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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFAE0D it is the complementary color #0051F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFAE0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFAE0D shade: #FFAE08, #FFC01B, #FFD22E, #FFE441 and #FFF654

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFAE0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFAE0D shade: #FFAE0D, #EE9C00, #DD8A00, #CC7800 and #BB6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFAE0D shade: #FFAF0F, #FF6E0F, #FF2E0F and #FF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFAE0D shade: #FFAF0F, #FFEF0F, #CEFF0F, #8DFF0F and #4DFF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFAE0D shade matches the following richer shades: #FFAF0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFAE0D shade: #FFAF0F, #ECA823, #D8A236, #C59C49 and #B1955D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFAE0D shade: #FF2B0F, #FF6B0F, #FFAB0F, #FFEB0F and #D3FF0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFAE0D shade: #BC7D00, #E59800, #FFAF0F, #FFBD39 and #FFCA62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFAE0D shade: #FFAE0D, #33FF0F and #4B0FFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFAE0D shade: #FFAE0D, #0FFFAB and #AB0FFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFAE0D shade: #FFAE0D, #33FF0F, #0F63FF and #DB0FFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFAE0D shade: #FFAE0D, #0FFF33, #0F63FF and #FF0FDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

Complementary color

CMYK 100 / 67 / 0 / 5

HEX #0051F2

RGB 0 81 242

HSL 219.92, 1%, 0.47%

LAB 41.68, 43.57, -84.98

 

CMYK 0 / 32 / 97 / 0

HEX #FFAE08

RGB 255 174 8

HSL 40.32, 1%, 0.52%

LAB 77.01, 19.3, 79.46

 

CMYK 0 / 25 / 89 / 0

HEX #FFC01B

RGB 255 192 27

HSL 43.42, 1%, 0.55%

LAB 81.31, 10.15, 79.84

 

CMYK 0 / 18 / 82 / 0

HEX #FFD22E

RGB 255 210 46

HSL 47.08, 1%, 0.59%

LAB 85.78, 1.31, 79.04

 

CMYK 0 / 11 / 75 / 0

HEX #FFE441

RGB 255 228 65

HSL 51.47, 1%, 0.63%

LAB 90.38, -7.14, 77.43

 

CMYK 0 / 4 / 67 / 0

HEX #FFF654

RGB 255 246 84

HSL 56.84, 1%, 0.66%

LAB 95.08, -15.13, 75.34

 

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

CMYK 0 / 34 / 100 / 7

HEX #EE9C00

RGB 238 156 0

HSL 39.33, 1%, 0.47%

LAB 70.84, 21.5, 75.29

 

CMYK 0 / 38 / 100 / 13

HEX #DD8A00

RGB 221 138 0

HSL 37.47, 1%, 0.43%

LAB 64.6, 23.82, 70.21

 

CMYK 0 / 41 / 100 / 20

HEX #CC7800

RGB 204 120 0

HSL 35.29, 1%, 0.4%

LAB 58.29, 26.22, 65.08

 

CMYK 0 / 45 / 100 / 27

HEX #BB6600

RGB 187 102 0

HSL 32.73, 1%, 0.37%

LAB 51.91, 28.67, 59.92

 

CMYK 0 / 31 / 94 / 0

HEX #FFAF0F

RGB 255 175 15

HSL 40, 1%, 0.53%

LAB 77.25, 18.84, 78.82

 

CMYK 0 / 57 / 94 / 0

HEX #FF6E0F

RGB 255 110 15

HSL 23.75, 1%, 0.53%

LAB 63.71, 51.54, 69.63

 

CMYK 0 / 82 / 94 / 0

HEX #FF2E0F

RGB 255 46 15

HSL 7.75, 1%, 0.53%

LAB 55.33, 74.31, 64.59

 

CMYK 0 / 94 / 94 / 0

HEX #FF0F0F

RGB 255 15 15

HSL 0, 1%, 0.53%

LAB 53.64, 79.14, 63.67

 

CMYK 0 / 31 / 94 / 0

HEX #FFAF0F

RGB 255 175 15

HSL 40, 1%, 0.53%

LAB 77.25, 18.84, 78.82

 

CMYK 0 / 6 / 94 / 0

HEX #FFEF0F

RGB 255 239 15

HSL 56, 1%, 0.53%

LAB 93.03, -13.74, 90.33

 

CMYK 19 / 0 / 94 / 0

HEX #CEFF0F

RGB 206 255 15

HSL 72.25, 1%, 0.53%

LAB 93.74, -41.04, 89.32

 

CMYK 45 / 0 / 94 / 0

HEX #8DFF0F

RGB 141 255 15

HSL 88.5, 1%, 0.53%

LAB 90.42, -63.8, 85.29

 

CMYK 70 / 0 / 94 / 0

HEX #4DFF0F

RGB 77 255 15

HSL 104.5, 1%, 0.53%

LAB 88.51, -79.23, 82.94

 

CMYK 0 / 31 / 94 / 0

HEX #FFAF0F

RGB 255 175 15

HSL 40, 1%, 0.53%

LAB 77.25, 18.84, 78.82

 

CMYK 0 / 31 / 94 / 0

HEX #FFAF0F

RGB 255 175 15

HSL 40, 1%, 0.53%

LAB 77.25, 18.84, 78.82

 

CMYK 0 / 29 / 85 / 7

HEX #ECA823

RGB 236 168 35

HSL 39.7, 0.84%, 0.53%

LAB 73.52, 14.78, 70.98

 

CMYK 0 / 25 / 75 / 15

HEX #D8A236

RGB 216 162 54

HSL 40, 0.68%, 0.53%

LAB 69.97, 9.99, 60.66

 

CMYK 0 / 21 / 63 / 23

HEX #C59C49

RGB 197 156 73

HSL 40.16, 0.52%, 0.53%

LAB 66.62, 6.04, 48.25

 

CMYK 0 / 16 / 47 / 31

HEX #B1955D

RGB 177 149 93

HSL 40, 0.35%, 0.53%

LAB 63.04, 2.95, 33.36

 

CMYK 0 / 83 / 94 / 0

HEX #FF2B0F

RGB 255 43 15

HSL 7, 1%, 0.53%

LAB 55.1, 74.97, 64.46

 

CMYK 0 / 58 / 94 / 0

HEX #FF6B0F

RGB 255 107 15

HSL 23, 1%, 0.53%

LAB 63.19, 52.9, 69.29

 

CMYK 0 / 33 / 94 / 0

HEX #FFAB0F

RGB 255 171 15

HSL 39, 1%, 0.53%

LAB 76.33, 20.93, 78.16

 

CMYK 0 / 8 / 94 / 0

HEX #FFEB0F

RGB 255 235 15

HSL 55, 1%, 0.53%

LAB 92, -11.78, 89.56

 

CMYK 17 / 0 / 94 / 0

HEX #D3FF0F

RGB 211 255 15

HSL 71, 1%, 0.53%

LAB 94.06, -39.1, 89.7

 

CMYK 0 / 34 / 100 / 26

HEX #BC7D00

RGB 188 125 0

HSL 39.89, 1%, 0.37%

LAB 57.42, 16.5, 63.52

 

CMYK 0 / 34 / 100 / 10

HEX #E59800

RGB 229 152 0

HSL 39.83, 1%, 0.45%

LAB 68.83, 19.78, 73.45

 

CMYK 0 / 31 / 94 / 0

HEX #FFAF0F

RGB 255 175 15

HSL 40, 1%, 0.53%

LAB 77.25, 18.84, 78.82

 

CMYK 0 / 26 / 78 / 0

HEX #FFBD39

RGB 255 189 57

HSL 40, 1%, 0.61%

LAB 80.71, 12.48, 71.16

 

CMYK 0 / 21 / 62 / 0

HEX #FFCA62

RGB 255 202 98

HSL 39.75, 1%, 0.69%

LAB 84.16, 7.79, 57.92

 

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

CMYK 80 / 0 / 94 / 0

HEX #33FF0F

RGB 51 255 15

HSL 111, 1%, 0.53%

LAB 88.09, -82.9, 82.43

 

CMYK 71 / 94 / 0 / 0

HEX #4B0FFF

RGB 75 15 255

HSL 255, 1%, 0.53%

LAB 36.09, 78.31, -101.45

 

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

CMYK 94 / 0 / 33 / 0

HEX #0FFFAB

RGB 15 255 171

HSL 159, 1%, 0.53%

LAB 89.19, -68.64, 26.4

 

CMYK 33 / 94 / 0 / 0

HEX #AB0FFF

RGB 171 15 255

HSL 279, 1%, 0.53%

LAB 47.26, 85.76, -82.64

 

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

CMYK 80 / 0 / 94 / 0

HEX #33FF0F

RGB 51 255 15

HSL 111, 1%, 0.53%

LAB 88.09, -82.9, 82.43

 

CMYK 94 / 61 / 0 / 0

HEX #0F63FF

RGB 15 99 255

HSL 219, 1%, 0.53%

LAB 47.29, 37.44, -83.01

 

CMYK 14 / 94 / 0 / 0

HEX #DB0FFF

RGB 219 15 255

HSL 291, 1%, 0.53%

LAB 54.68, 91.94, -70.23

 

CMYK 0 / 32 / 95 / 0

HEX #FFAE0D

RGB 255 174 13

HSL 39.92, 1%, 0.53%

LAB 77.02, 19.34, 78.91

 

CMYK 94 / 0 / 80 / 0

HEX #0FFF33

RGB 15 255 51

HSL 129, 1%, 0.53%

LAB 87.9, -84.24, 75.67

 

CMYK 94 / 61 / 0 / 0

HEX #0F63FF

RGB 15 99 255

HSL 219, 1%, 0.53%

LAB 47.29, 37.44, -83.01

 

CMYK 0 / 94 / 14 / 0

HEX #FF0FDB

RGB 255 15 219

HSL 309, 1%, 0.53%

LAB 58.71, 92.59, -43.24

 

Description

Color code: HEX #FFAE0D | qconv.com Color code: HEX #FFAE0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 174 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 174 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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