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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6729 it is the complementary color #0098D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6729: #FF6724, #FF7937, #FF8B4A, #FF9D5D and #FFAF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6729: #FF6729, #EE5516, #DD4303, #CC3100 and #BB1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

Complementary color

CMYK 100 / 29 / 0 / 16

HEX #0098D6

RGB 0 152 214

HSL 197.38, 1%, 0.42%

LAB 59.26, -11.18, -40.91

 

CMYK 0 / 60 / 86 / 0

HEX #FF6724

RGB 255 103 36

HSL 18.36, 1%, 0.57%

LAB 62.58, 55.01, 62.81

 

CMYK 0 / 53 / 78 / 0

HEX #FF7937

RGB 255 121 55

HSL 19.8, 1%, 0.61%

LAB 65.91, 47.21, 58.02

 

CMYK 0 / 45 / 71 / 0

HEX #FF8B4A

RGB 255 139 74

HSL 21.55, 1%, 0.65%

LAB 69.63, 39.1, 53.05

 

CMYK 0 / 38 / 64 / 0

HEX #FF9D5D

RGB 255 157 93

HSL 23.7, 1%, 0.68%

LAB 73.65, 30.91, 48.26

 

CMYK 0 / 31 / 56 / 0

HEX #FFAF70

RGB 255 175 112

HSL 26.43, 1%, 0.72%

LAB 77.93, 22.85, 43.81

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 0 / 64 / 91 / 7

HEX #EE5516

RGB 238 85 22

HSL 17.5, 0.86%, 0.51%

LAB 56.81, 56.59, 61.98

 

CMYK 0 / 70 / 99 / 13

HEX #DD4303

RGB 221 67 3

HSL 17.61, 0.97%, 0.44%

LAB 51.14, 57.85, 61.7

 

CMYK 0 / 76 / 100 / 20

HEX #CC3100

RGB 204 49 0

HSL 14.41, 1%, 0.4%

LAB 45.68, 58.71, 58.07

 

CMYK 0 / 83 / 100 / 27

HEX #BB1F00

RGB 187 31 0

HSL 9.95, 1%, 0.37%

LAB 40.48, 58.73, 53.86

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 0 / 46 / 84 / 0

HEX #FF8928

RGB 255 137 40

HSL 27.07, 1%, 0.58%

LAB 68.97, 38.9, 66.65

 

CMYK 0 / 33 / 84 / 0

HEX #FFAC28

RGB 255 172 40

HSL 36.84, 1%, 0.58%

LAB 76.63, 20.84, 73.02

 

CMYK 0 / 18 / 84 / 0

HEX #FFD028

RGB 255 208 40

HSL 46.88, 1%, 0.58%

LAB 85.26, 2.17, 80.15

 

CMYK 0 / 4 / 84 / 0

HEX #FFF428

RGB 255 244 40

HSL 56.93, 1%, 0.58%

LAB 94.36, -15.77, 87.61

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 0 / 59 / 84 / 80

HEX #331508

RGB 51 21 8

HSL 18.14, 0.73%, 0.12%

LAB 10.98, 13.9, 13.43

 

CMYK 0 / 60 / 84 / 60

HEX #662910

RGB 102 41 16

HSL 17.44, 0.73%, 0.23%

LAB 25.1, 25.9, 28.8

 

CMYK 0 / 59 / 84 / 40

HEX #993E19

RGB 153 62 25

HSL 17.34, 0.72%, 0.35%

LAB 38.35, 36.13, 39.97

 

CMYK 0 / 60 / 84 / 20

HEX #CC5221

RGB 204 82 33

HSL 17.19, 0.72%, 0.46%

LAB 50.67, 46.11, 50.65

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 41 / 0 / 84 / 0

HEX #97FF28

RGB 151 255 40

HSL 89.02, 1%, 0.58%

LAB 90.9, -60.09, 82.09

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 84 / 0 / 60 / 0

HEX #28FF65

RGB 40 255 101

HSL 137.02, 1%, 0.58%

LAB 88.41, -78.53, 58.64

 

CMYK 60 / 84 / 0 / 0

HEX #6528FF

RGB 101 40 255

HSL 257.02, 1%, 0.58%

LAB 40.42, 73.62, -94.21

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 41 / 0 / 84 / 0

HEX #97FF28

RGB 151 255 40

HSL 89.02, 1%, 0.58%

LAB 90.9, -60.09, 82.09

 

CMYK 84 / 24 / 0 / 0

HEX #28C2FF

RGB 40 194 255

HSL 197.02, 1%, 0.58%

LAB 73.71, -17.64, -40.71

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 0 / 60 / 84 / 0

HEX #FF6729

RGB 255 103 41

HSL 17.38, 1%, 0.58%

LAB 62.61, 55.12, 60.92

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 84 / 24 / 0 / 0

HEX #28C2FF

RGB 40 194 255

HSL 197.02, 1%, 0.58%

LAB 73.71, -17.64, -40.71

 

CMYK 18 / 84 / 0 / 0

HEX #D028FF

RGB 208 40 255

HSL 286.88, 1%, 0.58%

LAB 54.18, 86.67, -71.12

 

Description

Color code: HEX #FF6729 | qconv.com Color code: HEX #FF6729 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 103 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 103 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 84 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 84% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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