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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF7E2ABF it is the complementary color #0081D5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF7E2ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF7E2ABF shade: #FF7E25BF, #FF9038BF, #FFA24BBF, #FFB45EBF and #FFC671BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF7E2ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF7E2ABF shade: #FF7E2ABF, #EE6C17BF, #DD5A04BF, #CC4800BF and #BB3600BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF7E2ABF shade: #FF7D29, #FF4429 and #FF2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF7E2ABF shade: #FF7D29, #FFB729, #FFF129, #D3FF29 and #9AFF29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF7E2ABF shade matches the following richer shades: #FF7D29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF7E2ABF shade: #FF7D29, #EE813A, #DC854B, #CB885D and #BA8C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF7E2ABF shade: #FF2949, #FF4229, #FF7B29, #FFB429 and #FFED29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF7E2ABF shade: #D55400, #FF6400, #FF7D29, #FF9652 and #FFAF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF7E2ABF shade: #FF7E2A, #82FF29 and #292CFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF7E2ABF shade: #FF7E2A, #29FF7B and #7B29FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF7E2ABF shade: #FF7E2A, #82FF29, #29ADFF and #A629FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF7E2ABF shade: #FF7E2A, #42FF29, #29ADFF and #E629FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 63 / 0

HEX #FF7E2ABF

RGBA 255 126 42 0.75

HSLA 23.66, 1%, 0.58%, 0.75

LABA 66.79, 44.41, 64.1, 0.75

 

Complementary color

CMYK 75 / 30 / 0 / 12

HEX #0081D5BF

RGBA 0 129 213 0.75

HSLA 203.66, 1%, 0.42%, 0.75

LABA 52.4, 1.86, -51.21, 0.75

 

CMYK 0 / 38 / 64 / 0

HEX #FF7E25BF

RGBA 255 126 37 0.75

HSLA 24.5, 1%, 0.57%, 0.75

LABA 66.76, 44.29, 65.85, 0.75

 

CMYK 0 / 33 / 59 / 0

HEX #FF9038BF

RGBA 255 144 56 0.75

HSLA 26.53, 1%, 0.61%, 0.75

LABA 70.52, 35.82, 62.01, 0.75

 

CMYK 0 / 27 / 53 / 0

HEX #FFA24BBF

RGBA 255 162 75 0.75

HSLA 29, 1%, 0.65%, 0.75

LABA 74.58, 27.32, 57.88, 0.75

 

CMYK 0 / 22 / 47 / 0

HEX #FFB45EBF

RGBA 255 180 94 0.75

HSLA 32.05, 1%, 0.68%, 0.75

LABA 78.87, 18.98, 53.79, 0.75

 

CMYK 0 / 17 / 42 / 0

HEX #FFC671BF

RGBA 255 198 113 0.75

HSLA 35.92, 1%, 0.72%, 0.75

LABA 83.36, 10.92, 49.9, 0.75

 

CMYK 0 / 38 / 63 / 0

HEX #FF7E2ABF

RGBA 255 126 42 0.75

HSLA 23.66, 1%, 0.58%, 0.75

LABA 66.79, 44.41, 64.1, 0.75

 

CMYK 0 / 41 / 68 / 5

HEX #EE6C17BF

RGBA 238 108 23 0.75

HSLA 23.72, 0.86%, 0.51%, 0.75

LABA 60.75, 46.29, 64.47, 0.75

 

CMYK 0 / 44 / 74 / 10

HEX #DD5A04BF

RGBA 221 90 4 0.75

HSLA 23.78, 0.96%, 0.44%, 0.75

LABA 54.75, 48.2, 63.46, 0.75

 

CMYK 0 / 49 / 75 / 15

HEX #CC4800BF

RGBA 204 72 0 0.75

HSLA 21.18, 1%, 0.4%, 0.75

LABA 48.85, 50.05, 59.59, 0.75

 

CMYK 0 / 53 / 75 / 20

HEX #BB3600BF

RGBA 187 54 0 0.75

HSLA 17.33, 1%, 0.37%, 0.75

LABA 43.07, 51.52, 55, 0.75

 

CMYK 0 / 51 / 84 / 0

HEX #FF7D29

RGB 255 125 41

HSL 23.55, 1%, 0.58%

LAB 66.59, 44.87, 64.3

 

CMYK 0 / 73 / 84 / 0

HEX #FF4429

RGB 255 68 41

HSL 7.57, 1%, 0.58%

LAB 57.61, 68.64, 56.63

 

CMYK 0 / 84 / 84 / 0

HEX #FF2929

RGB 255 41 41

HSL 0, 1%, 0.58%

LAB 55.08, 75.77, 54.43

 

CMYK 0 / 51 / 84 / 0

HEX #FF7D29

RGB 255 125 41

HSL 23.55, 1%, 0.58%

LAB 66.59, 44.87, 64.3

 

CMYK 0 / 28 / 84 / 0

HEX #FFB729

RGB 255 183 41

HSL 39.81, 1%, 0.58%

LAB 79.21, 15.12, 74.88

 

CMYK 0 / 5 / 84 / 0

HEX #FFF129

RGB 255 241 41

HSL 56.07, 1%, 0.58%

LAB 93.59, -14.29, 86.77

 

CMYK 17 / 0 / 84 / 0

HEX #D3FF29

RGB 211 255 41

HSL 72.34, 1%, 0.58%

LAB 94.11, -38.61, 85.9

 

CMYK 40 / 0 / 84 / 0

HEX #9AFF29

RGB 154 255 41

HSL 88.32, 1%, 0.58%

LAB 91.03, -59.1, 82.05

 

CMYK 0 / 51 / 84 / 0

HEX #FF7D29

RGB 255 125 41

HSL 23.55, 1%, 0.58%

LAB 66.59, 44.87, 64.3

 

CMYK 0 / 51 / 84 / 0

HEX #FF7D29

RGB 255 125 41

HSL 23.55, 1%, 0.58%

LAB 66.59, 44.87, 64.3

 

CMYK 0 / 46 / 76 / 7

HEX #EE813A

RGB 238 129 58

HSL 23.67, 0.84%, 0.58%

LAB 65.11, 36.82, 55.08

 

CMYK 0 / 40 / 66 / 14

HEX #DC854B

RGB 220 133 75

HSL 24, 0.67%, 0.58%

LAB 63.75, 28.33, 44.74

 

CMYK 0 / 33 / 54 / 20

HEX #CB885D

RGB 203 136 93

HSL 23.45, 0.51%, 0.58%

LAB 62.59, 21.03, 33.38

 

CMYK 0 / 25 / 41 / 27

HEX #BA8C6E

RGB 186 140 110

HSL 23.68, 0.36%, 0.58%

LAB 61.93, 13.52, 22.81

 

CMYK 0 / 84 / 71 / 0

HEX #FF2949

RGB 255 41 73

HSL 351.03, 1%, 0.58%

LAB 55.41, 76.75, 37.55

 

CMYK 0 / 74 / 84 / 0

HEX #FF4229

RGB 255 66 41

HSL 7.01, 1%, 0.58%

LAB 57.38, 69.28, 56.43

 

CMYK 0 / 52 / 84 / 0

HEX #FF7B29

RGB 255 123 41

HSL 22.99, 1%, 0.58%

LAB 66.2, 45.84, 63.97

 

CMYK 0 / 29 / 84 / 0

HEX #FFB429

RGB 255 180 41

HSL 38.97, 1%, 0.58%

LAB 78.5, 16.68, 74.29

 

CMYK 0 / 7 / 84 / 0

HEX #FFED29

RGB 255 237 41

HSL 54.95, 1%, 0.58%

LAB 92.57, -12.34, 85.93

 

CMYK 0 / 61 / 100 / 16

HEX #D55400

RGB 213 84 0

HSL 23.66, 1%, 0.42%

LAB 52.38, 47.97, 62.29

 

CMYK 0 / 61 / 100 / 0

HEX #FF6400

RGB 255 100 0

HSL 23.53, 1%, 0.5%

LAB 61.98, 55.88, 71.16

HEX #FF6400

CMYK 0 / 51 / 84 / 0

HEX #FF7D29

RGB 255 125 41

HSL 23.55, 1%, 0.58%

LAB 66.59, 44.87, 64.3

HEX #FF7D29

CMYK 0 / 41 / 68 / 0

HEX #FF9652

RGB 255 150 82

HSL 23.58, 1%, 0.66%

LAB 72.02, 33.89, 51.81

HEX #FF9652

CMYK 0 / 31 / 52 / 0

HEX #FFAF7B

RGB 255 175 123

HSL 23.64, 1%, 0.74%

LAB 78.08, 23.74, 38.34

HEX #FFAF7B

CMYK 0 / 51 / 84 / 0

HEX #FF7E2A

RGB 255 126 42

HSL 23.66, 1%, 0.58%

LAB 66.79, 44.41, 64.1

 

CMYK 49 / 0 / 84 / 0

HEX #82FF29

RGB 130 255 41

HSL 95.05, 1%, 0.58%

LAB 90.06, -66.39, 80.82

 

CMYK 84 / 83 / 0 / 0

HEX #292CFF

RGB 41 44 255

HSL 239.16, 1%, 0.58%

LAB 36.92, 68.64, -100.14

 

CMYK 0 / 51 / 84 / 0

HEX #FF7E2A

RGB 255 126 42

HSL 23.66, 1%, 0.58%

LAB 66.79, 44.41, 64.1

 

CMYK 84 / 0 / 52 / 0

HEX #29FF7B

RGB 41 255 123

HSL 142.99, 1%, 0.58%

LAB 88.65, -75.6, 49.15

 

CMYK 52 / 84 / 0 / 0

HEX #7B29FF

RGB 123 41 255

HSL 262.99, 1%, 0.58%

LAB 42.79, 75.33, -90.22

 

CMYK 0 / 51 / 84 / 0

HEX #FF7E2A

RGB 255 126 42

HSL 23.66, 1%, 0.58%

LAB 66.79, 44.41, 64.1

 

CMYK 49 / 0 / 84 / 0

HEX #82FF29

RGB 130 255 41

HSL 95.05, 1%, 0.58%

LAB 90.06, -66.39, 80.82

 

CMYK 84 / 32 / 0 / 0

HEX #29ADFF

RGB 41 173 255

HSL 202.99, 1%, 0.58%

LAB 67.71, -6.2, -50.13

 

CMYK 35 / 84 / 0 / 0

HEX #A629FF

RGB 166 41 255

HSL 275.05, 1%, 0.58%

LAB 48.15, 80.4, -81.21

 

CMYK 0 / 51 / 84 / 0

HEX #FF7E2A

RGB 255 126 42

HSL 23.66, 1%, 0.58%

LAB 66.79, 44.41, 64.1

 

CMYK 74 / 0 / 84 / 0

HEX #42FF29

RGB 66 255 41

HSL 112.99, 1%, 0.58%

LAB 88.37, -80.22, 78.69

 

CMYK 84 / 32 / 0 / 0

HEX #29ADFF

RGB 41 173 255

HSL 202.99, 1%, 0.58%

LAB 67.71, -6.2, -50.13

 

CMYK 10 / 84 / 0 / 0

HEX #E629FF

RGB 230 41 255

HSL 292.99, 1%, 0.58%

LAB 57.68, 89.96, -65.3

 

Description

Color code: HEX #FF7E2ABF | qconv.com Color code: HEX #FF7E2ABF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from HKS®-number (HKS 00) to RGB red green blue

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HKS® to HEX

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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