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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFAEF73F it is the complementary color #0051083F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFAEF73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFAEF73F shade: #FFAEF23F, #FFC0FF3F, #FFD2FF3F, #FFE4FF3F and #FFF6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFAEF73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFAEF73F shade: #FFAEF73F, #EE9CE43F, #DD8AD13F, #CC78BE3F and #BB66AB3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFAEF73F shade: #FFADF7, #FFADE1, #FFADCB, #FFADB5 and #FFADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFAEF73F shade: #FFADF7, #F1ADFF, #DBADFF, #C5ADFF and #AFADFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFAEF73F shade matches the following richer shades: #FFADF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFAEF73F shade: #FFADF7, #F8B4F2, #F2BBEC, #EBC1E7 and #E5C8E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFAEF73F shade: #DAADFF, #F0ADFF, #FFADF8, #FFADE2 and #FFADCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFAEF73F shade: #FF5BEF, #FF84F3, #FFADF7, #FFD7FB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFAEF73F shade: #FFAEF7, #FFC5AD and #ADFFE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFAEF73F shade: #FFAEF7, #F8FFAD and #ADF8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFAEF73F shade: #FFAEF7, #FFC5AD, #ADFFB4 and #ADE8FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFAEF73F shade: #FFAEF7, #FFDDAD, #ADFFB4 and #ADCFFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 1 / 0

HEX #FFAEF73F

RGBA 255 174 247 0.25

HSLA 305.93, 1%, 0.84%, 0.25

LABA 80.88, 40.67, -24.34, 0.25

 

Complementary color

CMYK 25 / 0 / 23 / 17

HEX #0051083F

RGBA 0 81 8 0.25

HSLA 125.93, 1%, 0.16%, 0.25

LABA 29.16, -36.9, 33.22, 0.25

 

CMYK 0 / 8 / 1 / 0

HEX #FFAEF23F

RGBA 255 174 242 0.25

HSLA 309.63, 1%, 0.84%, 0.25

LABA 80.71, 39.8, -21.91, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FF3F

RGBA 255 192 255 0.25

HSLA 300, 1%, 0.88%, 0.25

LABA 85.09, 32.67, -22.21, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FF3F

RGBA 255 246 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.79, 4.57, -3.25, 0.25

 

CMYK 0 / 8 / 1 / 0

HEX #FFAEF73F

RGBA 255 174 247 0.25

HSLA 305.93, 1%, 0.84%, 0.25

LABA 80.88, 40.67, -24.34, 0.25

 

CMYK 0 / 9 / 1 / 2

HEX #EE9CE43F

RGBA 238 156 228 0.25

HSLA 307.32, 0.71%, 0.77%, 0.25

LABA 74.54, 41.37, -23.87, 0.25

 

CMYK 0 / 9 / 1 / 3

HEX #DD8AD13F

RGBA 221 138 209 0.25

HSLA 308.67, 0.55%, 0.7%, 0.25

LABA 68.13, 42.1, -23.37, 0.25

 

CMYK 0 / 10 / 2 / 5

HEX #CC78BE3F

RGBA 204 120 190 0.25

HSLA 310, 0.45%, 0.64%, 0.25

LABA 61.64, 42.85, -22.81, 0.25

 

CMYK 0 / 11 / 2 / 7

HEX #BB66AB3F

RGBA 187 102 171 0.25

HSLA 311.29, 0.38%, 0.57%, 0.25

LABA 55.08, 43.6, -22.17, 0.25

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 0 / 32 / 12 / 0

HEX #FFADE1

RGB 255 173 225

HSL 321.95, 1%, 0.84%

LAB 79.94, 37.49, -13.9

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCB

RGB 255 173 203

HSL 338.05, 1%, 0.84%

LAB 79.3, 34.11, -2.93

 

CMYK 0 / 32 / 29 / 0

HEX #FFADB5

RGB 255 173 181

HSL 354.15, 1%, 0.84%

LAB 78.74, 31.06, 8.2

 

CMYK 0 / 32 / 32 / 0

HEX #FFADAD

RGB 255 173 173

HSL 0, 1%, 0.84%

LAB 78.56, 30.04, 12.28

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 5 / 32 / 0 / 0

HEX #F1ADFF

RGB 241 173 255

HSL 289.76, 1%, 0.84%

LAB 79.5, 38.3, -30.86

 

CMYK 14 / 32 / 0 / 0

HEX #DBADFF

RGB 219 173 255

HSL 273.66, 1%, 0.84%

LAB 77.38, 31.61, -34.31

 

CMYK 23 / 32 / 0 / 0

HEX #C5ADFF

RGB 197 173 255

HSL 257.56, 1%, 0.84%

LAB 75.44, 25.09, -37.47

 

CMYK 31 / 32 / 0 / 0

HEX #AFADFF

RGB 175 173 255

HSL 241.46, 1%, 0.84%

LAB 73.69, 18.84, -40.33

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 0 / 27 / 2 / 3

HEX #F8B4F2

RGB 248 180 242

HSL 305.29, 0.83%, 0.84%

LAB 81.3, 34.42, -21.08

 

CMYK 0 / 23 / 2 / 5

HEX #F2BBEC

RGB 242 187 236

HSL 306.55, 0.68%, 0.84%

LAB 82.1, 27.69, -16.72

 

CMYK 0 / 18 / 2 / 8

HEX #EBC1E7

RGB 235 193 231

HSL 305.71, 0.51%, 0.84%

LAB 82.69, 21.29, -13.22

 

CMYK 0 / 13 / 1 / 10

HEX #E5C8E2

RGB 229 200 226

HSL 306.21, 0.36%, 0.84%

LAB 83.68, 14.65, -9.12

 

CMYK 15 / 32 / 0 / 0

HEX #DAADFF

RGB 218 173 255

HSL 272.93, 1%, 0.84%

LAB 77.29, 31.31, -34.46

 

CMYK 6 / 32 / 0 / 0

HEX #F0ADFF

RGB 240 173 255

HSL 289.02, 1%, 0.84%

LAB 79.4, 37.99, -31.02

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF8

RGB 255 173 248

HSL 305.12, 1%, 0.84%

LAB 80.7, 41.36, -25.15

 

CMYK 0 / 32 / 11 / 0

HEX #FFADE2

RGB 255 173 226

HSL 321.22, 1%, 0.84%

LAB 79.98, 37.65, -14.39

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCD

RGB 255 173 205

HSL 336.59, 1%, 0.84%

LAB 79.36, 34.4, -3.94

 

CMYK 0 / 64 / 6 / 0

HEX #FF5BEF

RGB 255 91 239

HSL 305.85, 1%, 0.68%

LAB 65.73, 77.97, -43.4

 

CMYK 0 / 48 / 5 / 0

HEX #FF84F3

RGB 255 132 243

HSL 305.85, 1%, 0.76%

LAB 72.38, 61.05, -35.22

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF7

RGB 255 173 247

HSL 305.85, 1%, 0.84%

LAB 80.66, 41.19, -24.66

 

CMYK 0 / 16 / 2 / 0

HEX #FFD7FB

RGB 255 215 251

HSL 306, 1%, 0.92%

LAB 90.24, 19.89, -12.34

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF7

RGB 255 174 247

HSL 305.93, 1%, 0.84%

LAB 80.88, 40.67, -24.34

 

CMYK 0 / 23 / 32 / 0

HEX #FFC5AD

RGB 255 197 173

HSL 17.56, 1%, 0.84%

LAB 84.07, 17.47, 20.01

 

CMYK 32 / 0 / 10 / 0

HEX #ADFFE5

RGB 173 255 229

HSL 160.98, 1%, 0.84%

LAB 94.34, -30.31, 4.51

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF7

RGB 255 174 247

HSL 305.93, 1%, 0.84%

LAB 80.88, 40.67, -24.34

 

CMYK 3 / 0 / 32 / 0

HEX #F8FFAD

RGB 248 255 173

HSL 65.12, 1%, 0.84%

LAB 97.83, -14.63, 38.49

 

CMYK 32 / 3 / 0 / 0

HEX #ADF8FF

RGB 173 248 255

HSL 185.12, 1%, 0.84%

LAB 93.12, -21.29, -10.73

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF7

RGB 255 174 247

HSL 305.93, 1%, 0.84%

LAB 80.88, 40.67, -24.34

 

CMYK 0 / 23 / 32 / 0

HEX #FFC5AD

RGB 255 197 173

HSL 17.56, 1%, 0.84%

LAB 84.07, 17.47, 20.01

 

CMYK 32 / 0 / 29 / 0

HEX #ADFFB4

RGB 173 255 180

HSL 125.12, 1%, 0.84%

LAB 93.32, -39.37, 28.14

 

CMYK 32 / 9 / 0 / 0

HEX #ADE8FF

RGB 173 232 255

HSL 196.83, 1%, 0.84%

LAB 88.84, -13.31, -17.14

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF7

RGB 255 174 247

HSL 305.93, 1%, 0.84%

LAB 80.88, 40.67, -24.34

 

CMYK 0 / 13 / 32 / 0

HEX #FFDDAD

RGB 255 221 173

HSL 35.12, 1%, 0.84%

LAB 89.85, 5.03, 27.93

 

CMYK 32 / 0 / 29 / 0

HEX #ADFFB4

RGB 173 255 180

HSL 125.12, 1%, 0.84%

LAB 93.32, -39.37, 28.14

 

CMYK 32 / 19 / 0 / 0

HEX #ADCFFF

RGB 173 207 255

HSL 215.12, 1%, 0.84%

LAB 82.23, -0.31, -27.15

 

Description

Color code: HEX #FFAEF73F | qconv.com Color code: HEX #FFAEF73F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 174 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 174 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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