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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFD1E9E5 it is the complementary color #002E16E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFD1E9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FFD1E9E5: #FFD1E4E5, #FFE3F7E5, #FFF5FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFD1E9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FFD1E9E5: #FFD1E9E5, #EEBFD6E5, #DDADC3E5, #CC9BB0E5 and #BB899DE5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

Complementary color

CMYK 90 / 0 / 47 / 74

HEX #002E16E5

RGBA 0 46 22 0.9

HSLA 148.7, 1%, 0.09%, 0.9

LABA 15.55, -22.15, 11.31, 0.9

 

CMYK 0 / 16 / 10 / 0

HEX #FFD1E4E5

RGBA 255 209 228 0.9

HSLA 335.22, 1%, 0.91%, 0.9

LABA 88.19, 19.11, -3.26, 0.9

 

CMYK 0 / 10 / 3 / 0

HEX #FFE3F7E5

RGBA 255 227 247 0.9

HSLA 317.14, 1%, 0.95%, 0.9

LABA 92.98, 12.93, -6.19, 0.9

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FFE5

RGBA 255 245 255 0.9

HSLA 300, 1%, 0.98%, 0.9

LABA 97.55, 5.08, -3.61, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 18 / 9 / 6

HEX #EEBFD6E5

RGBA 238 191 214 0.9

HSLA 330.64, 0.58%, 0.84%, 0.9

LABA 82, 20.42, -5.1, 0.9

 

CMYK 0 / 20 / 11 / 12

HEX #DDADC3E5

RGBA 221 173 195 0.9

HSLA 332.5, 0.41%, 0.77%, 0.9

LABA 75.58, 20.96, -4.47, 0.9

 

CMYK 0 / 22 / 12 / 18

HEX #CC9BB0E5

RGBA 204 155 176 0.9

HSLA 334.29, 0.32%, 0.7%, 0.9

LABA 69.05, 21.53, -3.8, 0.9

 

CMYK 0 / 24 / 14 / 24

HEX #BB899DE5

RGBA 187 137 157 0.9

HSLA 336, 0.27%, 0.64%, 0.9

LABA 62.42, 22.17, -3.08, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 16 / 11 / 0

HEX #FFD1E1E5

RGBA 255 209 225 0.9

HSLA 339.13, 1%, 0.91%, 0.9

LABA 88.11, 18.62, -1.79, 0.9

 

CMYK 0 / 16 / 13 / 0

HEX #FFD1DAE5

RGBA 255 209 218 0.9

HSLA 348.26, 1%, 0.91%, 0.9

LABA 87.93, 17.51, 1.65, 0.9

 

CMYK 0 / 16 / 16 / 0

HEX #FFD1D2E5

RGBA 255 209 210 0.9

HSLA 358.7, 1%, 0.91%, 0.9

LABA 87.73, 16.29, 5.59, 0.9

 

CMYK 0 / 14 / 16 / 0

HEX #FFD7D1E5

RGBA 255 215 209 0.9

HSLA 7.83, 1%, 0.91%, 0.9

LABA 89.14, 13.01, 8.15, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 16 / 7 / 72

HEX #332A2FE5

RGBA 51 42 47 0.9

HSLA 326.67, 0.1%, 0.18%, 0.9

LABA 18.21, 5.22, -1.7, 0.9

 

CMYK 0 / 16 / 8 / 54

HEX #66545DE5

RGBA 102 84 93 0.9

HSLA 330, 0.1%, 0.36%, 0.9

LABA 37.76, 9.13, -2.44, 0.9

 

CMYK 0 / 16 / 8 / 36

HEX #997D8CE5

RGBA 153 125 140 0.9

HSLA 327.86, 0.12%, 0.55%, 0.9

LABA 55.41, 13.41, -4.04, 0.9

 

CMYK 0 / 16 / 8 / 18

HEX #CCA7BAE5

RGBA 204 167 186 0.9

HSLA 329.19, 0.27%, 0.73%, 0.9

LABA 72.24, 16.66, -4.63, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD1E5

RGBA 255 239 209 0.9

HSLA 39.13, 1%, 0.91%, 0.9

LABA 94.99, 0.68, 16.46, 0.9

 

CMYK 16 / 1 / 0 / 0

HEX #D1FBFFE5

RGBA 209 251 255 0.9

HSLA 185.22, 1%, 0.91%, 0.9

LABA 95.9, -12.54, -6.39, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 8 / 0 / 16 / 0

HEX #E9FFD1E5

RGBA 233 255 209 0.9

HSLA 88.7, 1%, 0.91%, 0.9

LABA 97.41, -15.03, 19.61, 0.9

 

CMYK 16 / 8 / 0 / 0

HEX #D1E9FFE5

RGBA 209 233 255 0.9

HSLA 208.7, 1%, 0.91%, 0.9

LABA 91.26, -3.42, -13.29, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD1E5

RGBA 255 239 209 0.9

HSLA 39.13, 1%, 0.91%, 0.9

LABA 94.99, 0.68, 16.46, 0.9

 

CMYK 16 / 0 / 9 / 0

HEX #D1FFE6E5

RGBA 209 255 230 0.9

HSLA 147.39, 1%, 0.91%, 0.9

LABA 96.32, -19.38, 7.11, 0.9

 

CMYK 16 / 11 / 0 / 0

HEX #D1E0FFE5

RGBA 209 224 255 0.9

HSLA 220.43, 1%, 0.91%, 0.9

LABA 88.96, 1.25, -16.73, 0.9

 

CMYK 0 / 16 / 8 / 0

HEX #FFD1E9E5

RGBA 255 209 233 0.9

HSLA 328.7, 1%, 0.91%, 0.9

LABA 88.33, 19.93, -5.7, 0.9

 

CMYK 0 / 1 / 16 / 0

HEX #FFFDD1E5

RGBA 255 253 209 0.9

HSLA 57.39, 1%, 0.91%, 0.9

LABA 98.48, -6.35, 21.34, 0.9

 

CMYK 16 / 0 / 9 / 0

HEX #D1FFE6E5

RGBA 209 255 230 0.9

HSLA 147.39, 1%, 0.91%, 0.9

LABA 96.32, -19.38, 7.11, 0.9

 

CMYK 16 / 16 / 0 / 0

HEX #D1D2FFE5

RGBA 209 210 255 0.9

HSLA 238.7, 1%, 0.91%, 0.9

LABA 85.44, 8.62, -22.05, 0.9

 

Description

Color code: HEX #FFD1E9E5 | qconv.com Color code: HEX #FFD1E9E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 209 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 209 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 8 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 8% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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NCS® to PANTONE®

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