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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF78AC3F it is the complementary color #0087533F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF78AC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF78AC3F shade: #FF78A73F, #FF8ABA3F, #FF9CCD3F, #FFAEE03F and #FFC0F33F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF78AC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF78AC3F shade: #FF78AC3F, #EE66993F, #DD54863F, #CC42733F and #BB30603F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF78AC3F shade: #FF7AAD, #FF7A8A and #FF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF78AC3F shade: #FF7AAD, #FF7AD1, #FF7AF5, #E57AFF and #C17AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF78AC3F shade matches the following richer shades: #FF7AAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF78AC3F shade: #FF7AAD, #F485B0, #EA90B2, #DF9BB5 and #D4A5B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF78AC3F shade: #FF7AF6, #FF7AD3, #FF7AAF, #FF7A8C and #FF8C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF78AC3F shade: #FF287B, #FF5194, #FF7AAD, #FFA4C7 and #FFCDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF78AC3F shade: #FF78AC, #FFE47A and #7AE4FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF78AC3F shade: #FF78AC, #AFFF7A and #7AAFFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF78AC3F shade: #FF78AC, #FFE47A, #7AFFCA and #7A95FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF78AC3F shade: #FF78AC, #F2FF7A, #7AFFCA and #887AFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 8 / 0

HEX #FF78AC3F

RGBA 255 120 172 0.25

HSLA 336.89, 1%, 0.74%, 0.25

LABA 67.78, 56.56, -2.72, 0.25

 

Complementary color

CMYK 25 / 0 / 10 / 12

HEX #0087533F

RGBA 0 135 83 0.25

HSLA 156.89, 1%, 0.26%, 0.25

LABA 49.44, -44.26, 19.37, 0.25

 

CMYK 0 / 13 / 9 / 0

HEX #FF78A73F

RGBA 255 120 167 0.25

HSLA 339.11, 1%, 0.74%, 0.25

LABA 67.64, 55.98, -0.1, 0.25

 

CMYK 0 / 11 / 7 / 0

HEX #FF8ABA3F

RGBA 255 138 186 0.25

HSLA 335.38, 1%, 0.77%, 0.25

LABA 71.54, 49.64, -5.02, 0.25

 

CMYK 0 / 10 / 5 / 0

HEX #FF9CCD3F

RGBA 255 156 205 0.25

HSLA 330.3, 1%, 0.81%, 0.25

LABA 75.73, 43.21, -9.31, 0.25

 

CMYK 0 / 8 / 3 / 0

HEX #FFAEE03F

RGBA 255 174 224 0.25

HSLA 322.96, 1%, 0.84%, 0.25

LABA 80.13, 36.81, -13.08, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FFC0F33F

RGBA 255 192 243 0.25

HSLA 311.43, 1%, 0.88%, 0.25

LABA 84.71, 30.55, -16.4, 0.25

 

CMYK 0 / 13 / 8 / 0

HEX #FF78AC3F

RGBA 255 120 172 0.25

HSLA 336.89, 1%, 0.74%, 0.25

LABA 67.78, 56.56, -2.72, 0.25

 

CMYK 0 / 14 / 9 / 2

HEX #EE66993F

RGBA 238 102 153 0.25

HSLA 337.5, 0.8%, 0.67%, 0.25

LABA 61.64, 57.24, -1.18, 0.25

 

CMYK 0 / 15 / 10 / 3

HEX #DD54863F

RGBA 221 84 134 0.25

HSLA 338.1, 0.67%, 0.6%, 0.25

LABA 55.52, 57.78, 0.65, 0.25

 

CMYK 0 / 17 / 11 / 5

HEX #CC42733F

RGBA 204 66 115 0.25

HSLA 338.7, 0.58%, 0.53%, 0.25

LABA 49.46, 58.06, 2.88, 0.25

 

CMYK 0 / 19 / 12 / 7

HEX #BB30603F

RGBA 187 48 96 0.25

HSLA 339.28, 0.59%, 0.46%, 0.25

LABA 43.54, 57.89, 5.64, 0.25

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 52 / 46 / 0

HEX #FF7A8A

RGB 255 122 138

HSL 352.78, 1%, 0.74%

LAB 67.29, 51.99, 15.8

 

CMYK 0 / 52 / 52 / 0

HEX #FF7A7A

RGB 255 122 122

HSL 0, 1%, 0.74%

LAB 66.96, 50.58, 24.37

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 52 / 18 / 0

HEX #FF7AD1

RGB 255 122 209

HSL 320.75, 1%, 0.74%

LAB 69.31, 60.49, -21.18

 

CMYK 0 / 52 / 4 / 0

HEX #FF7AF5

RGB 255 122 245

HSL 304.51, 1%, 0.74%

LAB 70.71, 66.03, -38.91

 

CMYK 10 / 52 / 0 / 0

HEX #E57AFF

RGB 229 122 255

HSL 288.27, 1%, 0.74%

LAB 67.87, 60.93, -49.07

 

CMYK 24 / 52 / 0 / 0

HEX #C17AFF

RGB 193 122 255

HSL 272.03, 1%, 0.74%

LAB 63.73, 51.71, -55.89

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 45 / 28 / 4

HEX #F485B0

RGB 244 133 176

HSL 336.76, 0.83%, 0.74%

LAB 68.85, 47.16, -3.56

 

CMYK 0 / 38 / 24 / 8

HEX #EA90B2

RGB 234 144 178

HSL 337.33, 0.68%, 0.74%

LAB 69.93, 38.39, -3.24

 

CMYK 0 / 30 / 19 / 13

HEX #DF9BB5

RGB 223 155 181

HSL 337.06, 0.52%, 0.74%

LAB 71.19, 29.12, -3.2

 

CMYK 0 / 22 / 14 / 17

HEX #D4A5B7

RGB 212 165 183

HSL 337.02, 0.35%, 0.74%

LAB 72.45, 20.1, -2.59

 

CMYK 0 / 52 / 4 / 0

HEX #FF7AF6

RGB 255 122 246

HSL 304.06, 1%, 0.74%

LAB 70.76, 66.19, -39.39

 

CMYK 0 / 52 / 17 / 0

HEX #FF7AD3

RGB 255 122 211

HSL 319.85, 1%, 0.74%

LAB 69.39, 60.78, -22.19

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AAF

RGB 255 122 175

HSL 336.09, 1%, 0.74%

LAB 68.22, 55.98, -3.76

 

CMYK 0 / 52 / 45 / 0

HEX #FF7A8C

RGB 255 122 140

HSL 351.88, 1%, 0.74%

LAB 67.33, 52.18, 14.73

 

CMYK 0 / 45 / 52 / 0

HEX #FF8C7A

RGB 255 140 122

HSL 8.12, 1%, 0.74%

LAB 70.47, 41.73, 29.03

 

CMYK 0 / 84 / 52 / 0

HEX #FF287B

RGB 255 40 123

HSL 336.84, 1%, 0.58%

LAB 56.3, 79.73, 9.08

 

CMYK 0 / 68 / 42 / 0

HEX #FF5194

RGB 255 81 148

HSL 336.9, 1%, 0.66%

LAB 61.03, 70.32, 1.16

 

CMYK 0 / 52 / 32 / 0

HEX #FF7AAD

RGB 255 122 173

HSL 336.99, 1%, 0.74%

LAB 68.16, 55.74, -2.72

 

CMYK 0 / 36 / 22 / 0

HEX #FFA4C7

RGB 255 164 199

HSL 336.92, 1%, 0.82%

LAB 77.24, 38.22, -3.79

 

CMYK 0 / 20 / 12 / 0

HEX #FFCDE0

RGB 255 205 224

HSL 337.2, 1%, 0.9%

LAB 87.15, 20.56, -2.68

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AC

RGB 255 120 172

HSL 336.89, 1%, 0.74%

LAB 67.78, 56.56, -2.72

 

CMYK 0 / 11 / 52 / 0

HEX #FFE47A

RGB 255 228 122

HSL 47.82, 1%, 0.74%

LAB 90.85, -3.72, 54.55

 

CMYK 52 / 11 / 0 / 0

HEX #7AE4FF

RGB 122 228 255

HSL 192.18, 1%, 0.74%

LAB 85.43, -23.52, -22.52

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AC

RGB 255 120 172

HSL 336.89, 1%, 0.74%

LAB 67.78, 56.56, -2.72

 

CMYK 31 / 0 / 52 / 0

HEX #AFFF7A

RGB 175 255 122

HSL 96.09, 1%, 0.74%

LAB 92.59, -46.54, 55.31

 

CMYK 52 / 31 / 0 / 0

HEX #7AAFFF

RGB 122 175 255

HSL 216.09, 1%, 0.74%

LAB 70.88, 4.54, -44.95

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AC

RGB 255 120 172

HSL 336.89, 1%, 0.74%

LAB 67.78, 56.56, -2.72

 

CMYK 0 / 11 / 52 / 0

HEX #FFE47A

RGB 255 228 122

HSL 47.82, 1%, 0.74%

LAB 90.85, -3.72, 54.55

 

CMYK 52 / 0 / 21 / 0

HEX #7AFFCA

RGB 122 255 202

HSL 156.09, 1%, 0.74%

LAB 91.65, -48.75, 14.29

 

CMYK 52 / 42 / 0 / 0

HEX #7A95FF

RGB 122 149 255

HSL 227.82, 1%, 0.74%

LAB 64.04, 19.5, -55.76

 

CMYK 0 / 53 / 33 / 0

HEX #FF78AC

RGB 255 120 172

HSL 336.89, 1%, 0.74%

LAB 67.78, 56.56, -2.72

 

CMYK 5 / 0 / 52 / 0

HEX #F2FF7A

RGB 242 255 122

HSL 65.86, 1%, 0.74%

LAB 96.74, -22.09, 61.22

 

CMYK 52 / 0 / 21 / 0

HEX #7AFFCA

RGB 122 255 202

HSL 156.09, 1%, 0.74%

LAB 91.65, -48.75, 14.29

 

CMYK 47 / 52 / 0 / 0

HEX #887AFF

RGB 136 122 255

HSL 246.32, 1%, 0.74%

LAB 58.39, 38.29, -64.74

 

Description

Color code: HEX #FF78AC3F | qconv.com Color code: HEX #FF78AC3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 120 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 120 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 8 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 8% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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