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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFCC85 it is the complementary color #00337A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFCC85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFCC85 shade: #FFCC80, #FFDE93, #FFF0A6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFCC85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFCC85 shade: #FFCC85, #EEBA72, #DDA85F, #CC964C and #BB8439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFCC85 shade: #FFCC85, #FFAB85, #FF8A85 and #FF8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFCC85 shade: #FFCC85, #FFED85, #F0FF85, #CFFF85 and #AEFF85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFCC85 shade matches the following richer shades: #FFCC85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFCC85 shade: #FFCC85, #F5CA8F, #EBC998, #E1C7A2 and #D7C5AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFCC85 shade: #FF8985, #FFA985, #FFCA85, #FFEB85 and #F3FF85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFCC85 shade: #FFA932, #FFBB5B, #FFCC85, #FFDDAE and #FFEED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFCC85 shade: #FFCC85, #A1FF85 and #9985FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFCC85 shade: #FFCC85, #85FFCA and #CA85FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFCC85 shade: #FFCC85, #A1FF85, #85BAFF and #E285FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFCC85 shade: #FFCC85, #85FF8D, #85BAFF and #FF85F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

Complementary color

CMYK 100 / 58 / 0 / 52

HEX #00337A

RGB 0 51 122

HSL 214.92, 1%, 0.24%

LAB 22.91, 15.78, -44.47

 

CMYK 0 / 20 / 50 / 0

HEX #FFCC80

RGB 255 204 128

HSL 35.91, 1%, 0.75%

LAB 85, 9.05, 44.51

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE93

RGB 255 222 147

HSL 41.67, 1%, 0.79%

LAB 89.68, 1.61, 40.94

 

CMYK 0 / 6 / 35 / 0

HEX #FFF0A6

RGB 255 240 166

HSL 49.89, 1%, 0.83%

LAB 94.45, -5.43, 37.63

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 22 / 52 / 7

HEX #EEBA72

RGB 238 186 114

HSL 34.84, 0.78%, 0.69%

LAB 78.76, 10.37, 43.41

 

CMYK 0 / 24 / 57 / 13

HEX #DDA85F

RGB 221 168 95

HSL 34.76, 0.65%, 0.62%

LAB 72.36, 11.36, 44.78

 

CMYK 0 / 26 / 63 / 20

HEX #CC964C

RGB 204 150 76

HSL 34.69, 0.56%, 0.55%

LAB 65.88, 12.51, 46.17

 

CMYK 0 / 29 / 70 / 27

HEX #BB8439

RGB 187 132 57

HSL 34.62, 0.53%, 0.48%

LAB 59.31, 13.86, 47.5

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 33 / 48 / 0

HEX #FFAB85

RGB 255 171 133

HSL 18.69, 1%, 0.76%

LAB 77.33, 26.73, 32.12

 

CMYK 0 / 46 / 48 / 0

HEX #FF8A85

RGB 255 138 133

HSL 2.46, 1%, 0.76%

LAB 70.27, 43.71, 22.69

 

CMYK 0 / 48 / 48 / 0

HEX #FF8585

RGB 255 133 133

HSL 0, 1%, 0.76%

LAB 69.28, 46.19, 21.35

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 7 / 48 / 0

HEX #FFED85

RGB 255 237 133

HSL 51.15, 1%, 0.76%

LAB 93.24, -7.28, 52.24

 

CMYK 6 / 0 / 48 / 0

HEX #F0FF85

RGB 240 255 133

HSL 67.38, 1%, 0.76%

LAB 96.71, -21.9, 56.17

 

CMYK 19 / 0 / 48 / 0

HEX #CFFF85

RGB 207 255 133

HSL 83.61, 1%, 0.76%

LAB 94.52, -34.22, 53

 

CMYK 32 / 0 / 48 / 0

HEX #AEFF85

RGB 174 255 133

HSL 99.84, 1%, 0.76%

LAB 92.67, -45.65, 50.32

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 18 / 42 / 4

HEX #F5CA8F

RGB 245 202 143

HSL 34.71, 0.84%, 0.76%

LAB 83.78, 7.57, 35.14

 

CMYK 0 / 14 / 35 / 8

HEX #EBC998

RGB 235 201 152

HSL 35.42, 0.67%, 0.76%

LAB 82.75, 5.18, 28.95

 

CMYK 0 / 12 / 28 / 12

HEX #E1C7A2

RGB 225 199 162

HSL 35.24, 0.51%, 0.76%

LAB 81.55, 3.63, 21.9

 

CMYK 0 / 8 / 20 / 16

HEX #D7C5AC

RGB 215 197 172

HSL 34.88, 0.35%, 0.76%

LAB 80.38, 2.32, 14.83

 

CMYK 0 / 46 / 48 / 0

HEX #FF8985

RGB 255 137 133

HSL 1.97, 1%, 0.76%

LAB 70.07, 44.21, 22.42

 

CMYK 0 / 34 / 48 / 0

HEX #FFA985

RGB 255 169 133

HSL 17.7, 1%, 0.76%

LAB 76.88, 27.77, 31.52

 

CMYK 0 / 21 / 48 / 0

HEX #FFCA85

RGB 255 202 133

HSL 33.93, 1%, 0.76%

LAB 84.58, 10.54, 41.48

 

CMYK 0 / 8 / 48 / 0

HEX #FFEB85

RGB 255 235 133

HSL 50.16, 1%, 0.76%

LAB 92.74, -6.29, 51.62

 

CMYK 5 / 0 / 48 / 0

HEX #F3FF85

RGB 243 255 133

HSL 65.9, 1%, 0.76%

LAB 96.93, -20.75, 56.48

 

CMYK 0 / 34 / 80 / 0

HEX #FFA932

RGB 255 169 50

HSL 34.83, 1%, 0.6%

LAB 75.99, 22.68, 69.3

 

CMYK 0 / 27 / 64 / 0

HEX #FFBB5B

RGB 255 187 91

HSL 35.12, 1%, 0.68%

LAB 80.49, 15.14, 57.01

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 0 / 13 / 32 / 0

HEX #FFDDAE

RGB 255 221 174

HSL 34.81, 1%, 0.84%

LAB 89.87, 5.15, 27.44

 

CMYK 0 / 7 / 16 / 0

HEX #FFEED7

RGB 255 238 215

HSL 34.5, 1%, 0.92%

LAB 94.87, 2.08, 13.19

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 37 / 0 / 48 / 0

HEX #A1FF85

RGB 161 255 133

HSL 106.23, 1%, 0.76%

LAB 92.04, -49.81, 49.4

 

CMYK 40 / 48 / 0 / 0

HEX #9985FF

RGB 153 133 255

HSL 249.84, 1%, 0.76%

LAB 62.31, 35.81, -58.38

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 48 / 0 / 21 / 0

HEX #85FFCA

RGB 133 255 202

HSL 153.93, 1%, 0.76%

LAB 92.03, -46.25, 14.88

 

CMYK 21 / 48 / 0 / 0

HEX #CA85FF

RGB 202 133 255

HSL 273.93, 1%, 0.76%

LAB 66.94, 48.26, -50.75

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 37 / 0 / 48 / 0

HEX #A1FF85

RGB 161 255 133

HSL 106.23, 1%, 0.76%

LAB 92.04, -49.81, 49.4

 

CMYK 48 / 27 / 0 / 0

HEX #85BAFF

RGB 133 186 255

HSL 213.93, 1%, 0.76%

LAB 74.4, 0.87, -39.42

 

CMYK 11 / 48 / 0 / 0

HEX #E285FF

RGB 226 133 255

HSL 285.74, 1%, 0.76%

LAB 69.59, 54.71, -46.4

 

CMYK 0 / 20 / 48 / 0

HEX #FFCC85

RGB 255 204 133

HSL 34.92, 1%, 0.76%

LAB 85.07, 9.5, 42.09

 

CMYK 48 / 0 / 45 / 0

HEX #85FF8D

RGB 133 255 141

HSL 123.93, 1%, 0.76%

LAB 90.98, -56.83, 44.01

 

CMYK 48 / 27 / 0 / 0

HEX #85BAFF

RGB 133 186 255

HSL 213.93, 1%, 0.76%

LAB 74.4, 0.87, -39.42

 

CMYK 0 / 48 / 3 / 0

HEX #FF85F7

RGB 255 133 247

HSL 303.93, 1%, 0.76%

LAB 72.73, 61.25, -36.87

 

Description

Color code: HEX #FFCC85 | qconv.com Color code: HEX #FFCC85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 204 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 204 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 48 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 48% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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