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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB623 it is the complementary color #0049DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFB623 shade: #FFB61E, #FFC831, #FFDA44, #FFEC57 and #FFFE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFB623 shade: #FFB623, #EEA410, #DD9200, #CC8000 and #BB6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFB623 shade: #FFB623, #FF7B23, #FF3F23 and #FF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFB623 shade: #FFB623, #FFF123, #D1FF23, #96FF23 and #5BFF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFB623 shade matches the following richer shades: #FFB623

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFB623 shade: #FFB623, #EDB035, #DBAA47, #C9A458 and #B89E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFB623 shade: #FF4023, #FF7B23, #FFB523, #FFF023 and #D3FF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFB623 shade: #D08B00, #F9A600, #FFB623, #FFC34C and #FFD176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFB623 shade: #FFB623, #40FF23 and #5E23FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFB623 shade: #FFB623, #23FFB5 and #B523FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFB623 shade: #FFB623, #40FF23, #236CFF and #E123FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFB623 shade: #FFB623, #23FF48, #236CFF and #FF23DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

Complementary color

CMYK 100 / 67 / 0 / 14

HEX #0049DC

RGB 0 73 220

HSL 220.09, 1%, 0.43%

LAB 37.72, 40.44, -79.02

 

CMYK 0 / 29 / 88 / 0

HEX #FFB61E

RGB 255 182 30

HSL 40.53, 1%, 0.56%

LAB 78.93, 15.4, 77.4

 

CMYK 0 / 22 / 81 / 0

HEX #FFC831

RGB 255 200 49

HSL 43.98, 1%, 0.6%

LAB 83.33, 6.52, 76.09

 

CMYK 0 / 15 / 73 / 0

HEX #FFDA44

RGB 255 218 68

HSL 48.13, 1%, 0.63%

LAB 87.88, -1.99, 74.05

 

CMYK 0 / 7 / 66 / 0

HEX #FFEC57

RGB 255 236 87

HSL 53.21, 1%, 0.67%

LAB 92.55, -10.08, 71.62

 

CMYK 0 / 0 / 58 / 0

HEX #FFFE6A

RGB 255 254 106

HSL 59.6, 1%, 0.71%

LAB 97.3, -17.7, 69.01

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 31 / 93 / 7

HEX #EEA410

RGB 238 164 16

HSL 40, 0.87%, 0.5%

LAB 72.74, 17.42, 74.56

 

CMYK 0 / 34 / 100 / 13

HEX #DD9200

RGB 221 146 0

HSL 39.64, 1%, 0.43%

LAB 66.47, 19.54, 71.42

 

CMYK 0 / 37 / 100 / 20

HEX #CC8000

RGB 204 128 0

HSL 37.65, 1%, 0.4%

LAB 60.14, 21.89, 66.27

 

CMYK 0 / 41 / 100 / 27

HEX #BB6E00

RGB 187 110 0

HSL 35.29, 1%, 0.37%

LAB 53.73, 24.32, 61.06

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 52 / 86 / 0

HEX #FF7B23

RGB 255 123 35

HSL 24, 1%, 0.57%

LAB 66.17, 45.7, 66.04

 

CMYK 0 / 75 / 86 / 0

HEX #FF3F23

RGB 255 63 35

HSL 7.64, 1%, 0.57%

LAB 57.01, 70.08, 58.74

 

CMYK 0 / 86 / 86 / 0

HEX #FF2323

RGB 255 35 35

HSL 0, 1%, 0.57%

LAB 54.64, 76.79, 56.85

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 5 / 86 / 0

HEX #FFF123

RGB 255 241 35

HSL 56.18, 1%, 0.57%

LAB 93.58, -14.42, 87.95

 

CMYK 18 / 0 / 86 / 0

HEX #D1FF23

RGB 209 255 35

HSL 72.55, 1%, 0.57%

LAB 93.97, -39.53, 86.89

 

CMYK 41 / 0 / 86 / 0

HEX #96FF23

RGB 150 255 35

HSL 88.64, 1%, 0.57%

LAB 90.84, -60.57, 83

 

CMYK 64 / 0 / 86 / 0

HEX #5BFF23

RGB 91 255 35

HSL 104.73, 1%, 0.57%

LAB 88.86, -76.11, 80.52

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 26 / 78 / 7

HEX #EDB035

RGB 237 176 53

HSL 40.11, 0.84%, 0.57%

LAB 75.65, 11.52, 67.2

 

CMYK 0 / 22 / 68 / 14

HEX #DBAA47

RGB 219 170 71

HSL 40.14, 0.67%, 0.57%

LAB 72.4, 7.85, 56.14

 

CMYK 0 / 18 / 56 / 21

HEX #C9A458

RGB 201 164 88

HSL 40.35, 0.51%, 0.57%

LAB 69.24, 4.54, 44.06

 

CMYK 0 / 14 / 42 / 28

HEX #B89E6A

RGB 184 158 106

HSL 40, 0.35%, 0.57%

LAB 66.28, 2.35, 30.69

 

CMYK 0 / 75 / 86 / 0

HEX #FF4023

RGB 255 64 35

HSL 7.91, 1%, 0.57%

LAB 57.12, 69.77, 58.83

 

CMYK 0 / 52 / 86 / 0

HEX #FF7B23

RGB 255 123 35

HSL 24, 1%, 0.57%

LAB 66.17, 45.7, 66.04

 

CMYK 0 / 29 / 86 / 0

HEX #FFB523

RGB 255 181 35

HSL 39.82, 1%, 0.57%

LAB 78.71, 16.02, 76.06

 

CMYK 0 / 6 / 86 / 0

HEX #FFF023

RGB 255 240 35

HSL 55.91, 1%, 0.57%

LAB 93.32, -13.94, 87.75

 

CMYK 17 / 0 / 86 / 0

HEX #D3FF23

RGB 211 255 35

HSL 72, 1%, 0.57%

LAB 94.09, -38.76, 87.04

 

CMYK 0 / 33 / 100 / 18

HEX #D08B00

RGB 208 139 0

HSL 40.1, 1%, 0.41%

LAB 63.24, 17.67, 68.54

 

CMYK 0 / 33 / 100 / 2

HEX #F9A600

RGB 249 166 0

HSL 40, 1%, 0.49%

LAB 74.45, 20.89, 78.3

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 0 / 24 / 70 / 0

HEX #FFC34C

RGB 255 195 76

HSL 39.89, 1%, 0.65%

LAB 82.28, 10.16, 65.46

 

CMYK 0 / 18 / 54 / 0

HEX #FFD176

RGB 255 209 118

HSL 39.85, 1%, 0.73%

LAB 86.09, 5.63, 50.76

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 75 / 0 / 86 / 0

HEX #40FF23

RGB 64 255 35

HSL 112.09, 1%, 0.57%

LAB 88.32, -80.74, 79.85

 

CMYK 63 / 86 / 0 / 0

HEX #5E23FF

RGB 94 35 255

HSL 256.09, 1%, 0.57%

LAB 39.24, 74.66, -96.17

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 86 / 0 / 29 / 0

HEX #23FFB5

RGB 35 255 181

HSL 159.82, 1%, 0.57%

LAB 89.49, -65.61, 21.77

 

CMYK 29 / 86 / 0 / 0

HEX #B523FF

RGB 181 35 255

HSL 279.82, 1%, 0.57%

LAB 49.79, 83.8, -78.44

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 75 / 0 / 86 / 0

HEX #40FF23

RGB 64 255 35

HSL 112.09, 1%, 0.57%

LAB 88.32, -80.74, 79.85

 

CMYK 86 / 58 / 0 / 0

HEX #236CFF

RGB 35 108 255

HSL 220.09, 1%, 0.57%

LAB 49.86, 32.61, -78.8

 

CMYK 12 / 86 / 0 / 0

HEX #E123FF

RGB 225 35 255

HSL 291.82, 1%, 0.57%

LAB 56.52, 90.26, -67.22

 

CMYK 0 / 29 / 86 / 0

HEX #FFB623

RGB 255 182 35

HSL 40.09, 1%, 0.57%

LAB 78.95, 15.5, 76.25

 

CMYK 86 / 0 / 72 / 0

HEX #23FF48

RGB 35 255 72

HSL 130.09, 1%, 0.57%

LAB 88.13, -81.74, 69.55

 

CMYK 86 / 58 / 0 / 0

HEX #236CFF

RGB 35 108 255

HSL 220.09, 1%, 0.57%

LAB 49.86, 32.61, -78.8

 

CMYK 0 / 86 / 15 / 0

HEX #FF23DA

RGB 255 35 218

HSL 310.09, 1%, 0.57%

LAB 59.46, 90.14, -41.5

 

Description

Color code: HEX #FFB623 | qconv.com Color code: HEX #FFB623 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 182 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 182 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 86 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 86% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - Jumpzero
Link: http://jumpzero.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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