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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6965 it is the complementary color #00969A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6965: #FF6960, #FF7B73, #FF8D86, #FF9F99 and #FFB1AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6965: #FF6965, #EE5752, #DD453F, #CC332C and #BB2119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

Complementary color

CMYK 100 / 3 / 0 / 40

HEX #00969A

RGB 0 150 154

HSL 181.56, 1%, 0.3%

LAB 56.23, -31.09, -11.61

 

CMYK 0 / 59 / 62 / 0

HEX #FF6960

RGB 255 105 96

HSL 3.4, 1%, 0.69%

LAB 63.51, 56.55, 34.42

 

CMYK 0 / 52 / 55 / 0

HEX #FF7B73

RGB 255 123 115

HSL 3.43, 1%, 0.73%

LAB 67.02, 49.54, 28.35

 

CMYK 0 / 45 / 47 / 0

HEX #FF8D86

RGB 255 141 134

HSL 3.47, 1%, 0.76%

LAB 70.89, 42.29, 22.99

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 0 / 31 / 33 / 0

HEX #FFB1AC

RGB 255 177 172

HSL 3.61, 1%, 0.84%

LAB 79.43, 27.83, 14.05

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 0 / 63 / 66 / 7

HEX #EE5752

RGB 238 87 82

HSL 1.92, 0.82%, 0.63%

LAB 57.66, 57.8, 34.4

 

CMYK 0 / 69 / 71 / 13

HEX #DD453F

RGB 221 69 63

HSL 2.28, 0.7%, 0.56%

LAB 51.82, 58.53, 37.47

 

CMYK 0 / 75 / 78 / 20

HEX #CC332C

RGB 204 51 44

HSL 2.63, 0.65%, 0.49%

LAB 46.16, 58.88, 40.94

 

CMYK 0 / 82 / 87 / 27

HEX #BB2119

RGB 187 33 25

HSL 2.96, 0.76%, 0.42%

LAB 40.77, 58.58, 44.55

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 0 / 49 / 60 / 0

HEX #FF8265

RGB 255 130 101

HSL 11.3, 1%, 0.7%

LAB 68.14, 45.13, 37.46

 

CMYK 0 / 39 / 60 / 0

HEX #FF9B65

RGB 255 155 101

HSL 21.04, 1%, 0.7%

LAB 73.31, 32.47, 43.8

 

CMYK 0 / 29 / 60 / 0

HEX #FFB565

RGB 255 181 101

HSL 31.17, 1%, 0.7%

LAB 79.18, 18.91, 50.79

 

CMYK 0 / 19 / 60 / 0

HEX #FFCE65

RGB 255 206 101

HSL 40.91, 1%, 0.7%

LAB 85.17, 5.92, 57.69

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 0 / 59 / 61 / 80

HEX #331514

RGB 51 21 20

HSL 1.94, 0.44%, 0.14%

LAB 11.21, 14.99, 7.62

 

CMYK 0 / 59 / 61 / 60

HEX #662A28

RGB 102 42 40

HSL 1.94, 0.44%, 0.28%

LAB 25.67, 26.86, 14.62

 

CMYK 0 / 59 / 60 / 40

HEX #993F3D

RGB 153 63 61

HSL 1.3, 0.43%, 0.42%

LAB 39.01, 37.56, 20.28

 

CMYK 0 / 59 / 60 / 20

HEX #CC5451

RGB 204 84 81

HSL 1.46, 0.55%, 0.56%

LAB 51.58, 47.46, 26.15

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 13 / 0 / 60 / 0

HEX #DDFF65

RGB 221 255 101

HSL 73.25, 1%, 0.7%

LAB 95.09, -31.8, 67.96

 

CMYK 60 / 37 / 0 / 0

HEX #65A0FF

RGB 101 160 255

HSL 217.01, 1%, 0.7%

LAB 65.85, 8.93, -52.96

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 60 / 0 / 59 / 0

HEX #65FF68

RGB 101 255 104

HSL 121.17, 1%, 0.7%

LAB 89.53, -69.17, 58.94

 

CMYK 59 / 60 / 0 / 0

HEX #6865FF

RGB 104 101 255

HSL 241.17, 1%, 0.7%

LAB 51.23, 44.52, -76.44

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 13 / 0 / 60 / 0

HEX #DDFF65

RGB 221 255 101

HSL 73.25, 1%, 0.7%

LAB 95.09, -31.8, 67.96

 

CMYK 60 / 1 / 0 / 0

HEX #65FCFF

RGB 101 252 255

HSL 181.17, 1%, 0.7%

LAB 91.51, -38.75, -13.42

 

CMYK 47 / 60 / 0 / 0

HEX #8765FF

RGB 135 101 255

HSL 253.25, 1%, 0.7%

LAB 53.68, 49.98, -72.34

 

CMYK 0 / 59 / 60 / 0

HEX #FF6965

RGB 255 105 101

HSL 1.56, 1%, 0.7%

LAB 63.59, 56.87, 31.72

 

CMYK 31 / 0 / 60 / 0

HEX #AFFF65

RGB 175 255 101

HSL 91.17, 1%, 0.7%

LAB 92.39, -48.55, 64.21

 

CMYK 60 / 1 / 0 / 0

HEX #65FCFF

RGB 101 252 255

HSL 181.17, 1%, 0.7%

LAB 91.51, -38.75, -13.42

 

CMYK 29 / 60 / 0 / 0

HEX #B565FF

RGB 181 101 255

HSL 271.17, 1%, 0.7%

LAB 58.37, 59.56, -64.55

 

Description

Color code: HEX #FF6965 | qconv.com Color code: HEX #FF6965 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 105 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 105 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 60% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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