LAB 98.71, -8.37, 19.07

 

CMYK 5 / 0 / 16 / 0

HEX #F3FFD6

RGB 243 255 214

HSL 77.56, 1%, 0.92%

LAB 98.21, -10.81, 18.28

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 6 / 16 / 80

HEX #33302B

RGB 51 48 43

HSL 37.5, 0.09%, 0.18%

LAB 20.01, 0.26, 3.68

 

CMYK 0 / 6 / 17 / 60

HEX #666055

RGB 102 96 85

HSL 38.82, 0.09%, 0.37%

LAB 40.97, 0.31, 7.14

 

CMYK 0 / 7 / 16 / 40

HEX #998F80

RGB 153 143 128

HSL 36, 0.11%, 0.55%

LAB 59.87, 1.08, 9.31

 

CMYK 0 / 6 / 17 / 20

HEX #CCBFAA

RGB 204 191 170

HSL 37.06, 0.25%, 0.73%

LAB 77.88, 1.1, 12.24

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 13 / 0 / 16 / 0

HEX #DDFFD6

RGB 221 255 214

HSL 109.76, 1%, 0.92%

LAB 96.72, -18.3, 15.98

 

CMYK 13 / 16 / 0 / 0

HEX #DFD6FF

RGB 223 214 255

HSL 253.17, 1%, 0.92%

LAB 87.49, 10.85, -18.85

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 16 / 0 / 6 / 0

HEX #D6FFEF

RGB 214 255 239

HSL 156.59, 1%, 0.92%

LAB 96.84, -16.13, 3.27

 

CMYK 6 / 16 / 0 / 0

HEX #EFD6FF

RGB 239 214 255

HSL 276.59, 1%, 0.92%

LAB 88.76, 15.94, -16.8

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 13 / 0 / 16 / 0

HEX #DDFFD6

RGB 221 255 214

HSL 109.76, 1%, 0.92%

LAB 96.72, -18.3, 15.98

 

CMYK 16 / 10 / 0 / 0

HEX #D6E5FF

RGB 214 229 255

HSL 218.05, 1%, 0.92%

LAB 90.58, 0.18, -14.27

 

CMYK 3 / 16 / 0 / 0

HEX #F7D6FF

RGB 247 214 255

HSL 288.29, 1%, 0.92%

LAB 89.43, 18.52, -15.72

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 16 / 0 / 15 / 0

HEX #D6FFDA

RGB 214 255 218

HSL 125.85, 1%, 0.92%

LAB 96.36, -19.93, 13.36

 

CMYK 16 / 10 / 0 / 0

HEX #D6E5FF

RGB 214 229 255

HSL 218.05, 1%, 0.92%

LAB 90.58, 0.18, -14.27

 

CMYK 0 / 16 / 2 / 0

HEX #FFD6FA

RGB 255 214 250

HSL 307.32, 1%, 0.92%

LAB 89.98, 20.23, -12.21

 

Description

Color code: HEX #FFEFD5 | qconv.com Color code: HEX #FFEFD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as papaya whip.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 239 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 239 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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