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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF57DB it is the complementary color #00A824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF57DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF57DB shade: #FF57D6, #FF69E9, #FF7BFC, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF57DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF57DB shade: #FF57DB, #EE45C8, #DD33B5, #CC21A2 and #BB0F8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF57DB shade: #FF57DB, #FF57AE, #FF5780 and #FF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF57DB shade: #FF57DB, #F657FF, #C857FF, #9B57FF and #6E57FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF57DB shade matches the following richer shades: #FF57DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF57DB shade: #FF57DB, #F164D3, #E472CB, #D680C4 and #C98DBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF57DB shade: #C757FF, #F457FF, #FF57DD, #FF57B0 and #FF5784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF57DB shade: #FF04C9, #FF2DD2, #FF57DB, #FF80E4 and #FFA9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF57DB shade: #FF57DB, #FF9A57 and #57FFDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF57DB shade: #FF57DB, #DDFF57 and #57DDFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF57DB shade: #FF57DB, #FF9A57, #57FF78 and #57BCFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF57DB shade: #FF57DB, #FFCD57, #57FF78 and #5789FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

Complementary color

CMYK 100 / 0 / 79 / 34

HEX #00A824

RGB 0 168 36

HSL 132.86, 1%, 0.33%

LAB 60.01, -61.56, 53.51

 

CMYK 0 / 66 / 16 / 0

HEX #FF57D6

RGB 255 87 214

HSL 314.64, 1%, 0.67%

LAB 64.11, 75.84, -31.98

 

CMYK 0 / 59 / 9 / 0

HEX #FF69E9

RGB 255 105 233

HSL 308.8, 1%, 0.71%

LAB 67.46, 71.54, -37.37

 

CMYK 0 / 52 / 1 / 0

HEX #FF7BFC

RGB 255 123 252

HSL 301.36, 1%, 0.74%

LAB 71.18, 66.74, -42.01

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 71 / 16 / 7

HEX #EE45C8

RGB 238 69 200

HSL 313.49, 0.83%, 0.6%

LAB 58.61, 76.08, -32.8

 

CMYK 0 / 77 / 18 / 13

HEX #DD33B5

RGB 221 51 181

HSL 314.12, 0.71%, 0.53%

LAB 53.03, 75.08, -30.73

 

CMYK 0 / 84 / 21 / 20

HEX #CC21A2

RGB 204 33 162

HSL 314.74, 0.72%, 0.46%

LAB 47.67, 73.29, -28.13

 

CMYK 0 / 92 / 24 / 27

HEX #BB0F8F

RGB 187 15 143

HSL 315.35, 0.85%, 0.4%

LAB 42.6, 70.42, -24.81

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 66 / 32 / 0

HEX #FF57AE

RGB 255 87 174

HSL 328.93, 1%, 0.67%

LAB 62.62, 70.82, -11.52

 

CMYK 0 / 66 / 50 / 0

HEX #FF5780

RGB 255 87 128

HSL 345.36, 1%, 0.67%

LAB 61.34, 66.32, 13.23

 

CMYK 0 / 66 / 66 / 0

HEX #FF5757

RGB 255 87 87

HSL 0, 1%, 0.67%

LAB 60.57, 63.55, 35.8

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 4 / 66 / 0 / 0

HEX #F657FF

RGB 246 87 255

HSL 296.79, 1%, 0.67%

LAB 64.67, 79.93, -54

 

CMYK 22 / 66 / 0 / 0

HEX #C857FF

RGB 200 87 255

HSL 280.36, 1%, 0.67%

LAB 58.34, 70.09, -64.48

 

CMYK 39 / 66 / 0 / 0

HEX #9B57FF

RGB 155 87 255

HSL 264.29, 1%, 0.67%

LAB 52.95, 61.08, -73.43

 

CMYK 57 / 66 / 0 / 0

HEX #6E57FF

RGB 110 87 255

HSL 248.21, 1%, 0.67%

LAB 48.7, 53.37, -80.55

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 59 / 12 / 5

HEX #F164D3

RGB 241 100 211

HSL 312.77, 0.83%, 0.67%

LAB 63.77, 66.65, -30.98

 

CMYK 0 / 50 / 11 / 11

HEX #E472CB

RGB 228 114 203

HSL 313.16, 0.68%, 0.67%

LAB 64.03, 55.39, -26.23

 

CMYK 0 / 40 / 8 / 16

HEX #D680C4

RGB 214 128 196

HSL 312.56, 0.51%, 0.67%

LAB 64.74, 42.87, -21.36

 

CMYK 0 / 30 / 6 / 21

HEX #C98DBC

RGB 201 141 188

HSL 313, 0.36%, 0.67%

LAB 65.82, 30.22, -15.35

 

CMYK 22 / 66 / 0 / 0

HEX #C757FF

RGB 199 87 255

HSL 280, 1%, 0.67%

LAB 58.21, 69.88, -64.69

 

CMYK 4 / 66 / 0 / 0

HEX #F457FF

RGB 244 87 255

HSL 296.07, 1%, 0.67%

LAB 64.38, 79.5, -54.47

 

CMYK 0 / 66 / 13 / 0

HEX #FF57DD

RGB 255 87 221

HSL 312.14, 1%, 0.67%

LAB 64.4, 76.81, -35.45

 

CMYK 0 / 66 / 31 / 0

HEX #FF57B0

RGB 255 87 176

HSL 328.21, 1%, 0.67%

LAB 62.69, 71.04, -12.57

 

CMYK 0 / 66 / 48 / 0

HEX #FF5784

RGB 255 87 132

HSL 343.93, 1%, 0.67%

LAB 61.43, 66.65, 11.04

 

CMYK 0 / 98 / 21 / 0

HEX #FF04C9

RGB 255 4 201

HSL 312.91, 1%, 0.51%

LAB 57.62, 91.15, -34.69

 

CMYK 0 / 82 / 18 / 0

HEX #FF2DD2

RGB 255 45 210

HSL 312.86, 1%, 0.59%

LAB 59.7, 87.35, -36.58

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 50 / 11 / 0

HEX #FF80E4

RGB 255 128 228

HSL 312.76, 1%, 0.75%

LAB 71.08, 60.53, -29.01

 

CMYK 0 / 34 / 7 / 0

HEX #FFA9ED

RGB 255 169 237

HSL 312.56, 1%, 0.83%

LAB 79.47, 41.55, -21.09

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 40 / 66 / 0

HEX #FF9A57

RGB 255 154 87

HSL 23.93, 1%, 0.67%

LAB 72.93, 32.11, 50.4

 

CMYK 66 / 0 / 13 / 0

HEX #57FFDD

RGB 87 255 221

HSL 167.86, 1%, 0.67%

LAB 91.13, -50.89, 3.61

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 13 / 0 / 66 / 0

HEX #DDFF57

RGB 221 255 87

HSL 72.14, 1%, 0.67%

LAB 94.98, -32.73, 73.33

 

CMYK 66 / 13 / 0 / 0

HEX #57DDFF

RGB 87 221 255

HSL 192.14, 1%, 0.67%

LAB 82.36, -26.23, -27.29

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 40 / 66 / 0

HEX #FF9A57

RGB 255 154 87

HSL 23.93, 1%, 0.67%

LAB 72.93, 32.11, 50.4

 

CMYK 66 / 0 / 53 / 0

HEX #57FF78

RGB 87 255 120

HSL 131.79, 1%, 0.67%

LAB 89.35, -70.01, 51.55

 

CMYK 66 / 26 / 0 / 0

HEX #57BCFF

RGB 87 188 255

HSL 203.93, 1%, 0.67%

LAB 73.03, -9.18, -41.7

 

CMYK 0 / 66 / 14 / 0

HEX #FF57DB

RGB 255 87 219

HSL 312.86, 1%, 0.67%

LAB 64.32, 76.53, -34.47

 

CMYK 0 / 20 / 66 / 0

HEX #FFCD57

RGB 255 205 87

HSL 42.14, 1%, 0.67%

LAB 84.8, 5.57, 63.48

 

CMYK 66 / 0 / 53 / 0

HEX #57FF78

RGB 87 255 120

HSL 131.79, 1%, 0.67%

LAB 89.35, -70.01, 51.55

 

CMYK 66 / 46 / 0 / 0

HEX #5789FF

RGB 87 137 255

HSL 222.14, 1%, 0.67%

LAB 59.1, 20.19, -63.76

 

Description

Color code: HEX #FF57DB | qconv.com Color code: HEX #FF57DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 87 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 87 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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