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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4863CE it is the complementary color #00B79CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4863CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4863CE shade: #FF485ECE, #FF5A71CE, #FF6C84CE, #FF7E97CE and #FF90AACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4863CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4863CE shade: #FF4863CE, #EE3650CE, #DD243DCE, #CC122ACE and #BB0017CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4863CE shade: #FF4762 and #FF4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4863CE shade: #FF4762, #FF4794, #FF47C6, #FF47F7 and #D547FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4863CE shade matches the following richer shades: #FF4762

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4863CE shade: #FF4762, #F0566D, #E16577, #D27482 and #C4838C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4863CE shade: #FF47C5, #FF4794, #FF4763, #FF5D47 and #FF8E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4863CE shade: #F40024, #FF1E3F, #FF4762, #FF7186 and #FF9AA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4863CE shade: #FF4863, #F6FF47 and #47ACFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4863CE shade: #FF4863, #63FF47 and #4763FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4863CE shade: #FF4863, #F6FF47, #47FFE3 and #5147FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4863CE shade: #FF4863, #BFFF47, #47FFE3 and #8847FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 50 / 0

HEX #FF4863CE

RGBA 255 72 99 0.81

HSLA 351.15, 1%, 0.64%, 0.81

LABA 58.78, 69.67, 26.66, 0.81

 

Complementary color

CMYK 81 / 0 / 12 / 23

HEX #00B79CCE

RGBA 0 183 156 0.81

HSLA 171.15, 1%, 0.36%, 0.81

LABA 66.72, -45.29, 2.76, 0.81

 

CMYK 0 / 58 / 51 / 0

HEX #FF485ECE

RGBA 255 72 94 0.81

HSLA 352.79, 1%, 0.64%, 0.81

LABA 58.7, 69.38, 29.45, 0.81

 

CMYK 0 / 52 / 45 / 0

HEX #FF5A71CE

RGBA 255 90 113 0.81

HSLA 351.64, 1%, 0.68%, 0.81

LABA 61.45, 63.99, 22.08, 0.81

 

CMYK 0 / 47 / 39 / 0

HEX #FF6C84CE

RGBA 255 108 132 0.81

HSLA 350.2, 1%, 0.71%, 0.81

LABA 64.68, 57.9, 15.59, 0.81

 

CMYK 0 / 41 / 33 / 0

HEX #FF7E97CE

RGBA 255 126 151 0.81

HSLA 348.37, 1%, 0.75%, 0.81

LABA 68.33, 51.37, 9.93, 0.81

 

CMYK 0 / 35 / 27 / 0

HEX #FF90AACE

RGBA 255 144 170 0.81

HSLA 345.95, 1%, 0.78%, 0.81

LABA 72.3, 44.63, 4.98, 0.81

 

CMYK 0 / 58 / 50 / 0

HEX #FF4863CE

RGBA 255 72 99 0.81

HSLA 351.15, 1%, 0.64%, 0.81

LABA 58.78, 69.67, 26.66, 0.81

 

CMYK 0 / 63 / 54 / 5

HEX #EE3650CE

RGBA 238 54 80 0.81

HSLA 351.52, 0.84%, 0.57%, 0.81

LABA 53.38, 69.38, 30.25, 0.81

 

CMYK 0 / 68 / 59 / 11

HEX #DD243DCE

RGBA 221 36 61 0.81

HSLA 351.89, 0.73%, 0.5%, 0.81

LABA 48.22, 68.43, 34.45, 0.81

 

CMYK 0 / 74 / 64 / 16

HEX #CC122ACE

RGBA 204 18 42 0.81

HSLA 352.26, 0.84%, 0.44%, 0.81

LABA 43.41, 66.54, 39.22, 0.81

 

CMYK 0 / 81 / 71 / 22

HEX #BB0017CE

RGBA 187 0 23 0.81

HSLA 352.62, 1%, 0.37%, 0.81

LABA 38.94, 63.74, 44.03, 0.81

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 72 / 42 / 0

HEX #FF4794

RGB 255 71 148

HSL 334.89, 1%, 0.64%

LAB 59.8, 73.74, -0.64

 

CMYK 0 / 72 / 22 / 0

HEX #FF47C6

RGB 255 71 198

HSL 318.59, 1%, 0.64%

LAB 61.52, 79.18, -26.93

 

CMYK 0 / 72 / 3 / 0

HEX #FF47F7

RGB 255 71 247

HSL 302.61, 1%, 0.64%

LAB 63.74, 85.89, -50.97

 

CMYK 16 / 72 / 0 / 0

HEX #D547FF

RGB 213 71 255

HSL 286.3, 1%, 0.64%

LAB 57.92, 78.86, -65.06

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 64 / 55 / 6

HEX #F0566D

RGB 240 86 109

HSL 351.04, 0.84%, 0.64%

LAB 58.31, 60.62, 19.74

 

CMYK 0 / 55 / 47 / 12

HEX #E16577

RGB 225 101 119

HSL 351.29, 0.67%, 0.64%

LAB 58.65, 49.91, 14

 

CMYK 0 / 45 / 38 / 18

HEX #D27482

RGB 210 116 130

HSL 351.06, 0.51%, 0.64%

LAB 59.71, 38.26, 8.82

 

CMYK 0 / 33 / 29 / 23

HEX #C4838C

RGB 196 131 140

HSL 351.69, 0.36%, 0.64%

LAB 61.53, 26.27, 5.45

 

CMYK 0 / 72 / 23 / 0

HEX #FF47C5

RGB 255 71 197

HSL 318.91, 1%, 0.64%

LAB 61.48, 79.05, -26.42

 

CMYK 0 / 72 / 42 / 0

HEX #FF4794

RGB 255 71 148

HSL 334.89, 1%, 0.64%

LAB 59.8, 73.74, -0.64

 

CMYK 0 / 72 / 61 / 0

HEX #FF4763

RGB 255 71 99

HSL 350.87, 1%, 0.64%

LAB 58.67, 70.01, 26.5

 

CMYK 0 / 64 / 72 / 0

HEX #FF5D47

RGB 255 93 71

HSL 7.17, 1%, 0.64%

LAB 61.26, 60.38, 45.37

 

CMYK 0 / 44 / 72 / 0

HEX #FF8E47

RGB 255 142 71

HSL 23.15, 1%, 0.64%

LAB 70.22, 37.44, 55.1

 

CMYK 0 / 100 / 85 / 4

HEX #F40024

RGB 244 0 36

HSL 351.15, 1%, 0.48%

LAB 51.11, 77.88, 52.58

 

CMYK 0 / 88 / 75 / 0

HEX #FF1E3F

RGB 255 30 63

HSL 351.2, 1%, 0.56%

LAB 54.6, 78.32, 42.34

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 56 / 47 / 0

HEX #FF7186

RGB 255 113 134

HSL 351.13, 1%, 0.72%

LAB 65.59, 55.82, 15.7

 

CMYK 0 / 40 / 34 / 0

HEX #FF9AA9

RGB 255 154 169

HSL 351.09, 1%, 0.8%

LAB 74.34, 39.42, 8.47

 

CMYK 0 / 72 / 61 / 0

HEX #FF4863

RGB 255 72 99

HSL 351.15, 1%, 0.64%

LAB 58.78, 69.67, 26.66

 

CMYK 4 / 0 / 72 / 0

HEX #F6FF47

RGB 246 255 71

HSL 62.93, 1%, 0.64%

LAB 96.64, -23.69, 81.12

 

CMYK 72 / 33 / 0 / 0

HEX #47ACFF

RGB 71 172 255

HSL 207.07, 1%, 0.64%

LAB 68.07, -2.62, -49.52

 

CMYK 0 / 72 / 61 / 0

HEX #FF4863

RGB 255 72 99

HSL 351.15, 1%, 0.64%

LAB 58.78, 69.67, 26.66

 

CMYK 61 / 0 / 72 / 0

HEX #63FF47

RGB 99 255 71

HSL 110.87, 1%, 0.64%

LAB 89.22, -72.56, 71.34

 

CMYK 72 / 61 / 0 / 0

HEX #4763FF

RGB 71 99 255

HSL 230.87, 1%, 0.64%

LAB 48.86, 41.25, -80.38

 

CMYK 0 / 72 / 61 / 0

HEX #FF4863

RGB 255 72 99

HSL 351.15, 1%, 0.64%

LAB 58.78, 69.67, 26.66

 

CMYK 4 / 0 / 72 / 0

HEX #F6FF47

RGB 246 255 71

HSL 62.93, 1%, 0.64%

LAB 96.64, -23.69, 81.12

 

CMYK 72 / 0 / 11 / 0

HEX #47FFE3

RGB 71 255 227

HSL 170.87, 1%, 0.64%

LAB 90.96, -51.53, 0.23

 

CMYK 68 / 72 / 0 / 0

HEX #5147FF

RGB 81 71 255

HSL 243.26, 1%, 0.64%

LAB 43.47, 58.35, -89.21

 

CMYK 0 / 72 / 61 / 0

HEX #FF4863

RGB 255 72 99

HSL 351.15, 1%, 0.64%

LAB 58.78, 69.67, 26.66

 

CMYK 25 / 0 / 72 / 0

HEX #BFFF47

RGB 191 255 71

HSL 80.87, 1%, 0.64%

LAB 93.04, -44.96, 76.4

 

CMYK 72 / 0 / 11 / 0

HEX #47FFE3

RGB 71 255 227

HSL 170.87, 1%, 0.64%

LAB 90.96, -51.53, 0.23

 

CMYK 47 / 72 / 0 / 0

HEX #8847FF

RGB 136 71 255

HSL 261.2, 1%, 0.64%

LAB 48.21, 65.38, -81.25

 

Description

Color code: HEX #FF4863CE | qconv.com Color code: HEX #FF4863CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 72 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 72 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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