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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFC696CE it is the complementary color #003969CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFC696CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFC696CE shade: #FFC691CE, #FFD8A4CE, #FFEAB7CE, #FFFCCACE and #FFFFDDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFC696CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFC696CE shade: #FFC696CE, #EEB483CE, #DDA270CE, #CC905DCE and #BB7E4ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFC696CE shade: #FFC594, #FFA894 and #FF9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFC696CE shade: #FFC594, #FFE294, #FFFF94, #E2FF94 and #C6FF94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFC696CE shade matches the following richer shades: #FFC594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFC696CE shade: #FFC594, #F6C69D, #EEC6A5, #E5C7AE and #DCC8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFC696CE shade: #FF949D, #FFA894, #FFC494, #FFE194 and #FFFD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFC696CE shade: #FF9841, #FFAE6B, #FFC594, #FFDBBD and #FFF2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFC696CE shade: #FFC696, #B9FF94 and #9994FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFC696CE shade: #FFC696, #94FFC4 and #C494FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFC696CE shade: #FFC696, #B9FF94, #94CFFF and #DA94FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFC696CE shade: #FFC696, #99FF94, #94CFFF and #FA94FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 33 / 0

HEX #FFC696CE

RGBA 255 198 150 0.81

HSLA 27.43, 1%, 0.79%, 0.81

LABA 83.89, 14.3, 31.84, 0.81

 

Complementary color

CMYK 81 / 37 / 0 / 48

HEX #003969CE

RGBA 0 57 105 0.81

HSLA 207.43, 1%, 0.21%, 0.81

LABA 23.49, 3.88, -32.65, 0.81

 

CMYK 0 / 18 / 35 / 0

HEX #FFC691CE

RGBA 255 198 145 0.81

HSLA 28.91, 1%, 0.78%, 0.81

LABA 83.81, 13.78, 34.33, 0.81

 

CMYK 0 / 12 / 29 / 0

HEX #FFD8A4CE

RGBA 255 216 164 0.81

HSLA 34.29, 1%, 0.82%, 0.81

LABA 88.47, 6.53, 30.71, 0.81

 

CMYK 0 / 7 / 23 / 0

HEX #FFEAB7CE

RGBA 255 234 183 0.81

HSLA 42.5, 1%, 0.86%, 0.81

LABA 93.24, -0.35, 27.4, 0.81

 

CMYK 0 / 1 / 17 / 0

HEX #FFFCCACE

RGBA 255 252 202 0.81

HSLA 56.6, 1%, 0.9%, 0.81

LABA 98.09, -6.84, 24.37, 0.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFDDCE

RGBA 255 255 221 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.22, -5.56, 16.27, 0.81

 

CMYK 0 / 18 / 33 / 0

HEX #FFC696CE

RGBA 255 198 150 0.81

HSLA 27.43, 1%, 0.79%, 0.81

LABA 83.89, 14.3, 31.84, 0.81

 

CMYK 0 / 20 / 36 / 5

HEX #EEB483CE

RGBA 238 180 131 0.81

HSLA 27.48, 0.76%, 0.72%, 0.81

LABA 77.55, 15.11, 33.12, 0.81

 

CMYK 0 / 22 / 40 / 11

HEX #DDA270CE

RGBA 221 162 112 0.81

HSLA 27.52, 0.62%, 0.65%, 0.81

LABA 71.13, 16.03, 34.49, 0.81

 

CMYK 0 / 24 / 44 / 16

HEX #CC905DCE

RGBA 204 144 93 0.81

HSLA 27.57, 0.52%, 0.58%, 0.81

LABA 64.62, 17.08, 35.96, 0.81

 

CMYK 0 / 26 / 49 / 22

HEX #BB7E4ACE

RGBA 187 126 74 0.81

HSLA 27.61, 0.45%, 0.51%, 0.81

LABA 58.02, 18.29, 37.52, 0.81

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 34 / 42 / 0

HEX #FFA894

RGB 255 168 148

HSL 11.21, 1%, 0.79%

LAB 76.92, 29.79, 23.54

 

CMYK 0 / 42 / 42 / 0

HEX #FF9494

RGB 255 148 148

HSL 0, 1%, 0.79%

LAB 72.61, 40.13, 17.62

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 11 / 42 / 0

HEX #FFE294

RGB 255 226 148

HSL 43.74, 1%, 0.79%

LAB 90.68, -0.32, 41.73

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 11 / 0 / 42 / 0

HEX #E2FF94

RGB 226 255 148

HSL 76.26, 1%, 0.79%

LAB 95.92, -25.65, 47.92

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 20 / 36 / 4

HEX #F6C69D

RGB 246 198 157

HSL 27.64, 0.83%, 0.79%

LAB 83.13, 11.6, 27.02

 

CMYK 0 / 17 / 31 / 7

HEX #EEC6A5

RGB 238 198 165

HSL 27.12, 0.68%, 0.79%

LAB 82.53, 9.5, 21.85

 

CMYK 0 / 13 / 24 / 10

HEX #E5C7AE

RGB 229 199 174

HSL 27.27, 0.51%, 0.79%

LAB 82.14, 6.79, 16.41

 

CMYK 0 / 9 / 17 / 14

HEX #DCC8B7

RGB 220 200 183

HSL 27.57, 0.35%, 0.79%

LAB 81.81, 4.26, 11.03

 

CMYK 0 / 42 / 38 / 0

HEX #FF949D

RGB 255 148 157

HSL 354.95, 1%, 0.79%

LAB 72.81, 41.1, 12.92

 

CMYK 0 / 34 / 42 / 0

HEX #FFA894

RGB 255 168 148

HSL 11.21, 1%, 0.79%

LAB 76.92, 29.79, 23.54

 

CMYK 0 / 23 / 42 / 0

HEX #FFC494

RGB 255 196 148

HSL 26.92, 1%, 0.79%

LAB 83.38, 15.14, 32.21

 

CMYK 0 / 12 / 42 / 0

HEX #FFE194

RGB 255 225 148

HSL 43.18, 1%, 0.79%

LAB 90.44, 0.18, 41.41

 

CMYK 0 / 1 / 42 / 0

HEX #FFFD94

RGB 255 253 148

HSL 58.88, 1%, 0.79%

LAB 97.49, -13.76, 50.33

 

CMYK 0 / 40 / 75 / 0

HEX #FF9841

RGB 255 152 65

HSL 27.47, 1%, 0.63%

LAB 72.29, 32.06, 59.95

 

CMYK 0 / 32 / 58 / 0

HEX #FFAE6B

RGB 255 174 107

HSL 27.16, 1%, 0.71%

LAB 77.63, 23, 45.98

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 14 / 26 / 0

HEX #FFDBBD

RGB 255 219 189

HSL 27.27, 1%, 0.87%

LAB 89.67, 8.1, 19.38

 

CMYK 0 / 5 / 10 / 0

HEX #FFF2E6

RGB 255 242 230

HSL 28.8, 1%, 0.95%

LAB 96.19, 2.39, 7.34

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 27 / 0 / 42 / 0

HEX #B9FF94

RGB 185 255 148

HSL 99.25, 1%, 0.79%

LAB 93.44, -40.16, 44.26

 

CMYK 40 / 42 / 0 / 0

HEX #9994FF

RGB 153 148 255

HSL 242.8, 1%, 0.79%

LAB 65.88, 27.22, -52.71

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 42 / 0 / 23 / 0

HEX #94FFC4

RGB 148 255 196

HSL 146.92, 1%, 0.79%

LAB 92.49, -43.67, 18.68

 

CMYK 23 / 42 / 0 / 0

HEX #C494FF

RGB 196 148 255

HSL 266.92, 1%, 0.79%

LAB 69.57, 38.55, -46.65

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 27 / 0 / 42 / 0

HEX #B9FF94

RGB 185 255 148

HSL 99.25, 1%, 0.79%

LAB 93.44, -40.16, 44.26

 

CMYK 42 / 19 / 0 / 0

HEX #94CFFF

RGB 148 207 255

HSL 206.92, 1%, 0.79%

LAB 80.82, -6.87, -29.44

 

CMYK 15 / 42 / 0 / 0

HEX #DA94FF

RGB 218 148 255

HSL 279.25, 1%, 0.79%

LAB 71.76, 44.72, -43.05

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 40 / 0 / 42 / 0

HEX #99FF94

RGB 153 255 148

HSL 117.2, 1%, 0.79%

LAB 91.88, -50.26, 41.95

 

CMYK 42 / 19 / 0 / 0

HEX #94CFFF

RGB 148 207 255

HSL 206.92, 1%, 0.79%

LAB 80.82, -6.87, -29.44

 

CMYK 2 / 42 / 0 / 0

HEX #FA94FF

RGB 250 148 255

HSL 297.2, 1%, 0.79%

LAB 75.28, 53.89, -37.3

 

Description

Color code: HEX #FFC696CE | qconv.com Color code: HEX #FFC696CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 198 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 198 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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