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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF93053F it is the complementary color #006CFA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF93053F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF93053F shade: #FF93003F, #FFA5133F, #FFB7263F, #FFC9393F and #FFDB4C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF93053F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF93053F shade: #FF93053F, #EE81003F, #DD6F003F, #CC5D003F and #BB4B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF93053F shade: #FF9305, #FF5005, #FF0C05 and #FF0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF93053F shade: #FF9305, #FFD605, #E4FF05, #A1FF05 and #5DFF05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF93053F shade matches the following richer shades: #FF9305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF93053F shade: #FF9305, #EB9019, #D78E2E, #C28B42 and #AE8856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF93053F shade: #FF0D05, #FF5005, #FF9305, #FFD505 and #E6FF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF93053F shade: #B26500, #DB7C00, #FF9305, #FFA52E and #FFB758

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF93053F shade: #FF9305, #3FFF05 and #2F05FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF93053F shade: #FF9305, #05FF93 and #9305FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF93053F shade: #FF9305, #3FFF05, #0571FF and #C505FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF93053F shade: #FF9305, #05FF16, #0571FF and #FF05EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 25 / 0

HEX #FF93053F

RGBA 255 147 5 0.25

HSLA 34.08, 1%, 0.51%, 0.25

LABA 70.97, 33.3, 75.78, 0.25

 

Complementary color

CMYK 25 / 14 / 0 / 0

HEX #006CFA3F

RGBA 0 108 250 0.25

HSLA 214.08, 1%, 0.49%, 0.25

LABA 49.04, 29.49, -77.38, 0.25

 

CMYK 0 / 11 / 25 / 0

HEX #FF93003F

RGBA 255 147 0 0.25

HSLA 34.59, 1%, 0.5%, 0.25

LABA 70.96, 33.26, 76.41, 0.25

 

CMYK 0 / 9 / 23 / 0

HEX #FFA5133F

RGBA 255 165 19 0.25

HSLA 37.12, 1%, 0.54%, 0.25

LABA 74.96, 24.11, 76.58, 0.25

 

CMYK 0 / 7 / 21 / 0

HEX #FFB7263F

RGBA 255 183 38 0.25

HSLA 40.09, 1%, 0.57%, 0.25

LABA 79.19, 15.05, 75.68, 0.25

 

CMYK 0 / 5 / 19 / 0

HEX #FFC9393F

RGBA 255 201 57 0.25

HSLA 43.64, 1%, 0.61%, 0.25

LABA 83.62, 6.26, 73.82, 0.25

 

CMYK 0 / 4 / 18 / 0

HEX #FFDB4C3F

RGBA 255 219 76 0.25

HSLA 47.93, 1%, 0.65%, 0.25

LABA 88.18, -2.14, 71.42, 0.25

 

CMYK 0 / 11 / 25 / 0

HEX #FF93053F

RGBA 255 147 5 0.25

HSLA 34.08, 1%, 0.51%, 0.25

LABA 70.97, 33.3, 75.78, 0.25

 

CMYK 0 / 11 / 25 / 2

HEX #EE81003F

RGBA 238 129 0 0.25

HSLA 32.52, 1%, 0.47%, 0.25

LABA 64.87, 35.61, 71.49, 0.25

 

CMYK 0 / 12 / 25 / 3

HEX #DD6F003F

RGBA 221 111 0 0.25

HSLA 30.14, 1%, 0.43%, 0.25

LABA 58.73, 37.96, 66.56, 0.25

 

CMYK 0 / 14 / 25 / 5

HEX #CC5D003F

RGBA 204 93 0 0.25

HSLA 27.35, 1%, 0.4%, 0.25

LABA 52.58, 40.28, 61.63, 0.25

 

CMYK 0 / 15 / 25 / 7

HEX #BB4B003F

RGBA 187 75 0 0.25

HSLA 24.06, 1%, 0.37%, 0.25

LABA 46.44, 42.48, 56.73, 0.25

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 69 / 98 / 0

HEX #FF5005

RGB 255 80 5

HSL 18, 1%, 0.51%

LAB 58.98, 63.99, 68.67

 

CMYK 0 / 95 / 98 / 0

HEX #FF0C05

RGB 255 12 5

HSL 1.68, 1%, 0.51%

LAB 53.53, 79.32, 66.09

 

CMYK 0 / 98 / 98 / 0

HEX #FF0505

RGB 255 5 5

HSL 0, 1%, 0.51%

LAB 53.36, 79.8, 66.02

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 16 / 98 / 0

HEX #FFD605

RGB 255 214 5

HSL 50.16, 1%, 0.51%

LAB 86.68, -1.38, 86.54

 

CMYK 11 / 0 / 98 / 0

HEX #E4FF05

RGB 228 255 5

HSL 66.48, 1%, 0.51%

LAB 95.17, -32.47, 91.79

 

CMYK 37 / 0 / 98 / 0

HEX #A1FF05

RGB 161 255 5

HSL 82.56, 1%, 0.51%

LAB 91.28, -57.5, 87.12

 

CMYK 64 / 0 / 98 / 0

HEX #5DFF05

RGB 93 255 5

HSL 98.88, 1%, 0.51%

LAB 88.86, -76.33, 84.17

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 39 / 89 / 8

HEX #EB9019

RGB 235 144 25

HSL 34, 0.84%, 0.51%

LAB 67.78, 26.85, 68.98

 

CMYK 0 / 34 / 79 / 16

HEX #D78E2E

RGB 215 142 46

HSL 34.08, 0.68%, 0.51%

LAB 64.95, 20.01, 58.95

 

CMYK 0 / 28 / 66 / 24

HEX #C28B42

RGB 194 139 66

HSL 34.22, 0.51%, 0.51%

LAB 61.94, 13.58, 46.3

 

CMYK 0 / 22 / 51 / 32

HEX #AE8856

RGB 174 136 86

HSL 34.09, 0.35%, 0.51%

LAB 59.23, 8.18, 32.26

 

CMYK 0 / 95 / 98 / 0

HEX #FF0D05

RGB 255 13 5

HSL 1.92, 1%, 0.51%

LAB 53.56, 79.24, 66.1

 

CMYK 0 / 69 / 98 / 0

HEX #FF5005

RGB 255 80 5

HSL 18, 1%, 0.51%

LAB 58.98, 63.99, 68.67

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 16 / 98 / 0

HEX #FFD505

RGB 255 213 5

HSL 49.92, 1%, 0.51%

LAB 86.43, -0.87, 86.36

 

CMYK 10 / 0 / 98 / 0

HEX #E6FF05

RGB 230 255 5

HSL 66, 1%, 0.51%

LAB 95.31, -31.67, 91.96

 

CMYK 0 / 43 / 100 / 30

HEX #B26500

RGB 178 101 0

HSL 34.04, 1%, 0.35%

LAB 50.42, 25.35, 58.36

 

CMYK 0 / 43 / 100 / 14

HEX #DB7C00

RGB 219 124 0

HSL 33.97, 1%, 0.43%

LAB 61.2, 30.41, 67.92

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 0 / 35 / 82 / 0

HEX #FFA52E

RGB 255 165 46

HSL 34.16, 1%, 0.59%

LAB 75.06, 24.65, 69.83

 

CMYK 0 / 28 / 65 / 0

HEX #FFB758

RGB 255 183 88

HSL 34.13, 1%, 0.67%

LAB 79.52, 17.05, 57.31

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 75 / 0 / 98 / 0

HEX #3FFF05

RGB 63 255 5

HSL 106.08, 1%, 0.51%

LAB 88.25, -81.54, 83.43

 

CMYK 82 / 98 / 0 / 0

HEX #2F05FF

RGB 47 5 255

HSL 250.08, 1%, 0.51%

LAB 33.84, 78.93, -105.26

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 98 / 0 / 42 / 0

HEX #05FF93

RGB 5 255 147

HSL 154.08, 1%, 0.51%

LAB 88.76, -73.49, 37.79

 

CMYK 42 / 98 / 0 / 0

HEX #9305FF

RGB 147 5 255

HSL 274.08, 1%, 0.51%

LAB 43.55, 84.25, -88.85

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 75 / 0 / 98 / 0

HEX #3FFF05

RGB 63 255 5

HSL 106.08, 1%, 0.51%

LAB 88.25, -81.54, 83.43

 

CMYK 98 / 56 / 0 / 0

HEX #0571FF

RGB 5 113 255

HSL 214.08, 1%, 0.51%

LAB 50.76, 28.35, -77.35

 

CMYK 23 / 98 / 0 / 0

HEX #C505FF

RGB 197 5 255

HSL 286.08, 1%, 0.51%

LAB 50.92, 89.75, -76.5

 

CMYK 0 / 42 / 98 / 0

HEX #FF9305

RGB 255 147 5

HSL 34.08, 1%, 0.51%

LAB 70.97, 33.3, 75.78

 

CMYK 98 / 0 / 91 / 0

HEX #05FF16

RGB 5 255 22

HSL 124.08, 1%, 0.51%

LAB 87.78, -85.68, 81.25

 

CMYK 98 / 56 / 0 / 0

HEX #0571FF

RGB 5 113 255

HSL 214.08, 1%, 0.51%

LAB 50.76, 28.35, -77.35

 

CMYK 0 / 98 / 7 / 0

HEX #FF05EE

RGB 255 5 238

HSL 304.08, 1%, 0.51%

LAB 59.47, 95.66, -52.73

 

Description

Color code: HEX #FF93053F | qconv.com Color code: HEX #FF93053F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 147 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 147 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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