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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF50E7 it is the complementary color #00AF18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF50E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF50E7 shade: #FF50E2, #FF62F5, #FF74FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF50E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF50E7 shade: #FF50E7, #EE3ED4, #DD2CC1, #CC1AAE and #BB089B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF50E7 shade: #FF52E7, #FF52B8, #FF528A, #FF525B and #FF5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF50E7 shade: #FF52E7, #E852FF, #B952FF, #8B52FF and #5C52FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF50E7 shade matches the following richer shades: #FF52E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF50E7 shade: #FF52E7, #F160DD, #E36ED3, #D57CC9 and #C78ABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF50E7 shade: #BA52FF, #E852FF, #FF52E8, #FF52BA and #FF528B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF50E7 shade: #FE00DB, #FF28E2, #FF52E7, #FF7BED and #FFA4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF50E7 shade: #FF50E7, #FF8B52 and #52FFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF50E7 shade: #FF50E7, #E8FF52 and #52E8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF50E7 shade: #FF50E7, #FF8B52, #52FF69 and #52C5FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF50E7 shade: #FF50E7, #FFBF52, #52FF69 and #5291FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

Complementary color

CMYK 100 / 0 / 86 / 31

HEX #00AF18

RGB 0 175 24

HSL 128.23, 1%, 0.34%

LAB 62.28, -64.25, 58.94

 

CMYK 0 / 69 / 11 / 0

HEX #FF50E2

RGB 255 80 226

HSL 309.94, 1%, 0.66%

LAB 63.74, 79.97, -39.28

 

CMYK 0 / 62 / 4 / 0

HEX #FF62F5

RGB 255 98 245

HSL 303.82, 1%, 0.69%

LAB 66.97, 76.22, -44.77

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

CMYK 0 / 74 / 11 / 7

HEX #EE3ED4

RGB 238 62 212

HSL 308.86, 0.84%, 0.59%

LAB 58.39, 79.9, -39.97

 

CMYK 0 / 80 / 13 / 13

HEX #DD2CC1

RGB 221 44 193

HSL 309.49, 0.72%, 0.52%

LAB 52.98, 78.46, -37.79

 

CMYK 0 / 87 / 15 / 20

HEX #CC1AAE

RGB 204 26 174

HSL 310.11, 0.77%, 0.45%

LAB 47.79, 76.14, -35.04

 

CMYK 0 / 96 / 17 / 27

HEX #BB089B

RGB 187 8 155

HSL 310.73, 0.92%, 0.38%

LAB 42.92, 72.66, -31.58

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 68 / 28 / 0

HEX #FF52B8

RGB 255 82 184

HSL 324.62, 1%, 0.66%

LAB 62.3, 73.81, -17.74

 

CMYK 0 / 68 / 46 / 0

HEX #FF528A

RGB 255 82 138

HSL 340.58, 1%, 0.66%

LAB 60.9, 69.05, 6.78

 

CMYK 0 / 68 / 64 / 0

HEX #FF525B

RGB 255 82 91

HSL 356.88, 1%, 0.66%

LAB 59.93, 65.68, 32.74

 

CMYK 0 / 68 / 68 / 0

HEX #FF5252

RGB 255 82 82

HSL 0, 1%, 0.66%

LAB 59.8, 65.21, 37.67

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 9 / 68 / 0 / 0

HEX #E852FF

RGB 232 82 255

HSL 292.02, 1%, 0.66%

LAB 62.01, 78.76, -58.35

 

CMYK 27 / 68 / 0 / 0

HEX #B952FF

RGB 185 82 255

HSL 275.72, 1%, 0.66%

LAB 55.65, 69.17, -68.9

 

CMYK 45 / 68 / 0 / 0

HEX #8B52FF

RGB 139 82 255

HSL 259.77, 1%, 0.66%

LAB 50.39, 60.65, -77.69

 

CMYK 64 / 68 / 0 / 0

HEX #5C52FF

RGB 92 82 255

HSL 243.47, 1%, 0.66%

LAB 46.35, 53.64, -84.45

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 60 / 8 / 5

HEX #F160DD

RGB 241 96 221

HSL 308.28, 0.84%, 0.66%

LAB 63.58, 69.84, -36.89

 

CMYK 0 / 52 / 7 / 11

HEX #E36ED3

RGB 227 110 211

HSL 308.21, 0.68%, 0.66%

LAB 63.5, 58.3, -31.56

 

CMYK 0 / 42 / 6 / 16

HEX #D57CC9

RGB 213 124 201

HSL 308.09, 0.51%, 0.66%

LAB 63.98, 45.5, -25.34

 

CMYK 0 / 31 / 5 / 22

HEX #C78ABE

RGB 199 138 190

HSL 308.85, 0.35%, 0.66%

LAB 64.99, 31.54, -17.76

 

CMYK 27 / 68 / 0 / 0

HEX #BA52FF

RGB 186 82 255

HSL 276.07, 1%, 0.66%

LAB 55.78, 69.37, -68.69

 

CMYK 9 / 68 / 0 / 0

HEX #E852FF

RGB 232 82 255

HSL 292.02, 1%, 0.66%

LAB 62.01, 78.76, -58.35

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E8

RGB 255 82 232

HSL 307.98, 1%, 0.66%

LAB 64.26, 80.15, -41.82

 

CMYK 0 / 68 / 27 / 0

HEX #FF52BA

RGB 255 82 186

HSL 323.93, 1%, 0.66%

LAB 62.37, 74.04, -18.77

 

CMYK 0 / 68 / 45 / 0

HEX #FF528B

RGB 255 82 139

HSL 340.23, 1%, 0.66%

LAB 60.92, 69.14, 6.24

 

CMYK 0 / 100 / 14 / 0

HEX #FE00DB

RGB 254 0 219

HSL 308.27, 1%, 0.5%

LAB 58.21, 93.36, -44.04

 

CMYK 0 / 84 / 11 / 0

HEX #FF28E2

RGB 255 40 226

HSL 308.09, 1%, 0.58%

LAB 60.13, 90.33, -44.95

 

CMYK 0 / 68 / 9 / 0

HEX #FF52E7

RGB 255 82 231

HSL 308.32, 1%, 0.66%

LAB 64.21, 80.01, -41.33

 

CMYK 0 / 52 / 7 / 0

HEX #FF7BED

RGB 255 123 237

HSL 308.18, 1%, 0.74%

LAB 70.55, 64.28, -34.77

 

CMYK 0 / 36 / 5 / 0

HEX #FFA4F3

RGB 255 164 243

HSL 307.91, 1%, 0.82%

LAB 78.63, 45.15, -25.62

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

CMYK 0 / 45 / 68 / 0

HEX #FF8B52

RGB 255 139 82

HSL 19.77, 1%, 0.66%

LAB 69.71, 39.5, 49.22

 

CMYK 68 / 0 / 18 / 0

HEX #52FFD1

RGB 82 255 209

HSL 164.05, 1%, 0.66%

LAB 90.74, -54.46, 9.24

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

CMYK 9 / 0 / 68 / 0

HEX #E8FF52

RGB 232 255 82

HSL 67.98, 1%, 0.66%

LAB 95.7, -28.72, 76.13

 

CMYK 68 / 9 / 0 / 0

HEX #52E8FF

RGB 82 232 255

HSL 187.98, 1%, 0.66%

LAB 85.37, -32.26, -22.72

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

CMYK 0 / 45 / 68 / 0

HEX #FF8B52

RGB 255 139 82

HSL 19.77, 1%, 0.66%

LAB 69.71, 39.5, 49.22

 

CMYK 68 / 0 / 59 / 0

HEX #52FF69

RGB 82 255 105

HSL 127.98, 1%, 0.66%

LAB 89.08, -72.73, 57.88

 

CMYK 68 / 23 / 0 / 0

HEX #52C5FF

RGB 82 197 255

HSL 200.12, 1%, 0.66%

LAB 75.42, -14.73, -37.99

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E7

RGB 255 80 231

HSL 308.23, 1%, 0.66%

LAB 63.97, 80.69, -41.71

 

CMYK 0 / 25 / 68 / 0

HEX #FFBF52

RGB 255 191 82

HSL 37.8, 1%, 0.66%

LAB 81.36, 12.54, 61.98

 

CMYK 68 / 0 / 59 / 0

HEX #52FF69

RGB 82 255 105

HSL 127.98, 1%, 0.66%

LAB 89.08, -72.73, 57.88

 

CMYK 68 / 43 / 0 / 0

HEX #5291FF

RGB 82 145 255

HSL 218.15, 1%, 0.66%

LAB 61.01, 14.62, -60.7

 

Description

Color code: HEX #FF50E7 | qconv.com Color code: HEX #FF50E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 80 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 80 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 9 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 9% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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