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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFC72C it is the complementary color #0038D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFC72C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FFC72C: #FFC727, #FFD93A, #FFEB4D, #FFFD60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFC72C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FFC72C: #FFC72C, #EEB519, #DDA306, #CC9100 and #BB7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Complementary color

CMYK 100 / 73 / 0 / 17

HEX #0038D3

RGB 0 56 211

HSL 224.08, 1%, 0.41%

LAB 32.99, 47.59, -81.65

 

CMYK 0 / 22 / 85 / 0

HEX #FFC727

RGB 255 199 39

HSL 44.44, 1%, 0.58%

LAB 83.05, 6.77, 78.58

 

CMYK 0 / 15 / 77 / 0

HEX #FFD93A

RGB 255 217 58

HSL 48.43, 1%, 0.61%

LAB 87.58, -1.87, 77.1

 

CMYK 0 / 8 / 70 / 0

HEX #FFEB4D

RGB 255 235 77

HSL 53.26, 1%, 0.65%

LAB 92.23, -10.09, 75.06

 

CMYK 0 / 1 / 62 / 0

HEX #FFFD60

RGB 255 253 96

HSL 59.25, 1%, 0.69%

LAB 96.97, -17.85, 72.7

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 0 / 24 / 89 / 7

HEX #EEB519

RGB 238 181 25

HSL 43.94, 0.86%, 0.52%

LAB 76.86, 8.58, 76.05

 

CMYK 0 / 26 / 97 / 13

HEX #DDA306

RGB 221 163 6

HSL 43.81, 0.95%, 0.45%

LAB 70.58, 10.49, 73.45

 

CMYK 0 / 29 / 100 / 20

HEX #CC9100

RGB 204 145 0

HSL 42.65, 1%, 0.4%

LAB 64.23, 12.65, 68.98

 

CMYK 0 / 32 / 100 / 27

HEX #BB7F00

RGB 187 127 0

HSL 40.75, 1%, 0.37%

LAB 57.79, 14.95, 63.7

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 0 / 8 / 82 / 0

HEX #FFEA2D

RGB 255 234 45

HSL 54, 1%, 0.59%

LAB 91.82, -10.77, 84.39

 

CMYK 5 / 0 / 82 / 0

HEX #F1FF2D

RGB 241 255 45

HSL 64, 1%, 0.59%

LAB 96.17, -26.61, 87.61

 

CMYK 19 / 0 / 82 / 0

HEX #CEFF2D

RGB 206 255 45

HSL 74, 1%, 0.59%

LAB 93.81, -40.42, 84.66

 

CMYK 33 / 0 / 82 / 0

HEX #ABFF2D

RGB 171 255 45

HSL 84, 1%, 0.59%

LAB 91.85, -53.25, 82.2

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 0 / 22 / 82 / 80

HEX #332809

RGB 51 40 9

HSL 44.29, 0.7%, 0.12%

LAB 16.7, 0.95, 20.56

 

CMYK 0 / 22 / 82 / 60

HEX #665012

RGB 102 80 18

HSL 44.29, 0.7%, 0.24%

LAB 35.21, 2.47, 37.47

 

CMYK 0 / 22 / 83 / 40

HEX #99771A

RGB 153 119 26

HSL 43.94, 0.71%, 0.35%

LAB 51.88, 4.4, 51.71

 

CMYK 0 / 22 / 83 / 20

HEX #CC9F23

RGB 204 159 35

HSL 44.02, 0.71%, 0.47%

LAB 67.84, 5.68, 64.83

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 77 / 0 / 82 / 0

HEX #3BFF2D

RGB 59 255 45

HSL 116, 1%, 0.59%

LAB 88.28, -81, 77.66

 

CMYK 55 / 82 / 0 / 0

HEX #732DFF

RGB 115 45 255

HSL 260, 1%, 0.59%

LAB 42.37, 73.22, -90.93

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 82 / 0 / 22 / 0

HEX #2DFFC7

RGB 45 255 199

HSL 164, 1%, 0.59%

LAB 89.95, -60.88, 13.2

 

CMYK 22 / 82 / 0 / 0

HEX #C72DFF

RGB 199 45 255

HSL 284, 1%, 0.59%

LAB 53.21, 84.15, -72.76

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 77 / 0 / 82 / 0

HEX #3BFF2D

RGB 59 255 45

HSL 116, 1%, 0.59%

LAB 88.28, -81, 77.66

 

CMYK 82 / 60 / 0 / 0

HEX #2D65FF

RGB 45 101 255

HSL 224, 1%, 0.59%

LAB 48.37, 37.64, -81.23

 

CMYK 5 / 82 / 0 / 0

HEX #F12DFF

RGB 241 45 255

HSL 296, 1%, 0.59%

LAB 59.71, 91.01, -61.96

 

CMYK 0 / 22 / 83 / 0

HEX #FFC72C

RGB 255 199 44

HSL 44.08, 1%, 0.59%

LAB 83.07, 6.9, 77.29

Pantone® 123 C

CMYK 82 / 0 / 63 / 0

HEX #2DFF5E

RGB 45 255 94

HSL 134, 1%, 0.59%

LAB 88.39, -78.86, 61.55

 

CMYK 82 / 60 / 0 / 0

HEX #2D65FF

RGB 45 101 255

HSL 224, 1%, 0.59%

LAB 48.37, 37.64, -81.23

 

CMYK 0 / 82 / 19 / 0

HEX #FF2DCE

RGB 255 45 206

HSL 314, 1%, 0.59%

LAB 59.52, 86.85, -34.59

 

Description

Color code: HEX #FFC72C | qconv.com Color code: HEX #FFC72C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 199 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 199 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 83 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 83% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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