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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF53DB it is the complementary color #00AC24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF53DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF53DB shade: #FF53D6, #FF65E9, #FF77FC, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF53DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF53DB shade: #FF53DB, #EE41C8, #DD2FB5, #CC1DA2 and #BB0B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF53DB shade: #FF51DA, #FF51AB, #FF517D and #FF5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF53DB shade: #FF51DA, #F451FF, #C551FF, #9751FF and #6851FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF53DB shade matches the following richer shades: #FF51DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF53DB shade: #FF51DA, #F05FD2, #E26DCA, #D47BC2 and #C689BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF53DB shade: #C551FF, #F351FF, #FF51DC, #FF51AE and #FF517F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF53DB shade: #FE00C8, #FF28D2, #FF51DA, #FF7AE3 and #FFA4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF53DB shade: #FF53DB, #FF9651 and #51FFDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF53DB shade: #FF53DB, #DCFF51 and #51DCFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF53DB shade: #FF53DB, #FF9651, #51FF74 and #51B9FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF53DB shade: #FF53DB, #FFCA51, #51FF74 and #5185FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

Complementary color

CMYK 100 / 0 / 79 / 33

HEX #00AC24

RGB 0 172 36

HSL 132.56, 1%, 0.34%

LAB 61.34, -62.72, 54.8

 

CMYK 0 / 67 / 16 / 0

HEX #FF53D6

RGB 255 83 214

HSL 314.3, 1%, 0.66%

LAB 63.59, 77.27, -32.78

 

CMYK 0 / 60 / 9 / 0

HEX #FF65E9

RGB 255 101 233

HSL 308.57, 1%, 0.7%

LAB 66.86, 73.18, -38.3

 

CMYK 0 / 53 / 1 / 0

HEX #FF77FC

RGB 255 119 252

HSL 301.32, 1%, 0.73%

LAB 70.51, 68.54, -43.05

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

CMYK 0 / 73 / 16 / 7

HEX #EE41C8

RGB 238 65 200

HSL 313.18, 0.84%, 0.59%

LAB 58.16, 77.35, -33.5

 

CMYK 0 / 79 / 18 / 13

HEX #DD2FB5

RGB 221 47 181

HSL 313.79, 0.72%, 0.53%

LAB 52.67, 76.13, -31.31

 

CMYK 0 / 86 / 21 / 20

HEX #CC1DA2

RGB 204 29 162

HSL 314.4, 0.75%, 0.46%

LAB 47.4, 74.07, -28.55

 

CMYK 0 / 94 / 24 / 27

HEX #BB0B8F

RGB 187 11 143

HSL 315, 0.89%, 0.39%

LAB 42.44, 70.88, -25.06

 

CMYK 0 / 68 / 15 / 0

HEX #FF51DA

RGB 255 81 218

HSL 312.76, 1%, 0.66%

LAB 63.51, 78.51, -35.15

 

CMYK 0 / 68 / 33 / 0

HEX #FF51AB

RGB 255 81 171

HSL 328.97, 1%, 0.66%

LAB 61.73, 72.68, -11.13

 

CMYK 0 / 68 / 51 / 0

HEX #FF517D

RGB 255 81 125

HSL 344.83, 1%, 0.66%

LAB 60.45, 68.33, 13.74

 

CMYK 0 / 68 / 68 / 0

HEX #FF5151

RGB 255 81 81

HSL 0, 1%, 0.66%

LAB 59.65, 65.53, 38.05

 

CMYK 0 / 68 / 15 / 0

HEX #FF51DA

RGB 255 81 218

HSL 312.76, 1%, 0.66%

LAB 63.51, 78.51, -35.15

 

CMYK 4 / 68 / 0 / 0

HEX #F451FF

RGB 244 81 255

HSL 296.21, 1%, 0.66%

LAB 63.62, 81.63, -55.68

 

CMYK 23 / 68 / 0 / 0

HEX #C551FF

RGB 197 81 255

HSL 280, 1%, 0.66%

LAB 57.05, 71.97, -66.56

 

CMYK 41 / 68 / 0 / 0

HEX #9751FF

RGB 151 81 255

HSL 264.14, 1%, 0.66%

LAB 51.48, 63.23, -75.85

 

CMYK 59 / 68 / 0 / 0

HEX #6851FF

RGB 104 81 255

HSL 247.93, 1%, 0.66%

LAB 47.04, 55.76, -83.29

 

CMYK 0 / 68 / 15 / 0

HEX #FF51DA

RGB 255 81 218

HSL 312.76, 1%, 0.66%

LAB 63.51, 78.51, -35.15

 

CMYK 0 / 68 / 15 / 0

HEX #FF51DA

RGB 255 81 218

HSL 312.76, 1%, 0.66%

LAB 63.51, 78.51, -35.15

 

CMYK 0 / 60 / 13 / 6

HEX #F05FD2

RGB 240 95 210

HSL 312.41, 0.83%, 0.66%

LAB 62.81, 68.34, -31.91

 

CMYK 0 / 52 / 11 / 11

HEX #E26DCA

RGB 226 109 202

HSL 312.31, 0.67%, 0.66%

LAB 62.82, 57.03, -27.55

 

CMYK 0 / 42 / 8 / 17

HEX #D47BC2

RGB 212 123 194

HSL 312.13, 0.51%, 0.66%

LAB 63.39, 44.51, -22.31

 

CMYK 0 / 31 / 6 / 22

HEX #C689BA

RGB 198 137 186

HSL 311.8, 0.35%, 0.66%

LAB 64.52, 31.03, -16.24

 

CMYK 23 / 68 / 0 / 0

HEX #C551FF

RGB 197 81 255

HSL 280, 1%, 0.66%

LAB 57.05, 71.97, -66.56

 

CMYK 5 / 68 / 0 / 0

HEX #F351FF

RGB 243 81 255

HSL 295.86, 1%, 0.66%

LAB 63.47, 81.42, -55.92

 

CMYK 0 / 68 / 14 / 0

HEX #FF51DC

RGB 255 81 220

HSL 312.07, 1%, 0.66%

LAB 63.6, 78.79, -36.14

 

CMYK 0 / 68 / 32 / 0

HEX #FF51AE

RGB 255 81 174

HSL 327.93, 1%, 0.66%

LAB 61.83, 73.01, -12.71

 

CMYK 0 / 68 / 50 / 0

HEX #FF517F

RGB 255 81 127

HSL 344.14, 1%, 0.66%

LAB 60.5, 68.49, 12.63

 

CMYK 0 / 100 / 21 / 0

HEX #FE00C8

RGB 254 0 200

HSL 312.76, 1%, 0.5%

LAB 57.31, 91.1, -34.62

 

CMYK 0 / 84 / 18 / 0

HEX #FF28D2

RGB 255 40 210

HSL 312.56, 1%, 0.58%

LAB 59.37, 88.3, -37.09

 

CMYK 0 / 68 / 15 / 0

HEX #FF51DA

RGB 255 81 218

HSL 312.76, 1%, 0.66%

LAB 63.51, 78.51, -35.15

 

CMYK 0 / 52 / 11 / 0

HEX #FF7AE3

RGB 255 122 227

HSL 312.63, 1%, 0.74%

LAB 69.98, 63.17, -30.14

 

CMYK 0 / 36 / 8 / 0

HEX #FFA4EB

RGB 255 164 235

HSL 313.19, 1%, 0.82%

LAB 78.35, 43.8, -21.71

 

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

CMYK 0 / 41 / 68 / 0

HEX #FF9651

RGB 255 150 81

HSL 23.79, 1%, 0.66%

LAB 72.01, 33.84, 52.28

 

CMYK 68 / 0 / 14 / 0

HEX #51FFDC

RGB 81 255 220

HSL 167.93, 1%, 0.66%

LAB 90.98, -51.99, 3.9

 

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

CMYK 14 / 0 / 68 / 0

HEX #DCFF51

RGB 220 255 81

HSL 72.07, 1%, 0.66%

LAB 94.88, -33.46, 75.39

 

CMYK 68 / 14 / 0 / 0

HEX #51DCFF

RGB 81 220 255

HSL 192.07, 1%, 0.66%

LAB 81.92, -26.59, -27.97

 

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

CMYK 0 / 41 / 68 / 0

HEX #FF9651

RGB 255 150 81

HSL 23.79, 1%, 0.66%

LAB 72.01, 33.84, 52.28

 

CMYK 68 / 0 / 55 / 0

HEX #51FF74

RGB 81 255 116

HSL 132.07, 1%, 0.66%

LAB 89.17, -71.57, 53.13

 

CMYK 68 / 27 / 0 / 0

HEX #51B9FF

RGB 81 185 255

HSL 204.14, 1%, 0.66%

LAB 72.01, -8.45, -43.31

 

CMYK 0 / 67 / 14 / 0

HEX #FF53DB

RGB 255 83 219

HSL 312.56, 1%, 0.66%

LAB 63.8, 77.96, -35.26

 

CMYK 0 / 21 / 68 / 0

HEX #FFCA51

RGB 255 202 81

HSL 41.72, 1%, 0.66%

LAB 84.02, 6.79, 65.19

 

CMYK 68 / 0 / 55 / 0

HEX #51FF74

RGB 81 255 116

HSL 132.07, 1%, 0.66%

LAB 89.17, -71.57, 53.13

 

CMYK 68 / 48 / 0 / 0

HEX #5185FF

RGB 81 133 255

HSL 222.07, 1%, 0.66%

LAB 57.79, 21.72, -65.87

 

Description

Color code: HEX #FF53DB | qconv.com Color code: HEX #FF53DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 83 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 83 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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