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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB414 it is the complementary color #004BEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB414. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FFB414: #FFB40F, #FFC622, #FFD835, #FFEA48 and #FFFC5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB414. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FFB414: #FFB414, #EEA201, #DD9000, #CC7E00 and #BB6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

Complementary color

CMYK 100 / 68 / 0 / 8

HEX #004BEB

RGB 0 75 235

HSL 220.85, 1%, 0.46%

LAB 39.63, 44.72, -84.41

 

CMYK 0 / 29 / 94 / 0

HEX #FFB40F

RGB 255 180 15

HSL 41.25, 1%, 0.53%

LAB 78.42, 16.23, 79.65

 

CMYK 0 / 22 / 87 / 0

HEX #FFC622

RGB 255 198 34

HSL 44.52, 1%, 0.57%

LAB 82.79, 7.18, 79.54

 

CMYK 0 / 15 / 79 / 0

HEX #FFD835

RGB 255 216 53

HSL 48.42, 1%, 0.6%

LAB 87.3, -1.54, 78.38

 

CMYK 0 / 8 / 72 / 0

HEX #FFEA48

RGB 255 234 72

HSL 53.11, 1%, 0.64%

LAB 91.94, -9.83, 76.55

 

CMYK 0 / 1 / 64 / 0

HEX #FFFC5B

RGB 255 252 91

HSL 58.9, 1%, 0.68%

LAB 96.67, -17.66, 74.33

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 0 / 32 / 100 / 7

HEX #EEA201

RGB 238 162 1

HSL 40.76, 0.99%, 0.47%

LAB 72.24, 18.33, 76.09

 

CMYK 0 / 35 / 100 / 13

HEX #DD9000

RGB 221 144 0

HSL 39.1, 1%, 0.43%

LAB 66, 20.61, 71.12

 

CMYK 0 / 38 / 100 / 20

HEX #CC7E00

RGB 204 126 0

HSL 37.06, 1%, 0.4%

LAB 59.67, 22.98, 65.97

 

CMYK 0 / 42 / 100 / 27

HEX #BB6C00

RGB 187 108 0

HSL 34.65, 1%, 0.37%

LAB 53.27, 25.42, 60.77

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 0 / 16 / 92 / 0

HEX #FFD714

RGB 255 215 20

HSL 49.79, 1%, 0.54%

LAB 86.95, -1.75, 85.23

 

CMYK 0 / 0 / 92 / 0

HEX #FFFF14

RGB 255 255 20

HSL 60, 1%, 0.54%

LAB 97.16, -21.39, 92.93

 

CMYK 16 / 0 / 92 / 0

HEX #D7FF14

RGB 215 255 20

HSL 70.21, 1%, 0.54%

LAB 94.32, -37.48, 89.51

 

CMYK 31 / 0 / 92 / 0

HEX #B0FF14

RGB 176 255 20

HSL 80.17, 1%, 0.54%

LAB 92.04, -52.12, 86.74

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 0 / 29 / 92 / 80

HEX #332404

RGB 51 36 4

HSL 40.85, 0.85%, 0.11%

LAB 15.35, 3.31, 20.9

 

CMYK 0 / 29 / 92 / 60

HEX #664808

RGB 102 72 8

HSL 40.85, 0.85%, 0.22%

LAB 32.87, 7.02, 39.02

 

CMYK 0 / 29 / 92 / 40

HEX #996C0C

RGB 153 108 12

HSL 40.85, 0.85%, 0.32%

LAB 48.91, 10.31, 53.23

 

CMYK 0 / 29 / 92 / 20

HEX #CC9010

RGB 204 144 16

HSL 40.85, 0.85%, 0.43%

LAB 64.02, 13.38, 66.42

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 80 / 0 / 92 / 0

HEX #33FF14

RGB 51 255 20

HSL 112.09, 1%, 0.54%

LAB 88.1, -82.8, 81.9

 

CMYK 68 / 92 / 0 / 0

HEX #5214FF

RGB 82 20 255

HSL 255.83, 1%, 0.54%

LAB 36.96, 77.71, -100.01

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 92 / 0 / 31 / 0

HEX #14FFB0

RGB 20 255 176

HSL 159.83, 1%, 0.54%

LAB 89.3, -67.43, 24.03

 

CMYK 31 / 92 / 0 / 0

HEX #B014FF

RGB 176 20 255

HSL 279.83, 1%, 0.54%

LAB 48.2, 85.73, -81.07

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 80 / 0 / 92 / 0

HEX #33FF14

RGB 51 255 20

HSL 112.09, 1%, 0.54%

LAB 88.1, -82.8, 81.9

 

CMYK 92 / 62 / 0 / 0

HEX #1462FF

RGB 20 98 255

HSL 220.09, 1%, 0.54%

LAB 47.11, 38.22, -83.31

 

CMYK 13 / 92 / 0 / 0

HEX #DF14FF

RGB 223 20 255

HSL 291.83, 1%, 0.54%

LAB 55.49, 92.04, -68.89

 

CMYK 0 / 29 / 92 / 0

HEX #FFB414

RGB 255 180 20

HSL 40.85, 1%, 0.54%

LAB 78.43, 16.29, 78.93

 

CMYK 92 / 0 / 77 / 0

HEX #14FF3B

RGB 20 255 59

HSL 129.96, 1%, 0.54%

LAB 87.96, -83.56, 73.5

 

CMYK 92 / 62 / 0 / 0

HEX #1462FF

RGB 20 98 255

HSL 220.09, 1%, 0.54%

LAB 47.11, 38.22, -83.31

 

CMYK 0 / 92 / 16 / 0

HEX #FF14D7

RGB 255 20 215

HSL 310.21, 1%, 0.54%

LAB 58.66, 91.66, -41.04

 

Description

Color code: HEX #FFB414 | qconv.com Color code: HEX #FFB414 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 180 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 180 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 92 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 92% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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