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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFABCB3F it is the complementary color #0054343F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFABCB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFABCB3F shade: #FFABC63F, #FFBDD93F, #FFCFEC3F, #FFE1FF3F and #FFF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFABCB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFABCB3F shade: #FFABCB3F, #EE99B83F, #DD87A53F, #CC75923F and #BB637F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFABCB3F shade: #FFADCC, #FFADB6 and #FFADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFABCB3F shade: #FFADCC, #FFADE2, #FFADF8, #EFADFF and #D9ADFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFABCB3F shade matches the following richer shades: #FFADCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFABCB3F shade: #FFADCC, #F8B4CE, #F2BBD0, #EBC1D1 and #E5C8D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFABCB3F shade: #FFADF8, #FFADE2, #FFADCD, #FFADB7 and #FFBAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFABCB3F shade: #FF5B99, #FF84B3, #FFADCC, #FFD7E6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFABCB3F shade: #FFABCB, #FFF0AD and #ADEDFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFABCB3F shade: #FFABCB, #CDFFAD and #ADCDFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFABCB3F shade: #FFABCB, #FFF0AD, #ADFFE0 and #ADBCFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFABCB3F shade: #FFABCB, #F5FFAD, #ADFFE0 and #B7ADFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 5 / 0

HEX #FFABCB3F

RGBA 255 171 203 0.25

HSLA 337.14, 1%, 0.84%, 0.25

LABA 78.87, 35.15, -3.58, 0.25

 

Complementary color

CMYK 25 / 0 / 10 / 17

HEX #0054343F

RGBA 0 84 52 0.25

HSLA 157.14, 1%, 0.16%, 0.25

LABA 30.85, -31.12, 12.56, 0.25

 

CMYK 0 / 8 / 6 / 0

HEX #FFABC63F

RGBA 255 171 198 0.25

HSLA 340.71, 1%, 0.84%, 0.25

LABA 78.73, 34.43, -1.06, 0.25

 

CMYK 0 / 6 / 4 / 0

HEX #FFBDD93F

RGBA 255 189 217 0.25

HSLA 334.55, 1%, 0.87%, 0.25

LABA 83.27, 27.84, -4.65, 0.25

 

CMYK 0 / 5 / 2 / 0

HEX #FFCFEC3F

RGBA 255 207 236 0.25

HSLA 323.75, 1%, 0.91%, 0.25

LABA 87.94, 21.48, -7.86, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE1FF3F

RGBA 255 225 255 0.25

HSLA 300, 1%, 0.94%, 0.25

LABA 92.72, 15.38, -10.74, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFABCB3F

RGBA 255 171 203 0.25

HSLA 337.14, 1%, 0.84%, 0.25

LABA 78.87, 35.15, -3.58, 0.25

 

CMYK 0 / 9 / 6 / 2

HEX #EE99B83F

RGBA 238 153 184 0.25

HSLA 338.12, 0.71%, 0.77%, 0.25

LABA 72.51, 35.92, -2.73, 0.25

 

CMYK 0 / 10 / 6 / 3

HEX #DD87A53F

RGBA 221 135 165 0.25

HSLA 339.07, 0.56%, 0.7%, 0.25

LABA 66.07, 36.73, -1.79, 0.25

 

CMYK 0 / 11 / 7 / 5

HEX #CC75923F

RGBA 204 117 146 0.25

HSLA 340, 0.46%, 0.63%, 0.25

LABA 59.56, 37.59, -0.74, 0.25

 

CMYK 0 / 12 / 8 / 7

HEX #BB637F3F

RGBA 187 99 127 0.25

HSLA 340.91, 0.39%, 0.56%, 0.25

LABA 52.97, 38.48, 0.47, 0.25

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCC

RGB 255 173 204

HSL 337.32, 1%, 0.84%

LAB 79.33, 34.26, -3.43

 

CMYK 0 / 32 / 29 / 0

HEX #FFADB6

RGB 255 173 182

HSL 353.41, 1%, 0.84%

LAB 78.77, 31.2, 7.69

 

CMYK 0 / 32 / 32 / 0

HEX #FFADAD

RGB 255 173 173

HSL 0, 1%, 0.84%

LAB 78.56, 30.04, 12.28

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCC

RGB 255 173 204

HSL 337.32, 1%, 0.84%

LAB 79.33, 34.26, -3.43

 

CMYK 0 / 32 / 11 / 0

HEX #FFADE2

RGB 255 173 226

HSL 321.22, 1%, 0.84%

LAB 79.98, 37.65, -14.39

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF8

RGB 255 173 248

HSL 305.12, 1%, 0.84%

LAB 80.7, 41.36, -25.15

 

CMYK 6 / 32 / 0 / 0

HEX #EFADFF

RGB 239 173 255

HSL 288.29, 1%, 0.84%

LAB 79.3, 37.69, -31.18

 

CMYK 15 / 32 / 0 / 0

HEX #D9ADFF

RGB 217 173 255

HSL 272.2, 1%, 0.84%

LAB 77.2, 31.01, -34.61

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCC

RGB 255 173 204

HSL 337.32, 1%, 0.84%

LAB 79.33, 34.26, -3.43

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCC

RGB 255 173 204

HSL 337.32, 1%, 0.84%

LAB 79.33, 34.26, -3.43

 

CMYK 0 / 27 / 17 / 3

HEX #F8B4CE

RGB 248 180 206

HSL 337.06, 0.83%, 0.84%

LAB 80.21, 28.45, -3.31

 

CMYK 0 / 23 / 14 / 5

HEX #F2BBD0

RGB 242 187 208

HSL 337.09, 0.68%, 0.84%

LAB 81.28, 22.96, -2.89

 

CMYK 0 / 18 / 11 / 8

HEX #EBC1D1

RGB 235 193 209

HSL 337.14, 0.51%, 0.84%

LAB 82.06, 17.49, -2.36

 

CMYK 0 / 13 / 8 / 10

HEX #E5C8D3

RGB 229 200 211

HSL 337.24, 0.36%, 0.84%

LAB 83.27, 12.01, -1.72

 

CMYK 0 / 32 / 3 / 0

HEX #FFADF8

RGB 255 173 248

HSL 305.12, 1%, 0.84%

LAB 80.7, 41.36, -25.15

 

CMYK 0 / 32 / 11 / 0

HEX #FFADE2

RGB 255 173 226

HSL 321.22, 1%, 0.84%

LAB 79.98, 37.65, -14.39

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCD

RGB 255 173 205

HSL 336.59, 1%, 0.84%

LAB 79.36, 34.4, -3.94

 

CMYK 0 / 32 / 28 / 0

HEX #FFADB7

RGB 255 173 183

HSL 352.68, 1%, 0.84%

LAB 78.79, 31.33, 7.18

 

CMYK 0 / 27 / 32 / 0

HEX #FFBAAD

RGB 255 186 173

HSL 9.51, 1%, 0.84%

LAB 81.51, 23.23, 16.43

 

CMYK 0 / 64 / 40 / 0

HEX #FF5B99

RGB 255 91 153

HSL 337.32, 1%, 0.68%

LAB 62.54, 67.04, 0.46

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B3

RGB 255 132 179

HSL 337.07, 1%, 0.76%

LAB 70.19, 51.69, -3.11

 

CMYK 0 / 32 / 20 / 0

HEX #FFADCC

RGB 255 173 204

HSL 337.32, 1%, 0.84%

LAB 79.33, 34.26, -3.43

 

CMYK 0 / 16 / 10 / 0

HEX #FFD7E6

RGB 255 215 230

HSL 337.5, 1%, 0.92%

LAB 89.66, 16.3, -2.16

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 33 / 20 / 0

HEX #FFABCB

RGB 255 171 203

HSL 337.14, 1%, 0.84%

LAB 78.87, 35.15, -3.58

 

CMYK 0 / 6 / 32 / 0

HEX #FFF0AD

RGB 255 240 173

HSL 49.02, 1%, 0.84%

LAB 94.57, -4.61, 34.27

 

CMYK 32 / 7 / 0 / 0

HEX #ADEDFF

RGB 173 237 255

HSL 193.17, 1%, 0.84%

LAB 90.17, -15.84, -15.14

 

CMYK 0 / 33 / 20 / 0

HEX #FFABCB

RGB 255 171 203

HSL 337.14, 1%, 0.84%

LAB 78.87, 35.15, -3.58

 

CMYK 20 / 0 / 32 / 0

HEX #CDFFAD

RGB 205 255 173

HSL 96.59, 1%, 0.84%

LAB 94.96, -30.02, 34.16

 

CMYK 32 / 20 / 0 / 0

HEX #ADCDFF

RGB 173 205 255

HSL 216.59, 1%, 0.84%

LAB 81.71, 0.76, -27.95

 

CMYK 0 / 33 / 20 / 0

HEX #FFABCB

RGB 255 171 203

HSL 337.14, 1%, 0.84%

LAB 78.87, 35.15, -3.58

 

CMYK 0 / 6 / 32 / 0

HEX #FFF0AD

RGB 255 240 173

HSL 49.02, 1%, 0.84%

LAB 94.57, -4.61, 34.27

 

CMYK 32 / 0 / 12 / 0

HEX #ADFFE0

RGB 173 255 224

HSL 157.32, 1%, 0.84%

LAB 94.22, -31.33, 6.91

 

CMYK 32 / 26 / 0 / 0

HEX #ADBCFF

RGB 173 188 255

HSL 229.02, 1%, 0.84%

LAB 77.32, 9.98, -34.7

 

CMYK 0 / 33 / 20 / 0

HEX #FFABCB

RGB 255 171 203

HSL 337.14, 1%, 0.84%

LAB 78.87, 35.15, -3.58

 

CMYK 4 / 0 / 32 / 0

HEX #F5FFAD

RGB 245 255 173

HSL 67.32, 1%, 0.84%

LAB 97.61, -15.74, 38.16

 

CMYK 32 / 0 / 12 / 0

HEX #ADFFE0

RGB 173 255 224

HSL 157.32, 1%, 0.84%

LAB 94.22, -31.33, 6.91

 

CMYK 28 / 32 / 0 / 0

HEX #B7ADFF

RGB 183 173 255

HSL 247.32, 1%, 0.84%

LAB 74.3, 21.07, -39.32

 

Description

Color code: HEX #FFABCB3F | qconv.com Color code: HEX #FFABCB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 171 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 171 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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