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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF83104C it is the complementary color #007CEF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF83104C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF83104C shade: #FF830B4C, #FF951E4C, #FFA7314C, #FFB9444C and #FFCB574C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF83104C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF83104C shade: #FF83104C, #EE71004C, #DD5F004C, #CC4D004C and #BB3B004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF83104C shade: #FF830F, #FF420F and #FF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF83104C shade: #FF830F, #FFC30F, #FAFF0F, #B9FF0F and #79FF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF83104C shade matches the following richer shades: #FF830F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF83104C shade: #FF830F, #EC8323, #D88436, #C58549 and #B1865D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF83104C shade: #FF0F1F, #FF3F0F, #FF7F0F, #FFBF0F and #FFFF0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF83104C shade: #BC5A00, #E56E00, #FF830F, #FF9839 and #FFAD62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF83104C shade: #FF8310, #5FFF0F and #1F0FFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF83104C shade: #FF8310, #0FFF7F and #7F0FFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF83104C shade: #FF8310, #5FFF0F, #0F8FFF and #AF0FFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF83104C shade: #FF8310, #17FF0F, #0F8FFF and #F70FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 0

HEX #FF83104C

RGBA 255 131 16 0.3

HSLA 28.87, 1%, 0.53%, 0.3

LABA 67.67, 41.48, 72.04, 0.3

 

Complementary color

CMYK 30 / 14 / 0 / 2

HEX #007CEF4C

RGBA 0 124 239 0.3

HSLA 208.87, 1%, 0.47%, 0.3

LABA 52.56, 15.09, -65.54, 0.3

 

CMYK 0 / 15 / 29 / 0

HEX #FF830B4C

RGBA 255 131 11 0.3

HSLA 29.51, 1%, 0.52%, 0.3

LABA 67.66, 41.44, 72.85, 0.3

 

CMYK 0 / 12 / 26 / 0

HEX #FF951E4C

RGBA 255 149 30 0.3

HSLA 31.73, 1%, 0.56%, 0.3

LABA 71.45, 32.57, 71.64, 0.3

 

CMYK 0 / 10 / 24 / 0

HEX #FFA7314C

RGBA 255 167 49 0.3

HSLA 34.37, 1%, 0.6%, 0.3

LABA 75.53, 23.69, 69.24, 0.3

 

CMYK 0 / 8 / 22 / 0

HEX #FFB9444C

RGBA 255 185 68 0.3

HSLA 37.54, 1%, 0.63%, 0.3

LABA 79.83, 14.99, 66.22, 0.3

 

CMYK 0 / 6 / 20 / 0

HEX #FFCB574C

RGBA 255 203 87 0.3

HSLA 41.43, 1%, 0.67%, 0.3

LABA 84.31, 6.6, 62.96, 0.3

 

CMYK 0 / 15 / 28 / 0

HEX #FF83104C

RGBA 255 131 16 0.3

HSLA 28.87, 1%, 0.53%, 0.3

LABA 67.67, 41.48, 72.04, 0.3

 

CMYK 0 / 16 / 30 / 2

HEX #EE71004C

RGBA 238 113 0 0.3

HSLA 28.49, 1%, 0.47%, 0.3

LABA 61.64, 43.63, 69.57, 0.3

 

CMYK 0 / 17 / 30 / 4

HEX #DD5F004C

RGBA 221 95 0 0.3

HSLA 25.79, 1%, 0.43%, 0.3

LABA 55.64, 45.83, 64.77, 0.3

 

CMYK 0 / 19 / 30 / 6

HEX #CC4D004C

RGBA 204 77 0 0.3

HSLA 22.65, 1%, 0.4%, 0.3

LABA 49.67, 47.86, 60.02, 0.3

 

CMYK 0 / 21 / 30 / 8

HEX #BB3B004C

RGBA 187 59 0 0.3

HSLA 18.93, 1%, 0.37%, 0.3

LABA 43.79, 49.55, 55.35, 0.3

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 74 / 94 / 0

HEX #FF420F

RGB 255 66 15

HSL 12.75, 1%, 0.53%

LAB 57.26, 68.87, 65.68

 

CMYK 0 / 94 / 94 / 0

HEX #FF0F0F

RGB 255 15 15

HSL 0, 1%, 0.53%

LAB 53.64, 79.14, 63.67

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 24 / 94 / 0

HEX #FFC30F

RGB 255 195 15

HSL 45, 1%, 0.53%

LAB 82.01, 8.44, 82.23

 

CMYK 2 / 0 / 94 / 0

HEX #FAFF0F

RGB 250 255 15

HSL 61.25, 1%, 0.53%

LAB 96.77, -23.49, 92.96

 

CMYK 27 / 0 / 94 / 0

HEX #B9FF0F

RGB 185 255 15

HSL 77.5, 1%, 0.53%

LAB 92.52, -48.94, 87.84

 

CMYK 53 / 0 / 94 / 0

HEX #79FF0F

RGB 121 255 15

HSL 93.5, 1%, 0.53%

LAB 89.68, -69.53, 84.38

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 44 / 85 / 7

HEX #EC8323

RGB 236 131 35

HSL 28.66, 0.84%, 0.53%

LAB 65.11, 34.26, 64.07

 

CMYK 0 / 39 / 75 / 15

HEX #D88436

RGB 216 132 54

HSL 28.89, 0.68%, 0.53%

LAB 62.82, 26.13, 53.61

 

CMYK 0 / 32 / 63 / 23

HEX #C58549

RGB 197 133 73

HSL 29.03, 0.52%, 0.53%

LAB 60.89, 18.62, 41.72

 

CMYK 0 / 24 / 47 / 31

HEX #B1865D

RGB 177 134 93

HSL 29.29, 0.35%, 0.53%

LAB 59.15, 11.27, 28.39

 

CMYK 0 / 94 / 88 / 0

HEX #FF0F1F

RGB 255 15 31

HSL 356, 1%, 0.53%

LAB 53.71, 79.34, 57.9

 

CMYK 0 / 75 / 94 / 0

HEX #FF3F0F

RGB 255 63 15

HSL 12, 1%, 0.53%

LAB 56.93, 69.8, 65.49

 

CMYK 0 / 50 / 94 / 0

HEX #FF7F0F

RGB 255 127 15

HSL 28, 1%, 0.53%

LAB 66.88, 43.45, 71.69

 

CMYK 0 / 25 / 94 / 0

HEX #FFBF0F

RGB 255 191 15

HSL 44, 1%, 0.53%

LAB 81.05, 10.51, 81.53

 

CMYK 0 / 0 / 94 / 0

HEX #FFFF0F

RGB 255 255 15

HSL 60, 1%, 0.53%

LAB 97.15, -21.44, 93.42

 

CMYK 0 / 52 / 100 / 26

HEX #BC5A00

RGB 188 90 0

HSL 28.72, 1%, 0.37%

LAB 49.5, 35.42, 58.55

 

CMYK 0 / 52 / 100 / 10

HEX #E56E00

RGB 229 110 0

HSL 28.82, 1%, 0.45%

LAB 59.72, 41.62, 67.75

 

CMYK 0 / 49 / 94 / 0

HEX #FF830F

RGB 255 131 15

HSL 29, 1%, 0.53%

LAB 67.67, 41.47, 72.22

 

CMYK 0 / 40 / 78 / 0

HEX #FF9839

RGB 255 152 57

HSL 28.79, 1%, 0.61%

LAB 72.24, 31.75, 63.23

 

CMYK 0 / 32 / 62 / 0

HEX #FFAD62

RGB 255 173 98

HSL 28.66, 1%, 0.69%

LAB 77.3, 22.9, 50.05

 

CMYK 0 / 49 / 94 / 0

HEX #FF8310

RGB 255 131 16

HSL 28.87, 1%, 0.53%

LAB 67.67, 41.48, 72.04

 

CMYK 63 / 0 / 94 / 0

HEX #5FFF0F

RGB 95 255 15

HSL 100, 1%, 0.53%

LAB 88.92, -75.77, 83.44

 

CMYK 88 / 94 / 0 / 0

HEX #1F0FFF

RGB 31 15 255

HSL 244, 1%, 0.53%

LAB 33.67, 77.14, -105.55

 

CMYK 0 / 49 / 94 / 0

HEX #FF8310

RGB 255 131 16

HSL 28.87, 1%, 0.53%

LAB 67.67, 41.48, 72.04

 

CMYK 94 / 0 / 50 / 0

HEX #0FFF7F

RGB 15 255 127

HSL 148, 1%, 0.53%

LAB 88.52, -76.49, 47.1

 

CMYK 50 / 94 / 0 / 0

HEX #7F0FFF

RGB 127 15 255

HSL 268, 1%, 0.53%

LAB 41.33, 81.45, -92.61

 

CMYK 0 / 49 / 94 / 0

HEX #FF8310

RGB 255 131 16

HSL 28.87, 1%, 0.53%

LAB 67.67, 41.48, 72.04

 

CMYK 63 / 0 / 94 / 0

HEX #5FFF0F

RGB 95 255 15

HSL 100, 1%, 0.53%

LAB 88.92, -75.77, 83.44

 

CMYK 94 / 44 / 0 / 0

HEX #0F8FFF

RGB 15 143 255

HSL 208, 1%, 0.53%

LAB 58.94, 9.94, -64.11

 

CMYK 31 / 94 / 0 / 0

HEX #AF0FFF

RGB 175 15 255

HSL 280, 1%, 0.53%

LAB 47.85, 86.22, -81.65

 

CMYK 0 / 49 / 94 / 0

HEX #FF8310

RGB 255 131 16

HSL 28.87, 1%, 0.53%

LAB 67.67, 41.48, 72.04

 

CMYK 91 / 0 / 94 / 0

HEX #17FF0F

RGB 23 255 15

HSL 118, 1%, 0.53%

LAB 87.84, -85.16, 82.12

 

CMYK 94 / 44 / 0 / 0

HEX #0F8FFF

RGB 15 143 255

HSL 208, 1%, 0.53%

LAB 58.94, 9.94, -64.11

 

CMYK 3 / 94 / 0 / 0

HEX #F70FFF

RGB 247 15 255

HSL 298, 1%, 0.53%

LAB 59.28, 96.11, -62.58

 

Description

Color code: HEX #FF83104C | qconv.com Color code: HEX #FF83104C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 131 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 131 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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