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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF952E it is the complementary color #006AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF952E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF952E shade: #FF9529, #FFA73C, #FFB94F, #FFCB62 and #FFDD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF952E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF952E shade: #FF952E, #EE831B, #DD7108, #CC5F00 and #BB4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF952E shade: #FF942D, #FF5C2D and #FF2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF952E shade: #FF942D, #FFCD2D, #F8FF2D, #BFFF2D and #87FF2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF952E shade matches the following richer shades: #FF942D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF952E shade: #FF942D, #EE953E, #DD954F, #CC9560 and #BB9571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF952E shade: #FF2D38, #FF5B2D, #FF922D, #FFCA2D and #FBFF2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF952E shade: #DA6B00, #FF8004, #FF942D, #FFA957 and #FFBE80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF952E shade: #FF952E, #70FF2D and #3F2DFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF952E shade: #FF952E, #2DFF92 and #922DFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF952E shade: #FF952E, #70FF2D, #2D99FF and #BC2DFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF952E shade: #FF952E, #31FF2D, #2D99FF and #FB2DFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

Complementary color

CMYK 100 / 49 / 0 / 18

HEX #006AD1

RGB 0 106 209

HSL 209.57, 1%, 0.41%

LAB 45.51, 14.7, -60

 

CMYK 0 / 42 / 84 / 0

HEX #FF9529

RGB 255 149 41

HSL 30.28, 1%, 0.58%

LAB 71.5, 32.81, 68.44

 

CMYK 0 / 35 / 76 / 0

HEX #FFA73C

RGB 255 167 60

HSL 32.92, 1%, 0.62%

LAB 75.59, 24.07, 65.25

 

CMYK 0 / 27 / 69 / 0

HEX #FFB94F

RGB 255 185 79

HSL 36.14, 1%, 0.65%

LAB 79.91, 15.51, 61.74

 

CMYK 0 / 20 / 62 / 0

HEX #FFCB62

RGB 255 203 98

HSL 40.13, 1%, 0.69%

LAB 84.41, 7.27, 58.2

 

CMYK 0 / 13 / 54 / 0

HEX #FFDD75

RGB 255 221 117

HSL 45.22, 1%, 0.73%

LAB 89.04, -0.58, 54.75

 

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

CMYK 0 / 45 / 89 / 7

HEX #EE831B

RGB 238 131 27

HSL 29.57, 0.86%, 0.52%

LAB 65.35, 34.9, 66.79

 

CMYK 0 / 49 / 96 / 13

HEX #DD7108

RGB 221 113 8

HSL 29.58, 0.93%, 0.45%

LAB 59.16, 37.02, 65.42

 

CMYK 0 / 53 / 100 / 20

HEX #CC5F00

RGB 204 95 0

HSL 27.94, 1%, 0.4%

LAB 52.97, 39.29, 61.85

 

CMYK 0 / 59 / 100 / 27

HEX #BB4D00

RGB 187 77 0

HSL 24.71, 1%, 0.37%

LAB 46.81, 41.52, 56.93

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 64 / 82 / 0

HEX #FF5C2D

RGB 255 92 45

HSL 13.43, 1%, 0.59%

LAB 60.87, 59.9, 57.72

 

CMYK 0 / 82 / 82 / 0

HEX #FF2D2D

RGB 255 45 45

HSL 0, 1%, 0.59%

LAB 55.41, 75.01, 52.77

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 20 / 82 / 0

HEX #FFCD2D

RGB 255 205 45

HSL 45.71, 1%, 0.59%

LAB 84.54, 3.84, 78.26

 

CMYK 3 / 0 / 82 / 0

HEX #F8FF2D

RGB 248 255 45

HSL 62, 1%, 0.59%

LAB 96.68, -23.78, 88.25

 

CMYK 25 / 0 / 82 / 0

HEX #BFFF2D

RGB 191 255 45

HSL 78.29, 1%, 0.59%

LAB 92.92, -46.07, 83.55

 

CMYK 47 / 0 / 82 / 0

HEX #87FF2D

RGB 135 255 45

HSL 94.29, 1%, 0.59%

LAB 90.26, -64.8, 80.18

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 37 / 74 / 7

HEX #EE953E

RGB 238 149 62

HSL 29.66, 0.84%, 0.59%

LAB 69.48, 26.58, 57.72

 

CMYK 0 / 33 / 64 / 13

HEX #DD954F

RGB 221 149 79

HSL 29.58, 0.68%, 0.59%

LAB 67.6, 20.43, 47.17

 

CMYK 0 / 27 / 53 / 20

HEX #CC9560

RGB 204 149 96

HSL 29.44, 0.51%, 0.59%

LAB 65.89, 14.61, 35.94

 

CMYK 0 / 20 / 40 / 27

HEX #BB9571

RGB 187 149 113

HSL 29.19, 0.35%, 0.59%

LAB 64.36, 9.31, 24.42

 

CMYK 0 / 82 / 78 / 0

HEX #FF2D38

RGB 255 45 56

HSL 356.86, 1%, 0.59%

LAB 55.5, 75.31, 47.17

 

CMYK 0 / 64 / 82 / 0

HEX #FF5B2D

RGB 255 91 45

HSL 13.14, 1%, 0.59%

LAB 60.72, 60.31, 57.59

 

CMYK 0 / 43 / 82 / 0

HEX #FF922D

RGB 255 146 45

HSL 28.86, 1%, 0.59%

LAB 70.88, 34.45, 66.54

 

CMYK 0 / 21 / 82 / 0

HEX #FFCA2D

RGB 255 202 45

HSL 44.86, 1%, 0.59%

LAB 83.8, 5.38, 77.64

 

CMYK 2 / 0 / 82 / 0

HEX #FBFF2D

RGB 251 255 45

HSL 61.14, 1%, 0.59%

LAB 96.91, -22.56, 88.53

 

CMYK 0 / 51 / 100 / 15

HEX #DA6B00

RGB 218 107 0

HSL 29.45, 1%, 0.43%

LAB 57.48, 38.79, 65.59

 

CMYK 0 / 50 / 98 / 0

HEX #FF8004

RGB 255 128 4

HSL 29.64, 1%, 0.51%

LAB 67.06, 42.86, 73.45

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 34 / 66 / 0

HEX #FFA957

RGB 255 169 87

HSL 29.29, 1%, 0.67%

LAB 76.27, 24.31, 54.17

 

CMYK 0 / 25 / 50 / 0

HEX #FFBE80

RGB 255 190 128

HSL 29.29, 1%, 0.75%

LAB 81.65, 16.33, 40.29

 

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

CMYK 56 / 0 / 82 / 0

HEX #70FF2D

RGB 112 255 45

HSL 100.86, 1%, 0.59%

LAB 89.47, -71.01, 79.17

 

CMYK 75 / 82 / 0 / 0

HEX #3F2DFF

RGB 63 45 255

HSL 245.14, 1%, 0.59%

LAB 38.12, 69.19, -98.11

 

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

CMYK 82 / 0 / 43 / 0

HEX #2DFF92

RGB 45 255 146

HSL 148.86, 1%, 0.59%

LAB 88.99, -71.63, 38.64

 

CMYK 43 / 82 / 0 / 0

HEX #922DFF

RGB 146 45 255

HSL 268.86, 1%, 0.59%

LAB 45.92, 76.7, -84.97

 

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

CMYK 56 / 0 / 82 / 0

HEX #70FF2D

RGB 112 255 45

HSL 100.86, 1%, 0.59%

LAB 89.47, -71.01, 79.17

 

CMYK 82 / 40 / 0 / 0

HEX #2D99FF

RGB 45 153 255

HSL 209.14, 1%, 0.59%

LAB 62.13, 5.61, -58.97

 

CMYK 26 / 82 / 0 / 0

HEX #BC2DFF

RGB 188 45 255

HSL 280.86, 1%, 0.59%

LAB 51.6, 82.48, -75.45

 

CMYK 0 / 42 / 82 / 0

HEX #FF952E

RGB 255 149 46

HSL 29.57, 1%, 0.59%

LAB 71.52, 32.94, 66.75

 

CMYK 81 / 0 / 82 / 0

HEX #31FF2D

RGB 49 255 45

HSL 118.86, 1%, 0.59%

LAB 88.14, -82.17, 77.49

 

CMYK 82 / 40 / 0 / 0

HEX #2D99FF

RGB 45 153 255

HSL 209.14, 1%, 0.59%

LAB 62.13, 5.61, -58.97

 

CMYK 2 / 82 / 0 / 0

HEX #FB2DFF

RGB 251 45 255

HSL 298.86, 1%, 0.59%

LAB 61.31, 92.73, -59.29

 

Description

Color code: HEX #FF952E | qconv.com Color code: HEX #FF952E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 149 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 149 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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