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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB459CE it is the complementary color #004BA6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB459CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFB459CE shade: #FFB454CE, #FFC667CE, #FFD87ACE, #FFEA8DCE and #FFFCA0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB459CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFB459CE shade: #FFB459CE, #EEA246CE, #DD9033CE, #CC7E20CE and #BB6C0DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFB459CE shade: #FFB357, #FF8657, #FF5857 and #FF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFB459CE shade: #FFB357, #FFE057, #F0FF57, #C3FF57 and #96FF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFB459CE shade matches the following richer shades: #FFB357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFB459CE shade: #FFB357, #F1B264, #E4B072, #D6AF80 and #C9AE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFB459CE shade: #FF5757, #FF8457, #FFB057, #FFDD57 and #F4FF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFB459CE shade: #FF8E04, #FFA02D, #FFB357, #FFC680 and #FFD8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFB459CE shade: #FFB459, #84FF57 and #6D57FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFB459CE shade: #FFB459, #57FFB0 and #B057FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFB459CE shade: #FFB459, #84FF57, #57A5FF and #D257FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFB459CE shade: #FFB459, #57FF5C, #57A5FF and #FF57F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 53 / 0

HEX #FFB459CE

RGBA 255 180 89 0.81

HSLA 32.89, 1%, 0.67%, 0.81

LABA 78.82, 18.67, 56.08, 0.81

 

Complementary color

CMYK 81 / 44 / 0 / 28

HEX #004BA6CE

RGBA 0 75 166 0.81

HSLA 212.89, 1%, 0.33%, 0.81

LABA 33.53, 17.72, -54.27, 0.81

 

CMYK 0 / 24 / 54 / 0

HEX #FFB454CE

RGBA 255 180 84 0.81

HSLA 33.68, 1%, 0.66%, 0.81

LABA 78.78, 18.39, 58.32, 0.81

 

CMYK 0 / 18 / 48 / 0

HEX #FFC667CE

RGBA 255 198 103 0.81

HSLA 37.5, 1%, 0.7%, 0.81

LABA 83.25, 10.19, 54.55, 0.81

 

CMYK 0 / 12 / 42 / 0

HEX #FFD87ACE

RGBA 255 216 122 0.81

HSLA 42.41, 1%, 0.74%, 0.81

LABA 87.86, 2.37, 50.97, 0.81

 

CMYK 0 / 7 / 36 / 0

HEX #FFEA8DCE

RGBA 255 234 141 0.81

HSLA 48.95, 1%, 0.78%, 0.81

LABA 92.59, -5.05, 47.59, 0.81

 

CMYK 0 / 1 / 30 / 0

HEX #FFFCA0CE

RGBA 255 252 160 0.81

HSLA 58.11, 1%, 0.81%, 0.81

LABA 97.4, -12.03, 44.42, 0.81

 

CMYK 0 / 24 / 53 / 0

HEX #FFB459CE

RGBA 255 180 89 0.81

HSLA 32.89, 1%, 0.67%, 0.81

LABA 78.82, 18.67, 56.08, 0.81

 

CMYK 0 / 26 / 57 / 5

HEX #EEA246CE

RGBA 238 162 70 0.81

HSLA 32.86, 0.83%, 0.6%, 0.81

LABA 72.53, 20.08, 57.35, 0.81

 

CMYK 0 / 28 / 62 / 11

HEX #DD9033CE

RGBA 221 144 51 0.81

HSLA 32.82, 0.71%, 0.53%, 0.81

LABA 66.18, 21.68, 58.39, 0.81

 

CMYK 0 / 31 / 68 / 16

HEX #CC7E20CE

RGBA 204 126 32 0.81

HSLA 32.79, 0.73%, 0.46%, 0.81

LABA 59.77, 23.51, 58.89, 0.81

 

CMYK 0 / 34 / 75 / 22

HEX #BB6C0DCE

RGBA 187 108 13 0.81

HSLA 32.76, 0.87%, 0.39%, 0.81

LABA 53.3, 25.58, 58.22, 0.81

 

CMYK 0 / 30 / 66 / 0

HEX #FFB357

RGB 255 179 87

HSL 32.86, 1%, 0.67%

LAB 78.57, 19.08, 56.72

 

CMYK 0 / 47 / 66 / 0

HEX #FF8657

RGB 255 134 87

HSL 16.79, 1%, 0.67%

LAB 68.75, 42.28, 45.58

 

CMYK 0 / 65 / 66 / 0

HEX #FF5857

RGB 255 88 87

HSL 0.36, 1%, 0.67%

LAB 60.72, 63.16, 35.98

 

CMYK 0 / 66 / 66 / 0

HEX #FF5757

RGB 255 87 87

HSL 0, 1%, 0.67%

LAB 60.57, 63.55, 35.8

 

CMYK 0 / 30 / 66 / 0

HEX #FFB357

RGB 255 179 87

HSL 32.86, 1%, 0.67%

LAB 78.57, 19.08, 56.72

 

CMYK 0 / 12 / 66 / 0

HEX #FFE057

RGB 255 224 87

HSL 48.93, 1%, 0.67%

LAB 89.51, -4.1, 68.47

 

CMYK 6 / 0 / 66 / 0

HEX #F0FF57

RGB 240 255 87

HSL 65.36, 1%, 0.67%

LAB 96.3, -25.29, 75.1

 

CMYK 24 / 0 / 66 / 0

HEX #C3FF57

RGB 195 255 87

HSL 81.43, 1%, 0.67%

LAB 93.37, -42.53, 71.15

 

CMYK 41 / 0 / 66 / 0

HEX #96FF57

RGB 150 255 87

HSL 97.5, 1%, 0.67%

LAB 91.09, -57.83, 68.06

 

CMYK 0 / 30 / 66 / 0

HEX #FFB357

RGB 255 179 87

HSL 32.86, 1%, 0.67%

LAB 78.57, 19.08, 56.72

 

CMYK 0 / 30 / 66 / 0

HEX #FFB357

RGB 255 179 87

HSL 32.86, 1%, 0.67%

LAB 78.57, 19.08, 56.72

 

CMYK 0 / 26 / 59 / 5

HEX #F1B264

RGB 241 178 100

HSL 33.19, 0.83%, 0.67%

LAB 76.96, 14.7, 48.28

 

CMYK 0 / 23 / 50 / 11

HEX #E4B072

RGB 228 176 114

HSL 32.63, 0.68%, 0.67%

LAB 75.3, 11.58, 38.88

 

CMYK 0 / 18 / 40 / 16

HEX #D6AF80

RGB 214 175 128

HSL 32.79, 0.51%, 0.67%

LAB 73.88, 7.86, 29.43

 

CMYK 0 / 13 / 30 / 21

HEX #C9AE8D

RGB 201 174 141

HSL 33, 0.36%, 0.67%

LAB 72.64, 4.83, 20.56

 

CMYK 0 / 66 / 66 / 0

HEX #FF5757

RGB 255 87 87

HSL 0, 1%, 0.67%

LAB 60.57, 63.55, 35.8

 

CMYK 0 / 48 / 66 / 0

HEX #FF8457

RGB 255 132 87

HSL 16.07, 1%, 0.67%

LAB 68.35, 43.28, 45.12

 

CMYK 0 / 31 / 66 / 0

HEX #FFB057

RGB 255 176 87

HSL 31.79, 1%, 0.67%

LAB 77.87, 20.65, 55.95

 

CMYK 0 / 13 / 66 / 0

HEX #FFDD57

RGB 255 221 87

HSL 47.86, 1%, 0.67%

LAB 88.76, -2.59, 67.68

 

CMYK 4 / 0 / 66 / 0

HEX #F4FF57

RGB 244 255 87

HSL 63.93, 1%, 0.67%

LAB 96.59, -23.7, 75.49

 

CMYK 0 / 44 / 98 / 0

HEX #FF8E04

RGB 255 142 4

HSL 32.99, 1%, 0.51%

LAB 69.91, 35.85, 75.23

 

CMYK 0 / 37 / 82 / 0

HEX #FFA02D

RGB 255 160 45

HSL 32.86, 1%, 0.59%

LAB 73.93, 27.22, 69.19

 

CMYK 0 / 30 / 66 / 0

HEX #FFB357

RGB 255 179 87

HSL 32.86, 1%, 0.67%

LAB 78.57, 19.08, 56.72

 

CMYK 0 / 22 / 50 / 0

HEX #FFC680

RGB 255 198 128

HSL 33.07, 1%, 0.75%

LAB 83.55, 12.16, 42.7

 

CMYK 0 / 15 / 34 / 0

HEX #FFD8A9

RGB 255 216 169

HSL 32.79, 1%, 0.83%

LAB 88.56, 7.11, 28.24

 

CMYK 0 / 29 / 65 / 0

HEX #FFB459

RGB 255 180 89

HSL 32.89, 1%, 0.67%

LAB 78.82, 18.67, 56.08

 

CMYK 48 / 0 / 66 / 0

HEX #84FF57

RGB 132 255 87

HSL 103.93, 1%, 0.67%

LAB 90.37, -63.13, 67.08

 

CMYK 57 / 66 / 0 / 0

HEX #6D57FF

RGB 109 87 255

HSL 247.86, 1%, 0.67%

LAB 48.62, 53.22, -80.68

 

CMYK 0 / 29 / 65 / 0

HEX #FFB459

RGB 255 180 89

HSL 32.89, 1%, 0.67%

LAB 78.82, 18.67, 56.08

 

CMYK 66 / 0 / 31 / 0

HEX #57FFB0

RGB 87 255 176

HSL 151.79, 1%, 0.67%

LAB 90.17, -60.79, 25.37

 

CMYK 31 / 66 / 0 / 0

HEX #B057FF

RGB 176 87 255

HSL 271.79, 1%, 0.67%

LAB 55.35, 65.17, -69.45

 

CMYK 0 / 29 / 65 / 0

HEX #FFB459

RGB 255 180 89

HSL 32.89, 1%, 0.67%

LAB 78.82, 18.67, 56.08

 

CMYK 48 / 0 / 66 / 0

HEX #84FF57

RGB 132 255 87

HSL 103.93, 1%, 0.67%

LAB 90.37, -63.13, 67.08

 

CMYK 66 / 35 / 0 / 0

HEX #57A5FF

RGB 87 165 255

HSL 212.14, 1%, 0.67%

LAB 66.64, 3.66, -51.74

 

CMYK 18 / 66 / 0 / 0

HEX #D257FF

RGB 210 87 255

HSL 283.93, 1%, 0.67%

LAB 59.65, 72.19, -62.29

 

CMYK 0 / 29 / 65 / 0

HEX #FFB459

RGB 255 180 89

HSL 32.89, 1%, 0.67%

LAB 78.82, 18.67, 56.08

 

CMYK 66 / 0 / 64 / 0

HEX #57FF5C

RGB 87 255 92

HSL 121.79, 1%, 0.67%

LAB 89.07, -73.21, 63.31

 

CMYK 66 / 35 / 0 / 0

HEX #57A5FF

RGB 87 165 255

HSL 212.14, 1%, 0.67%

LAB 66.64, 3.66, -51.74

 

CMYK 0 / 66 / 2 / 0

HEX #FF57F9

RGB 255 87 249

HSL 302.14, 1%, 0.67%

LAB 65.68, 80.96, -49

 

Description

Color code: HEX #FFB459CE | qconv.com Color code: HEX #FFB459CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 180 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 180 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 53 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 53% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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