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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF5842 it is the complementary color #00A7BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF5842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF5842: #FF583D, #FF6A50, #FF7C63, #FF8E76 and #FFA089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF5842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF5842: #FF5842, #EE462F, #DD341C, #CC2209 and #BB1000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

Complementary color

CMYK 100 / 12 / 0 / 26

HEX #00A7BD

RGB 0 167 189

HSL 186.98, 1%, 0.37%

LAB 62.77, -27.93, -21.49

 

CMYK 0 / 65 / 76 / 0

HEX #FF583D

RGB 255 88 61

HSL 8.35, 1%, 0.62%

LAB 60.41, 62.01, 49.65

 

CMYK 0 / 58 / 69 / 0

HEX #FF6A50

RGB 255 106 80

HSL 8.91, 1%, 0.66%

LAB 63.46, 55.22, 43.1

 

CMYK 0 / 51 / 61 / 0

HEX #FF7C63

RGB 255 124 99

HSL 9.62, 1%, 0.69%

LAB 66.96, 47.92, 37.07

 

CMYK 0 / 44 / 54 / 0

HEX #FF8E76

RGB 255 142 118

HSL 10.51, 1%, 0.73%

LAB 70.81, 40.4, 31.65

 

CMYK 0 / 37 / 46 / 0

HEX #FFA089

RGB 255 160 137

HSL 11.69, 1%, 0.77%

LAB 74.96, 32.84, 26.83

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 0 / 71 / 80 / 7

HEX #EE462F

RGB 238 70 47

HSL 7.23, 0.85%, 0.56%

LAB 54.83, 62.93, 50.11

 

CMYK 0 / 76 / 87 / 13

HEX #DD341C

RGB 221 52 28

HSL 7.46, 0.78%, 0.49%

LAB 49.39, 63.27, 52.95

 

CMYK 0 / 83 / 96 / 20

HEX #CC2209

RGB 204 34 9

HSL 7.69, 0.92%, 0.42%

LAB 44.23, 62.95, 54.71

 

CMYK 0 / 91 / 100 / 27

HEX #BB1000

RGB 187 16 0

HSL 5.13, 1%, 0.37%

LAB 39.47, 61.62, 53.47

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 0 / 55 / 74 / 0

HEX #FF7442

RGB 255 116 66

HSL 15.87, 1%, 0.63%

LAB 65.08, 50, 52.06

 

CMYK 0 / 42 / 74 / 0

HEX #FF9442

RGB 255 148 66

HSL 26.03, 1%, 0.63%

LAB 71.44, 34.16, 58.65

 

CMYK 0 / 30 / 74 / 0

HEX #FFB342

RGB 255 179 66

HSL 35.87, 1%, 0.63%

LAB 78.4, 18.04, 65.6

 

CMYK 0 / 18 / 74 / 0

HEX #FFD242

RGB 255 210 66

HSL 45.71, 1%, 0.63%

LAB 85.88, 1.99, 72.84

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 0 / 65 / 75 / 80

HEX #33120D

RGB 51 18 13

HSL 7.89, 0.59%, 0.13%

LAB 10.3, 16.21, 10.34

 

CMYK 0 / 66 / 75 / 60

HEX #66231A

RGB 102 35 26

HSL 7.11, 0.59%, 0.25%

LAB 24, 29.57, 21.69

 

CMYK 0 / 65 / 74 / 40

HEX #993528

RGB 153 53 40

HSL 6.9, 0.59%, 0.38%

LAB 36.88, 41.03, 30.39

 

CMYK 0 / 66 / 74 / 20

HEX #CC4635

RGB 204 70 53

HSL 6.75, 0.6%, 0.5%

LAB 48.85, 52.1, 38.89

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 22 / 0 / 74 / 0

HEX #C6FF42

RGB 198 255 66

HSL 78.1, 1%, 0.63%

LAB 93.42, -42.62, 78.5

 

CMYK 74 / 52 / 0 / 0

HEX #427AFF

RGB 66 122 255

HSL 222.22, 1%, 0.63%

LAB 54.34, 26.53, -71.48

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 74 / 0 / 67 / 0

HEX #42FF55

RGB 66 255 85

HSL 126.03, 1%, 0.63%

LAB 88.61, -77.3, 65.43

 

CMYK 67 / 74 / 0 / 0

HEX #5542FF

RGB 85 66 255

HSL 246.03, 1%, 0.63%

LAB 42.84, 61.3, -90.26

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 22 / 0 / 74 / 0

HEX #C6FF42

RGB 198 255 66

HSL 78.1, 1%, 0.63%

LAB 93.42, -42.62, 78.5

 

CMYK 74 / 7 / 0 / 0

HEX #42ECFF

RGB 66 236 255

HSL 186.03, 1%, 0.63%

LAB 86.19, -36.07, -21.5

 

CMYK 52 / 74 / 0 / 0

HEX #7A42FF

RGB 122 66 255

HSL 257.78, 1%, 0.63%

LAB 45.98, 65.63, -84.97

 

CMYK 0 / 65 / 74 / 0

HEX #FF5842

RGB 255 88 66

HSL 6.98, 1%, 0.63%

LAB 60.46, 62.19, 47.12

 

CMYK 45 / 0 / 74 / 0

HEX #8DFF42

RGB 141 255 66

HSL 96.19, 1%, 0.63%

LAB 90.59, -62, 74.8

 

CMYK 74 / 7 / 0 / 0

HEX #42ECFF

RGB 66 236 255

HSL 186.03, 1%, 0.63%

LAB 86.19, -36.07, -21.5

 

CMYK 30 / 74 / 0 / 0

HEX #B342FF

RGB 179 66 255

HSL 275.87, 1%, 0.63%

LAB 52.62, 74.46, -73.85

 

Description

Color code: HEX #FF5842 | qconv.com Color code: HEX #FF5842 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 88 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 88 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 74 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 74% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - AfterSerie - Prolong...
Link: http://afterserie.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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