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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF770F it is the complementary color #0088F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF770F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF770F: #FF770A, #FF891D, #FF9B30, #FFAD43 and #FFBF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF770F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF770F: #FF770F, #EE6500, #DD5300, #CC4100 and #BB2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

Complementary color

CMYK 100 / 43 / 0 / 6

HEX #0088F0

RGB 0 136 240

HSL 206, 1%, 0.47%

LAB 55.99, 8.06, -60.58

 

CMYK 0 / 53 / 96 / 0

HEX #FF770A

RGB 255 119 10

HSL 26.69, 1%, 0.52%

LAB 65.34, 47.28, 71.52

 

CMYK 0 / 46 / 89 / 0

HEX #FF891D

RGB 255 137 29

HSL 28.67, 1%, 0.56%

LAB 68.92, 38.67, 69.98

 

CMYK 0 / 39 / 81 / 0

HEX #FF9B30

RGB 255 155 48

HSL 31.01, 1%, 0.59%

LAB 72.84, 29.9, 67.2

 

CMYK 0 / 32 / 74 / 0

HEX #FFAD43

RGB 255 173 67

HSL 33.83, 1%, 0.63%

LAB 77.01, 21.22, 63.83

 

CMYK 0 / 25 / 66 / 0

HEX #FFBF56

RGB 255 191 86

HSL 37.28, 1%, 0.67%

LAB 81.4, 12.76, 60.26

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 0 / 58 / 100 / 7

HEX #EE6500

RGB 238 101 0

HSL 25.46, 1%, 0.47%

LAB 59.42, 49.34, 68.31

 

CMYK 0 / 62 / 100 / 13

HEX #DD5300

RGB 221 83 0

HSL 22.53, 1%, 0.43%

LAB 53.56, 51.3, 63.64

 

CMYK 0 / 68 / 100 / 20

HEX #CC4100

RGB 204 65 0

HSL 19.12, 1%, 0.4%

LAB 47.78, 52.95, 59.05

 

CMYK 0 / 75 / 100 / 27

HEX #BB2F00

RGB 187 47 0

HSL 15.08, 1%, 0.37%

LAB 42.15, 54.05, 54.57

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 0 / 38 / 94 / 0

HEX #FF9F0F

RGB 255 159 15

HSL 36, 1%, 0.53%

LAB 73.6, 27.18, 76.26

 

CMYK 0 / 22 / 94 / 0

HEX #FFC70F

RGB 255 199 15

HSL 46, 1%, 0.53%

LAB 82.99, 6.37, 82.93

 

CMYK 0 / 6 / 94 / 0

HEX #FFEF0F

RGB 255 239 15

HSL 56, 1%, 0.53%

LAB 93.03, -13.74, 90.33

 

CMYK 9 / 0 / 94 / 0

HEX #E7FF0F

RGB 231 255 15

HSL 66, 1%, 0.53%

LAB 95.39, -31.19, 91.31

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 0 / 53 / 94 / 80

HEX #331803

RGB 51 24 3

HSL 26.25, 0.89%, 0.11%

LAB 11.71, 11.52, 16.49

 

CMYK 0 / 53 / 94 / 60

HEX #663006

RGB 102 48 6

HSL 26.25, 0.89%, 0.21%

LAB 26.6, 21.59, 34.67

 

CMYK 0 / 54 / 94 / 40

HEX #994709

RGB 153 71 9

HSL 25.83, 0.89%, 0.32%

LAB 40.08, 31.1, 47.44

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 60 / 0 / 94 / 0

HEX #67FF0F

RGB 103 255 15

HSL 98, 1%, 0.53%

LAB 89.13, -74.01, 83.7

 

CMYK 91 / 94 / 0 / 0

HEX #170FFF

RGB 23 15 255

HSL 242, 1%, 0.53%

LAB 33.44, 77.03, -105.95

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 94 / 0 / 53 / 0

HEX #0FFF77

RGB 15 255 119

HSL 146, 1%, 0.53%

LAB 88.43, -77.66, 50.68

 

CMYK 53 / 94 / 0 / 0

HEX #770FFF

RGB 119 15 255

HSL 266, 1%, 0.53%

LAB 40.38, 80.83, -94.21

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 60 / 0 / 94 / 0

HEX #67FF0F

RGB 103 255 15

HSL 98, 1%, 0.53%

LAB 89.13, -74.01, 83.7

 

CMYK 94 / 41 / 0 / 0

HEX #0F97FF

RGB 15 151 255

HSL 206, 1%, 0.53%

LAB 61.18, 5.14, -60.52

 

CMYK 35 / 94 / 0 / 0

HEX #A70FFF

RGB 167 15 255

HSL 278, 1%, 0.53%

LAB 46.68, 85.31, -83.61

 

CMYK 0 / 53 / 94 / 0

HEX #FF770F

RGB 255 119 15

HSL 26, 1%, 0.53%

LAB 65.35, 47.32, 70.68

 

CMYK 88 / 0 / 94 / 0

HEX #1FFF0F

RGB 31 255 15

HSL 116, 1%, 0.53%

LAB 87.89, -84.68, 82.18

 

CMYK 94 / 41 / 0 / 0

HEX #0F97FF

RGB 15 151 255

HSL 206, 1%, 0.53%

LAB 61.18, 5.14, -60.52

 

CMYK 6 / 94 / 0 / 0

HEX #EF0FFF

RGB 239 15 255

HSL 296, 1%, 0.53%

LAB 57.95, 94.88, -64.79

 

Description

Color code: HEX #FF770F | qconv.com Color code: HEX #FF770F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 119 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 119 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 94 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 94% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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