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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF87C13F it is the complementary color #00783E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF87C13F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF87C13F shade: #FF87BC3F, #FF99CF3F, #FFABE23F, #FFBDF53F and #FFCFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF87C13F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF87C13F shade: #FF87C13F, #EE75AE3F, #DD639B3F, #CC51883F and #BB3F753F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF87C13F shade: #FF85C0, #FF859F and #FF8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF87C13F shade: #FF85C0, #FF85E1, #FC85FF, #DB85FF and #BA85FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF87C13F shade matches the following richer shades: #FF85C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF87C13F shade: #FF85C0, #F58FC0, #EB98C0, #E1A2C1 and #D7ACC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF87C13F shade: #FD85FF, #FF85E0, #FF85C0, #FF859F and #FF8B85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF87C13F shade: #FF3295, #FF5BAA, #FF85C0, #FFAED5 and #FFD7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF87C13F shade: #FF87C1, #FFDC85 and #85F1FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF87C13F shade: #FF87C1, #C0FF85 and #85C0FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF87C13F shade: #FF87C1, #FFDC85, #85FFC4 and #85A7FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF87C13F shade: #FF87C1, #FDFF85, #85FFC4 and #8785FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 6 / 0

HEX #FF87C13F

RGBA 255 135 193 0.25

HSLA 331, 1%, 0.76%, 0.25

LABA 71.17, 52.05, -9.47, 0.25

 

Complementary color

CMYK 25 / 0 / 12 / 13

HEX #00783E3F

RGBA 0 120 62 0.25

HSLA 151, 1%, 0.24%, 0.25

LABA 43.92, -42.99, 23.89, 0.25

 

CMYK 0 / 12 / 7 / 0

HEX #FF87BC3F

RGBA 255 135 188 0.25

HSLA 333.5, 1%, 0.76%, 0.25

LABA 71.02, 51.38, -6.91, 0.25

 

CMYK 0 / 10 / 5 / 0

HEX #FF99CF3F

RGBA 255 153 207 0.25

HSLA 328.24, 1%, 0.8%, 0.25

LABA 75.17, 45.03, -11.24, 0.25

 

CMYK 0 / 8 / 3 / 0

HEX #FFABE23F

RGBA 255 171 226 0.25

HSLA 320.71, 1%, 0.84%, 0.25

LABA 79.54, 38.7, -15.04, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FFBDF53F

RGBA 255 189 245 0.25

HSLA 309.09, 1%, 0.87%, 0.25

LABA 84.09, 32.48, -18.39, 0.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFCFFF3F

RGBA 255 207 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 88.5, 24.79, -17.06, 0.25

 

CMYK 0 / 12 / 6 / 0

HEX #FF87C13F

RGBA 255 135 193 0.25

HSLA 331, 1%, 0.76%, 0.25

LABA 71.17, 52.05, -9.47, 0.25

 

CMYK 0 / 13 / 7 / 2

HEX #EE75AE3F

RGBA 238 117 174 0.25

HSLA 331.74, 0.78%, 0.7%, 0.25

LABA 64.93, 52.8, -8.34, 0.25

 

CMYK 0 / 14 / 7 / 3

HEX #DD639B3F

RGBA 221 99 155 0.25

HSLA 332.46, 0.64%, 0.63%, 0.25

LABA 58.66, 53.5, -7.01, 0.25

 

CMYK 0 / 15 / 8 / 5

HEX #CC51883F

RGBA 204 81 136 0.25

HSLA 333.17, 0.55%, 0.56%, 0.25

LABA 52.4, 54.06, -5.43, 0.25

 

CMYK 0 / 17 / 9 / 7

HEX #BB3F753F

RGBA 187 63 117 0.25

HSLA 333.87, 0.5%, 0.49%, 0.25

LABA 46.18, 54.37, -3.48, 0.25

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 48 / 38 / 0

HEX #FF859F

RGB 255 133 159

HSL 347.21, 1%, 0.76%

LAB 69.85, 48.83, 7.6

 

CMYK 0 / 48 / 48 / 0

HEX #FF8585

RGB 255 133 133

HSL 0, 1%, 0.76%

LAB 69.28, 46.19, 21.35

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 48 / 12 / 0

HEX #FF85E1

RGB 255 133 225

HSL 314.75, 1%, 0.76%

LAB 71.87, 57.69, -26.13

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 14 / 48 / 0 / 0

HEX #DB85FF

RGB 219 133 255

HSL 282.3, 1%, 0.76%

LAB 68.79, 52.81, -47.7

 

CMYK 27 / 48 / 0 / 0

HEX #BA85FF

RGB 186 133 255

HSL 266.07, 1%, 0.76%

LAB 65.31, 44.05, -53.44

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 42 / 22 / 4

HEX #F58FC0

RGB 245 143 192

HSL 331.18, 0.84%, 0.76%

LAB 71.46, 44.64, -8.62

 

CMYK 0 / 35 / 18 / 8

HEX #EB98C0

RGB 235 152 192

HSL 331.08, 0.67%, 0.76%

LAB 72.18, 36.59, -7.68

 

CMYK 0 / 28 / 14 / 12

HEX #E1A2C1

RGB 225 162 193

HSL 330.48, 0.51%, 0.76%

LAB 73.35, 27.96, -6.62

 

CMYK 0 / 20 / 10 / 16

HEX #D7ACC1

RGB 215 172 193

HSL 330.7, 0.35%, 0.76%

LAB 74.7, 19.04, -4.73

 

CMYK 1 / 48 / 0 / 0

HEX #FD85FF

RGB 253 133 255

HSL 299.02, 1%, 0.76%

LAB 72.81, 62.06, -41.12

 

CMYK 0 / 48 / 12 / 0

HEX #FF85E0

RGB 255 133 224

HSL 315.25, 1%, 0.76%

LAB 71.84, 57.53, -25.64

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 48 / 38 / 0

HEX #FF859F

RGB 255 133 159

HSL 347.21, 1%, 0.76%

LAB 69.85, 48.83, 7.6

 

CMYK 0 / 45 / 48 / 0

HEX #FF8B85

RGB 255 139 133

HSL 2.95, 1%, 0.76%

LAB 70.47, 43.21, 22.97

 

CMYK 0 / 80 / 42 / 0

HEX #FF3295

RGB 255 50 149

HSL 331.02, 1%, 0.6%

LAB 57.76, 79.69, -4.22

 

CMYK 0 / 64 / 33 / 0

HEX #FF5BAA

RGB 255 91 170

HSL 331.1, 1%, 0.68%

LAB 63.05, 68.83, -8.58

 

CMYK 0 / 48 / 25 / 0

HEX #FF85C0

RGB 255 133 192

HSL 330.98, 1%, 0.76%

LAB 70.76, 52.89, -9.53

 

CMYK 0 / 32 / 16 / 0

HEX #FFAED5

RGB 255 174 213

HSL 331.11, 1%, 0.84%

LAB 79.8, 35.09, -7.61

 

CMYK 0 / 16 / 8 / 0

HEX #FFD7EA

RGB 255 215 234

HSL 331.5, 1%, 0.92%

LAB 89.77, 16.96, -4.11

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C1

RGB 255 135 193

HSL 331, 1%, 0.76%

LAB 71.17, 52.05, -9.47

 

CMYK 0 / 14 / 48 / 0

HEX #FFDC85

RGB 255 220 133

HSL 42.79, 1%, 0.76%

LAB 88.99, 1.28, 47.01

 

CMYK 48 / 5 / 0 / 0

HEX #85F1FF

RGB 133 241 255

HSL 186.89, 1%, 0.76%

LAB 89.45, -27.57, -16.4

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C1

RGB 255 135 193

HSL 331, 1%, 0.76%

LAB 71.17, 52.05, -9.47

 

CMYK 25 / 0 / 48 / 0

HEX #C0FF85

RGB 192 255 133

HSL 90.98, 1%, 0.76%

LAB 93.63, -39.55, 51.72

 

CMYK 48 / 25 / 0 / 0

HEX #85C0FF

RGB 133 192 255

HSL 210.98, 1%, 0.76%

LAB 76.01, -2.42, -36.92

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C1

RGB 255 135 193

HSL 331, 1%, 0.76%

LAB 71.17, 52.05, -9.47

 

CMYK 0 / 14 / 48 / 0

HEX #FFDC85

RGB 255 220 133

HSL 42.79, 1%, 0.76%

LAB 88.99, 1.28, 47.01

 

CMYK 48 / 0 / 23 / 0

HEX #85FFC4

RGB 133 255 196

HSL 150.98, 1%, 0.76%

LAB 91.91, -47.45, 17.78

 

CMYK 48 / 35 / 0 / 0

HEX #85A7FF

RGB 133 167 255

HSL 223.28, 1%, 0.76%

LAB 69.36, 11.52, -47.31

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C1

RGB 255 135 193

HSL 331, 1%, 0.76%

LAB 71.17, 52.05, -9.47

 

CMYK 1 / 0 / 48 / 0

HEX #FDFF85

RGB 253 255 133

HSL 60.98, 1%, 0.76%

LAB 97.67, -16.89, 57.55

 

CMYK 48 / 0 / 23 / 0

HEX #85FFC4

RGB 133 255 196

HSL 150.98, 1%, 0.76%

LAB 91.91, -47.45, 17.78

 

CMYK 47 / 48 / 0 / 0

HEX #8785FF

RGB 135 133 255

HSL 240.98, 1%, 0.76%

LAB 60.91, 31.69, -60.7

 

Description

Color code: HEX #FF87C13F | qconv.com Color code: HEX #FF87C13F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 135 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 135 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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