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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF5064 it is the complementary color #00AF9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF5064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF5064: #FF505F, #FF6272, #FF7485, #FF8698 and #FF98AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF5064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF5064: #FF5064, #EE3E51, #DD2C3E, #CC1A2B and #BB0818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

Complementary color

CMYK 100 / 0 / 11 / 31

HEX #00AF9B

RGB 0 175 155

HSL 173.14, 1%, 0.34%

LAB 64.18, -42.16, -0.39

 

CMYK 0 / 69 / 63 / 0

HEX #FF505F

RGB 255 80 95

HSL 354.86, 1%, 0.66%

LAB 59.73, 66.64, 30.19

 

CMYK 0 / 62 / 55 / 0

HEX #FF6272

RGB 255 98 114

HSL 353.89, 1%, 0.69%

LAB 62.68, 60.79, 23.16

 

CMYK 0 / 55 / 48 / 0

HEX #FF7485

RGB 255 116 133

HSL 352.66, 1%, 0.73%

LAB 66.09, 54.35, 16.98

 

CMYK 0 / 47 / 40 / 0

HEX #FF8698

RGB 255 134 152

HSL 351.07, 1%, 0.76%

LAB 69.88, 47.58, 11.57

 

CMYK 0 / 40 / 33 / 0

HEX #FF98AB

RGB 255 152 171

HSL 348.93, 1%, 0.8%

LAB 73.97, 40.69, 6.83

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 0 / 74 / 66 / 7

HEX #EE3E51

RGB 238 62 81

HSL 353.52, 0.84%, 0.59%

LAB 54.26, 67.02, 30.76

 

CMYK 0 / 80 / 72 / 13

HEX #DD2C3E

RGB 221 44 62

HSL 353.9, 0.72%, 0.52%

LAB 48.91, 66.55, 34.66

 

CMYK 0 / 87 / 79 / 20

HEX #CC1A2B

RGB 204 26 43

HSL 354.27, 0.77%, 0.45%

LAB 43.87, 65.28, 39.13

 

CMYK 0 / 96 / 87 / 27

HEX #BB0818

RGB 187 8 24

HSL 354.64, 0.92%, 0.38%

LAB 39.25, 62.9, 43.78

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 0 / 65 / 68 / 0

HEX #FF5A51

RGB 255 90 81

HSL 3.1, 1%, 0.66%

LAB 60.93, 62.06, 39.57

 

CMYK 0 / 53 / 68 / 0

HEX #FF7751

RGB 255 119 81

HSL 13.1, 1%, 0.66%

LAB 65.79, 49.27, 45.25

 

CMYK 0 / 42 / 68 / 0

HEX #FF9451

RGB 255 148 81

HSL 23.1, 1%, 0.66%

LAB 71.58, 34.87, 51.81

 

CMYK 0 / 31 / 68 / 0

HEX #FFB051

RGB 255 176 81

HSL 32.76, 1%, 0.66%

LAB 77.82, 20.32, 58.63

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 0 / 69 / 61 / 80

HEX #331014

RGB 51 16 20

HSL 353.14, 0.52%, 0.13%

LAB 9.99, 18.13, 5.92

 

CMYK 0 / 69 / 61 / 60

HEX #662028

RGB 102 32 40

HSL 353.14, 0.52%, 0.26%

LAB 23.71, 32.04, 12.03

 

CMYK 0 / 69 / 61 / 40

HEX #99303C

RGB 153 48 60

HSL 353.14, 0.52%, 0.39%

LAB 36.39, 44.44, 17.48

 

CMYK 0 / 69 / 61 / 20

HEX #CC4050

RGB 204 64 80

HSL 353.14, 0.58%, 0.53%

LAB 48.36, 55.98, 22.58

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 6 / 0 / 68 / 0

HEX #F0FF51

RGB 240 255 81

HSL 65.17, 1%, 0.66%

LAB 96.26, -25.61, 77.23

 

CMYK 68 / 33 / 0 / 0

HEX #51ABFF

RGB 81 171 255

HSL 208.97, 1%, 0.66%

LAB 68.09, -0.68, -49.46

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 60 / 0 / 68 / 0

HEX #65FF51

RGB 101 255 81

HSL 113.1, 1%, 0.66%

LAB 89.34, -71.36, 67.94

 

CMYK 68 / 60 / 0 / 0

HEX #5165FF

RGB 81 101 255

HSL 233.1, 1%, 0.66%

LAB 49.83, 41.23, -78.78

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 6 / 0 / 68 / 0

HEX #F0FF51

RGB 240 255 81

HSL 65.17, 1%, 0.66%

LAB 96.26, -25.61, 77.23

 

CMYK 68 / 0 / 8 / 0

HEX #51FFEA

RGB 81 255 234

HSL 172.76, 1%, 0.66%

LAB 91.33, -48.5, -2.84

 

CMYK 62 / 68 / 0 / 0

HEX #6051FF

RGB 96 81 255

HSL 245.17, 1%, 0.66%

LAB 46.43, 54.7, -84.3

 

CMYK 0 / 69 / 61 / 0

HEX #FF5064

RGB 255 80 100

HSL 353.14, 1%, 0.66%

LAB 59.81, 66.94, 27.42

 

CMYK 26 / 0 / 68 / 0

HEX #BCFF51

RGB 188 255 81

HSL 83.1, 1%, 0.66%

LAB 92.93, -45.46, 72.79

 

CMYK 68 / 0 / 8 / 0

HEX #51FFEA

RGB 81 255 234

HSL 172.76, 1%, 0.66%

LAB 91.33, -48.5, -2.84

 

CMYK 42 / 68 / 0 / 0

HEX #9451FF

RGB 148 81 255

HSL 263.1, 1%, 0.66%

LAB 51.15, 62.7, -76.4

 

Description

Color code: HEX #FF5064 | qconv.com Color code: HEX #FF5064 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 80 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 80 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 61 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 61% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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